發(fā)布時間：2018-05-27 15:02

  本文選題：弗洛伊德 + 精神分析學(xué)�。� 參考：《蘇州大學(xué)》2008年博士論文

【摘要】： 弗洛伊德的精神分析思維兼有“科學(xué)性”與“藝術(shù)性”的特質(zhì),即使不考慮他的文學(xué)批評實(shí)績,也可以從中發(fā)現(xiàn)精神分析學(xué)與文學(xué)批評的必然聯(lián)系。《導(dǎo)論》重點(diǎn)闡明了這個道理;并交待了和這篇論文的研究有關(guān)的幾個問題。 第一章,精神分析的關(guān)鍵詞研究。包括夢、潛意識、力比多、兒童、壓抑、升華六個關(guān)鍵詞。夢的形成機(jī)制理論及釋夢方法給文學(xué)批評很多啟示。潛意識中潛藏的不僅僅是性欲,它構(gòu)成了人的思維活動的深廣臺基。對“力比多”的闡釋集中體現(xiàn)了弗洛伊德的“二元論”與“沖突”理念,彰明了創(chuàng)造的原動力。與此相關(guān)的,人類文化創(chuàng)造與兒童期有重要關(guān)聯(lián),兒童性欲說是精神分析學(xué)的一大基石。“壓抑”與生俱來,它的存在提供了力比多轉(zhuǎn)向升華的契機(jī)。“升華”是力比多的失性欲化實(shí)現(xiàn),升華的表現(xiàn)有很多,但弗洛伊德強(qiáng)調(diào)了其中的科學(xué)與藝術(shù)創(chuàng)造。系統(tǒng)理解精神分析學(xué)的關(guān)鍵詞,是理解精神分析學(xué)的理論基礎(chǔ),也是理解精神分析與文學(xué)批評關(guān)系的理論前提。 第二章,對作家的精神分析。包括“作家:常人與非常人之間”、“作家與性敏感”、“作家的幻想與自我分析”等三個部分的內(nèi)容。是依據(jù)精神分析學(xué)而對創(chuàng)作家的精神特質(zhì)與創(chuàng)作的心理機(jī)制作出的探討;闡析作家人格與思想情感的復(fù)雜性,揭示作家的心理特質(zhì)與創(chuàng)作的心理學(xué)意義。 第三章,對文學(xué)內(nèi)容的精神分析。有選擇地闡述了“人物形象的心理分析法”、“俄狄浦斯情結(jié)”、“愛情題材上的精神分析”三個方面。其中涉及弗洛伊德關(guān)于三種人物性格及塑造技巧的精到分析,并含俄狄浦斯情結(jié)的形成、表現(xiàn)及其變種,愛情與尊嚴(yán)、題材與情感體現(xiàn)等內(nèi)容。 第四章,精神分析的批評方法與策略研究。有“在‘細(xì)枝末節(jié)’中發(fā)現(xiàn)問題”和“找到‘沖突’與‘情結(jié)’所在”、“敘事中的分析法”、“意象與象征中的蘊(yùn)藏”、“以語詞為單位的分析”五部分。是根據(jù)弗洛伊德的病例分析、理論闡述、文學(xué)批評及暗示做出的總結(jié)與運(yùn)用,并探討精神分析學(xué)運(yùn)用于文學(xué)批評的可行性及在諸多方面的操作特征與要領(lǐng)。 第五章,討論中國對弗洛伊德學(xué)說的接受與“第二次弗洛伊德熱”。簡要回顧了弗洛伊德進(jìn)入中國的歷程,重點(diǎn)考察“第二次弗洛伊德熱”,并主要分析了文學(xué)研究界弗洛伊德熱的特征;粗略論及其后弗洛伊德學(xué)說運(yùn)用與研究的“轉(zhuǎn)型”現(xiàn)象;在考慮傳統(tǒng)影響、現(xiàn)實(shí)因素和科學(xué)思維形成規(guī)律的基礎(chǔ)上,分析了弗洛伊德與馬克思在中國的第二次相遇,闡述此現(xiàn)象的理論啟示意義。 總之,全文將弗洛伊德的精神分析學(xué)與文學(xué)結(jié)合起來思考,系統(tǒng)地探討弗洛伊德思想對于文學(xué)批評的有效性及運(yùn)用要領(lǐng)。
[Abstract]:Freud's psychoanalytic thinking has both the characteristics of "scientific" and "artistic", even if he does not consider his achievements in literary criticism. It is also possible to find the inevitable connection between psychoanalysis and literary criticism. The introduction focuses on this truth and explains several problems related to the study of this paper. The first chapter, the key word research of psychoanalysis. Including dreams, subconscious, libido, children, repression, sublimation six keywords. The theory of the formation mechanism of dreams and the method of interpreting dreams give a lot of enlightenment to literary criticism. What is hidden in the subconscious mind is not only sexual desire, but also the deep and wide base of human thinking. The interpretation of libido embodies Freud's idea of dualism and conflict, and shows the motive force of creation. Related to this, human cultural creation is closely related to childhood, and child libido is one of the cornerstones of psychoanalysis. Repression is innate, and its existence provides an opportunity for libido to turn to sublimation. Sublimation is the realization of libido's delivification, and there are many manifestations of sublimation, but Freud emphasizes the creation of science and