本文選題：過(guò)去 + 西體中用�。� 參考：《美術(shù)觀察》2013年05期

【摘要】：正這十年來(lái),中國(guó)藝術(shù)圈的"亂象紛呈"有目共睹,這從藝術(shù)圈內(nèi)人士的身份轉(zhuǎn)變就凸顯出來(lái)。我稱之為藝術(shù)圈的"下拉現(xiàn)象":原來(lái)做藝術(shù)理論的人,現(xiàn)在開始做藝術(shù)批評(píng)了;原來(lái)做藝術(shù)批評(píng)的人,現(xiàn)在開始做藝術(shù)策展了;原來(lái)做藝術(shù)策展的人,現(xiàn)在直接成為畫廊老板或者藝術(shù)機(jī)構(gòu)的總監(jiān),特別是最后一個(gè)傾向非常明顯,許多策展人直接入主畫廊或者成為國(guó)外畫廊在大陸的"代理商"了。
[Abstract]:In the past ten years, the chaos of Chinese art circle is obvious to all, which is highlighted by the transformation of the identity of the people in the art circle. I call it the "drop-down phenomenon" in the art world: people who were art theorists now start to criticize art; those who do art criticism now begin to do art curatorial exhibitions; people who originally did art curatorial exhibitions now begin to do art criticism. Now it is very obvious to be a gallery owner or director of an art organization, especially the last one. Many curators go directly to the galleries or become "agents" of foreign galleries on the mainland.
【作者單位】： 中國(guó)社會(huì)科學(xué)院哲學(xué)所;
【分類號(hào)】：J120.9
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本文編號(hào)：1865524