本文選題：人物類型 + 藝術(shù)表現(xiàn)手術(shù)�。� 參考：《吉林大學(xué)》2007年碩士論文

【摘要】： 中國(guó)與韓國(guó)的古典文學(xué)領(lǐng)域的交流頻繁,比較研究的歷史悠久,成果豐碩,研究活動(dòng)也很活躍;相比之下,關(guān)于中韓兩國(guó)的現(xiàn)代文學(xué)的比較研究的狀況卻不是令人那么滿意的。從19世紀(jì)末開(kāi)始,中韓兩國(guó)的關(guān)系開(kāi)始疏遠(yuǎn),導(dǎo)致各方面的交流也停滯下來(lái)。關(guān)于兩國(guó)近代文學(xué)的比較研究也是在近年開(kāi)始才重又引起學(xué)術(shù)界的關(guān)心并且活躍起來(lái),開(kāi)始在比較文學(xué)的領(lǐng)域占有一席之地。在中韓兩國(guó)的現(xiàn)代文學(xué)的比較研究方面,影響研究的進(jìn)行是有一定的困難的,并且目前比較文學(xué)的研究方向多傾向于平行比較研究,比起以事實(shí)依據(jù)為主的影響關(guān)系,通過(guò)分析作家,作品,闡明各國(guó)文學(xué)之間的共性及個(gè)性的平行研究更符合比較文學(xué)研究的走向。基于此,本稿選擇了20世紀(jì)30年代中韓兩國(guó)知名女作家蕭紅與姜敬愛(ài)的代表作《生死場(chǎng)》和《人間問(wèn)題》進(jìn)行研究。 選擇這兩位女作家的原因有一下幾方面:一,蕭紅與姜敬愛(ài)是20世紀(jì)30年代中韓兩國(guó)非常有成就的代表性的女作家。蕭紅1933年以“悄吟”的筆名登上文壇,發(fā)表了短篇小說(shuō)《王阿嫂的死》,到1942年她離開(kāi)人世,大概10年的時(shí)間,她創(chuàng)作了包括三部長(zhǎng)篇小說(shuō),短篇小說(shuō),詩(shī)歌,劇本等各種題材在內(nèi)的作品百余篇;姜敬愛(ài)于1931年在《朝鮮日?qǐng)?bào)》上發(fā)表短篇小說(shuō)《破琴》登上文壇,1944年她離開(kāi)人世,這期間她創(chuàng)作了兩部長(zhǎng)篇小說(shuō),中短篇小說(shuō)23篇,各種散文及評(píng)論27篇,詩(shī)10首。二,兩位作家具有相似的人生歷程和生活遭遇,這對(duì)她們兩人的文學(xué)創(chuàng)作產(chǎn)生了很大的影響,使其二人在文學(xué)創(chuàng)作上表現(xiàn)出很多相似之處。三,兩位作家的作品具有相似的主題。在20世紀(jì)30年代這個(gè)特殊的時(shí)期,她們不約而同地把創(chuàng)作的目光投向了處于社會(huì)最底層的農(nóng)民和工人階級(jí)的的身上。通過(guò)她們的作品,我們可以看到在那個(gè)社會(huì)時(shí)期,勞苦大眾的悲慘生活以及他們逐漸的成長(zhǎng)起來(lái),覺(jué)醒,直至反抗的過(guò)程,真實(shí)地反映了現(xiàn)實(shí)生活。 選擇這兩部作品的原因如下:一,《生死場(chǎng)》和《人間問(wèn)題》不僅是蕭紅和姜敬愛(ài)兩人的杰出的代表作,在兩位作家的創(chuàng)作生涯中,這兩部作品也有著很重大的意義�！渡缊�(chǎng)》發(fā)表后,魯迅的夫人許廣平在談到小說(shuō)出版后的影響時(shí)說(shuō):“無(wú)疑給上海文壇一個(gè)不少的新奇與驚動(dòng)”;姜敬愛(ài)的《人間問(wèn)題》被評(píng)為”第一部涉及工人階級(jí)主題的作品,通過(guò)對(duì)工場(chǎng)內(nèi)及碼頭勞動(dòng)場(chǎng)面的赤裸裸的描寫,反映了在故鄉(xiāng)找不到活著的出路的農(nóng)民,來(lái)到城市之后成為工人,而工人的生活也讓他們喪失了人的價(jià)值�！倍�,兩部作品以20世紀(jì)30年代的中韓兩國(guó)為背景,反映了那個(gè)社會(huì)時(shí)期于社會(huì)最底層的農(nóng)民和工人階級(jí)的悲慘生活和他們的覺(jué)醒。 就筆者現(xiàn)有的資料來(lái)看,關(guān)于蕭紅與姜敬愛(ài)比較研究的論文只有四篇。