art. Systematic understanding of the key words of psychoanalysis is the theoretical basis of understanding psychoanalysis and the theoretical premise of understanding the relationship between psychoanalysis and literary criticism. The second chapter, the writer's psychoanalysis. It includes three parts: writer: between ordinary people and non-ordinary people, writer and sex sensitivity, writer's fantasy and self-analysis. It is based on psychoanalysis to probe into the spiritual characteristics and the psychological mechanism of creation, to expound the complexity of the writer's personality and thought and emotion, and to reveal the psychological significance of the writer's psychological trait and creation. The third chapter, the psychoanalysis of the content of literature. This paper selectively expounds three aspects: psychological analysis of characters, Oedipus complex and psychoanalysis of love subject matter. It involves Freud's analysis of the three characters' characters and techniques, including the formation, expression and variation of Oedipus complex, love and dignity, subject matter and emotional embodiment, etc. Chapter four, the critical methods and strategies of psychoanalysis. There are five parts: finding problems in detail and finding out where conflict is and complex, analysis in narration, hidden in image and symbol, and analysis in terms of words. It is a summary and application of Freud's case analysis, theoretical elaboration, literary criticism and implication, and discusses the feasibility of applying psychoanalysis to literary criticism and its operational characteristics and essentials in many aspects. Chapter five discusses China's acceptance of Freud and the second Freud fever. This paper briefly reviews the course of Freud's entry into China, focuses on the "second Freud fever", mainly analyzes the characteristics of Freud's fever in literary research circles, briefly discusses the "transition" phenomenon of Freud's theory application and research since then; On the basis of considering the influence of tradition, realistic factors and the law of the formation of scientific thinking, this paper analyzes the second encounter between Freud and Marx in China, and expounds the theoretical significance of this phenomenon. In a word, the thesis combines Freud's psychoanalysis with literature, and systematically discusses the validity and application of Freud's thoughts to literary criticism.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2008
【分類號】：I06

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 田亞曼;弗洛伊德精神分析視閾下莫里森小說研究[D];上海外國語大學(xué);2012年

相關(guān)碩士學(xué)位論文 前5條

1 劉啟娜;文藝學(xué)視野中的俄狄浦斯情結(jié)[D];濟(jì)南大學(xué);2011年

2 沈光鵬;論弗洛伊德的藝術(shù)觀[D];河北大學(xué);2011年

3 龍海云;《不能承受的生命之輕》的弗洛伊德主義解讀[D];云南大學(xué);2010年

4 楊瀟;走向心靈與文明的深處[D];四川外語學(xué)院;2012年

5 王宏燕;中國現(xiàn)代心理分析小說的敘事研究[D];福建師范大學(xué);2012年

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本文編號：1942587