本文選題：場(chǎng)外理論 + 強(qiáng)制闡釋��； 參考：《探索與爭(zhēng)鳴》2015年01期

【摘要】：文學(xué)研究的泛文化現(xiàn)象的出現(xiàn)并非是進(jìn)入本世紀(jì)才有的,而是早在上世紀(jì)后半葉結(jié)構(gòu)主義文學(xué)理論衰落之后,解構(gòu)主義異軍突起,從而消解了語(yǔ)言中心主義,為文化理論的浮出地表奠定了基礎(chǔ)。之后崛起的新精神分析學(xué)、新歷史主義、新馬克思主義、后殖民主義、性別政治、文化研究以及生態(tài)批評(píng)等,無(wú)一不以文學(xué)和文化現(xiàn)象作為分析討論的對(duì)象,用以發(fā)展自己的理論話語(yǔ),但隱匿在這些批評(píng)理論話語(yǔ)中的仍然是文學(xué)性。因此我們也可以說(shuō),在各種理論批評(píng)話語(yǔ)中,文學(xué)性仍然幾乎無(wú)處不在。
[Abstract]:The emergence of pan-cultural phenomenon in literary studies is not only in this century, but as early as in the second half of the last century after the decline of structuralism literary theory, deconstructionism suddenly emerged, thus dispelling the centrism of language. It lays the foundation for the surfacing of cultural theory. The emerging new psychoanalysis, new historicism, neo-Marxism, post-colonialism, gender politics, cultural studies and ecological criticism all take literature and cultural phenomena as the objects of analysis and discussion. In order to develop their own theoretical discourse, but hidden in these critical theoretical discourse is still literariness. Therefore, we can also say that in various theoretical criticism discourse, literariness is still almost everywhere.
【作者單位】： 上海交通大學(xué)人文藝術(shù)研究院;
【分類號(hào)】：I0
，

本文編號(hào)：1963771