本文選題：馬克思 + 實踐觀�。� 參考：《中南大學(xué)》2007年碩士論文

【摘要】： 馬克思創(chuàng)立的實踐唯物主義新世界觀，是現(xiàn)代哲學(xué)史上的一場最深刻的革命，是包括認(rèn)識論、價值論、本體論在內(nèi)的全面革命。馬克思的實踐范疇的內(nèi)涵決不僅僅是物質(zhì)生產(chǎn)勞動，而是包括物質(zhì)生產(chǎn)勞動、革命實踐和人生實踐的統(tǒng)一的實踐概念。馬克思的實踐觀是將實踐概念引向人生在世，引向人的現(xiàn)實當(dāng)下生成，引向人類日常生活。因此，我們應(yīng)該把握馬克思的實踐范疇的豐富而開放的內(nèi)涵，完善和發(fā)展實踐美學(xué)，使實踐美學(xué)煥發(fā)新的理論生機。本文擬以馬克思的實踐觀及其對中國美學(xué)發(fā)展的意義為題展開論述。全文共分為五個部分： 第一部分是緒論部分，闡釋了實踐概念的演變，概述了傳統(tǒng)實踐美學(xué)對于馬克思的實踐概念及其美學(xué)意義的研究存在的不足，主要探討了建立在統(tǒng)一實踐概念上的美學(xué)的特點。 第二部分從馬克思的實踐觀的理論視角，馬克思的實踐觀的理論行程以及馬克思的實踐觀基本內(nèi)涵三個方面，對馬克思的實踐觀進(jìn)行全面把握。通過對西方傳統(tǒng)實踐觀的論述，揭示馬克思的實踐觀產(chǎn)生的理論根源，闡述了馬克思的實踐觀的發(fā)展過程，探討了馬克思的實踐觀的本真含義。 第三部分從實踐與人生在世以及審美的實踐性兩個方面，分析了實踐與人生在世的關(guān)系。從美和美感的歷史生成和現(xiàn)實當(dāng)下生成，審美活動的實踐性和審美關(guān)系的實踐性三個方面，，論證了審美是人類特殊的實踐活動，發(fā)掘了馬克思的實踐概念的美學(xué)價值與意義。 第四部分從中國當(dāng)代美學(xué)的流派中找到論爭的焦點，主要探討了回歸馬克思的實踐觀，走出中國當(dāng)代美學(xué)建設(shè)的某些誤區(qū)，消解學(xué)界對實踐美學(xué)的質(zhì)疑，探討了馬克思的實踐觀對于中國美學(xué)發(fā)展的意義和啟示。 第五部分是結(jié)語，回顧了不斷豐富、發(fā)展和進(jìn)步的中國實踐美學(xué)的各個典型流派的理論歷程，探討了完善中國實踐美學(xué)理論的新設(shè)想。
[Abstract]:The new world outlook of practical materialism founded by Marx is the most profound revolution in the history of modern philosophy and a comprehensive revolution including epistemology, axiology and ontology. The connotation of Marx's practice category is not only material production labor, but also the unified practical concept of material production labor, revolutionary practice and life practice. Marx's concept of practice is to lead the concept of practice to life, to the generation of human reality and to the daily life of human beings. Therefore, we should grasp the rich and open connotation of Marx's practice category, perfect and develop practical aesthetics, and make practice aesthetics radiate new theoretical vitality. This paper discusses Marx's view of practice and its significance to the development of Chinese aesthetics. The full text is divided into five parts: The first part is the introduction, which explains the evolution of the concept of practice, summarizes the shortcomings of the traditional practical aesthetics in the study of Marx's concept of practice and its aesthetic significance, and mainly discusses the characteristics of aesthetics based on the unified concept of practice. The second part comprehensively grasps Marx's view of practice from three aspects: the theoretical perspective of Marx's view of practice, the theoretical itinerary of Marx's view of practice and the basic connotation of Marx's view of practice. Through the exposition of the western traditional view of practice, this paper reveals the theoretical origin of Marx's view of practice, expounds the development process of Marx's view of practice, and probes into the true meaning of Marx's view of practice. The third part analyzes the relationship between practice and life. From three aspects: the historical generation of beauty and aesthetic feeling and the present generation of reality, the practicality of aesthetic activities and the practicality of aesthetic relations, this paper demonstrates that aesthetics is a special practical activity of human beings, and explores the aesthetic value and significance of Marx's concept of practice. The fourth part finds the focus of the debate from the schools of Chinese contemporary aesthetics, mainly discusses the return to Marx's view of practice, out of some misunderstandings in the construction of Chinese contemporary aesthetics, and dispels the doubts of practical aesthetics in academic circles. This paper discusses the significance and enlightenment of Marx's view of practice to the development of Chinese aesthetics. The fifth part is the conclusion, which reviews the theoretical course of various typical schools of Chinese practical aesthetics, and probes into the new ideas of perfecting the theory of Chinese practical aesthetics.
【學(xué)位授予單位】：中南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：I01

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