本文選題：敘事身體變遷 + 消費(fèi)��； 參考：《江西師范大學(xué)》2007年碩士論文

【摘要】： 身體是自我存在之所,也是文學(xué)敘事的要素之一。本文所探討的身體敘事并不只局限于身體寫(xiě)作,而是放眼更廣泛的敘事性文學(xué)作品,從相對(duì)客觀的視角,審視身體在不同時(shí)期敘事性作品中的變遷、特征與意義。通過(guò)作品看文學(xué)敘事中身體的變遷,通過(guò)變遷看敘事中身體書(shū)寫(xiě)的演變,透過(guò)演變看文學(xué)身體的文化思辯。 本文認(rèn)為,身體作為敘事的核心元素之一,在敘述性作品中總是處于不斷變遷的狀態(tài)。本文將敘事中的身體變遷大致分為禁錮的身體、戰(zhàn)斗的身體、迷失的身體、消費(fèi)的身體四類,身體訴求的不同不僅表現(xiàn)為身體本身的地位與價(jià)值差異,還在敘事手法上各具特色,如敘述者與讀者之間身體距離的改變、身體敘述速度的放緩、敘述者對(duì)身體敘述的無(wú)目的性表現(xiàn)等,造成這些變化的原因既與身體價(jià)值的轉(zhuǎn)向相關(guān),亦與社會(huì)轉(zhuǎn)型、國(guó)民思維轉(zhuǎn)變以及新的敘述媒介的出現(xiàn)有關(guān)。本文試圖通過(guò)研究這些現(xiàn)象,探究當(dāng)下以及未來(lái)身體敘事的利與弊。 從某種意義上說(shuō),身體敘事的變遷過(guò)程既記錄了文學(xué)敘事的發(fā)展史,同時(shí)也刻錄了人類社會(huì)的民族、政治、倫理、文化的變遷史。從古中國(guó)到古希臘,從東方到西方,從自然經(jīng)濟(jì)的封建社會(huì)到全球經(jīng)濟(jì)的現(xiàn)代社會(huì),不同時(shí)期的身體敘事在處置或表達(dá)身體的方式上既有驚人的統(tǒng)一性(如禁欲主義對(duì)身體的貶損);也有震撼心靈的對(duì)抗性(如戰(zhàn)斗的身體對(duì)禁錮的身體的顛覆),而正是因?yàn)樯眢w敘事這種多彩多姿的變遷景象,文學(xué)敘事的魅力才得以常變常新,引人入勝;人們的思想才逐漸由對(duì)文學(xué)身體的觀照轉(zhuǎn)為對(duì)文化身體的思考,進(jìn)而影響著哲學(xué)、政治、倫理道德等其他范疇人本位價(jià)值的發(fā)展。
[Abstract]:The body is the place of self existence and one of the elements of literary narrative. The body narrative discussed in this article is not confined to the body writing, but is a more extensive narrative literary work. From a relatively objective perspective, it examines the changes, features and meanings of the body in the narrative works of different periods. The change of body shows the evolution of body writing in the narrative through change and the cultural thinking of literary body through evolution.
As one of the core elements of narrative, the body is always in a state of continuous change in narrative works. The body changes in the narrative are divided into the confining body, the body of the battle, the lost body, the four types of consumption body, and the difference of the body's status and value not only in the body itself, but also in the body itself. The narrative technique has its own characteristics, such as the change of the body distance between the narrator and the reader, the slowing of the speed of the body narration, the narrator's purposeful expression of the body narration, and so on. The causes of these changes are related to the change of the body value, the transformation of the society, the transformation of the national thinking and the appearance of the new narrative medium. This paper attempts to explore the advantages and disadvantages of the present and future body narrative by studying these phenomena.
In a sense, the change process of the body narrative not only records the history of the development of the literary narrative, but also records the history of the ethnic, political, ethical and cultural changes of human society, from ancient China to ancient Greece, from the east to the west, from the feudal society of the natural economy to the modern society of the full sphere economy, and the body narration in different periods. There is an astonishing unity in the way of putting or expressing the body (such as the degrading of asceticism to the body), and the antagonism of the mind (such as the subversion of the body to the imprisoned body of the battle), and the charm of the literary narrative is constantly changing and fascinating, because of the variety of changes in the body's narrative. It is gradually from the view of the body of literature to the thinking of the body of the culture, and then the development of the human standard value in other categories, such as philosophy, politics, ethics and morality.

【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：I02

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 朱厚剛;文學(xué)身體的移易[D];廣西民族大學(xué);2010年

2 李石光;中國(guó)當(dāng)代小說(shuō)的身體修辭研究[D];湖南科技大學(xué);2011年

3 黃佳淑;臺(tái)灣現(xiàn)代派小說(shuō)的身體敘事[D];福建師范大學(xué);2011年

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本文編號(hào)：1883382