何鎮(zhèn)華于1998年在《韓國(guó)學(xué)論文集》上發(fā)表了一篇《蕭紅與姜敬愛(ài)的小說(shuō)創(chuàng)作比較》的論文,從兩位作家的生平及作品兩個(gè)大方面概括地對(duì)兩位作家進(jìn)行了比較;延邊大學(xué)師范學(xué)院的張美紅在其碩士學(xué)位論文中從“家園情結(jié)”“女性視角”“歷史文化背景”三個(gè)方面對(duì)蕭紅和姜敬愛(ài)兩位女作家的悲劇意識(shí)進(jìn)行了探源;對(duì)外經(jīng)濟(jì)貿(mào)易大學(xué)的孫鶴云在其碩士學(xué)位論文中從生平及創(chuàng)作歷程,主題,語(yǔ)言及文體風(fēng)格等方面對(duì)兩位作家的小說(shuō)進(jìn)行了比較研究;韓國(guó)首爾大學(xué)的碩士畢業(yè)生于翰在其學(xué)位論文中以女性人物為中心對(duì)兩位作家的小說(shuō)進(jìn)行了比較研究。在對(duì)先行研究的批判地接受的同時(shí)本稿將特別地對(duì)蕭紅以及姜敬愛(ài)作品的人物形象及塑造人物的藝術(shù)表現(xiàn)手法進(jìn)行分析,比較,進(jìn)而來(lái)了解兩位作家的創(chuàng)作,希望此論文對(duì)蕭紅及姜敬愛(ài)的比較研究是一個(gè)有益的補(bǔ)充,并為中韓現(xiàn)代文學(xué)的比較研究提供一個(gè)新的視角。 對(duì)兩部作品的人物類型的分析將以正面人物論和中間人物論兩部分進(jìn)行,之所以這樣分類,是希望在一目了然地理解人物的同時(shí)還可以進(jìn)一步把握以及理解兩位作家對(duì)人物的把握問(wèn)題,并對(duì)兩位作家的比較研究提供一個(gè)新的角度。由于《生死場(chǎng)》中沒(méi)有直接描寫反面人物,因此對(duì)人物的比較分為正面人物論和中間人物論兩個(gè)方面。 《生死場(chǎng)》中的趙三和《人間問(wèn)題》中的老大屬于正面人物的一種類型,對(duì)于那個(gè)特殊的時(shí)代現(xiàn)實(shí)他們都富有反抗的精神,他們這種人物是那個(gè)時(shí)代的主流;《生死場(chǎng)》中的王婆和《人間問(wèn)題》中的善妃和間蘭屬于正面人物的另外一種類型,作為女性,她們表現(xiàn)出了不亞于男性的勇敢和堅(jiān)強(qiáng)的斗爭(zhēng)意志,在父權(quán)夫權(quán)橫行的年代,她們是一種超越自我,戰(zhàn)勝自我的女性代表。 《生死場(chǎng)》的二里半和《人間問(wèn)題》的申哲是中間人物類型中的一種,雖然兩個(gè)人物表面上截然不同,但從本質(zhì)上來(lái)看他們都是自私自利的人物的代表,他們的身上分別有著農(nóng)民階級(jí)和知識(shí)分子階層不可避免的局限性;《生死場(chǎng)》的金枝和《人間問(wèn)題》的玉占是另一種類型的人物:通過(guò)對(duì)金枝的描寫蕭紅表達(dá)了自己對(duì)當(dāng)時(shí)社會(huì)婦女命運(yùn)的關(guān)注;通過(guò)對(duì)玉占的塑造姜敬愛(ài)批判了當(dāng)時(shí)社會(huì)上一部分女性知識(shí)分子存在的問(wèn)題。兩位作家對(duì)這兩個(gè)人物的塑造,體現(xiàn)了她們觀察社會(huì)現(xiàn)實(shí),把握社會(huì)現(xiàn)的態(tài)度,也體現(xiàn)了她們通過(guò)文學(xué)作品反映現(xiàn)實(shí),批判現(xiàn)實(shí)的使命感。 對(duì)塑造人物的藝術(shù)表現(xiàn)手法的分析是從三個(gè)方面來(lái)展開(kāi)的。 第一,描寫的真實(shí)性。作為現(xiàn)實(shí)主義作家,蕭紅和姜敬愛(ài)在對(duì)時(shí)代和社會(huì)觀察并深入了解的同時(shí),更通過(guò)她們的人物來(lái)反映社會(huì)現(xiàn)實(shí)。運(yùn)用場(chǎng)面描寫,細(xì)節(jié)描寫,心理描寫等兩位作家把人物性格塑造得真實(shí)豐滿。 第二,描寫的象征性。象征藝術(shù)以具體事物暗示抽象事物、抽象想象力,同時(shí)也是小說(shuō)家在探索社會(huì)與人生時(shí)所尋找到的一個(gè)有效的審美方式�！渡缊�(chǎng)》中蕭紅用馬來(lái)象征農(nóng)民階級(jí)麻木的思想狀態(tài),《人間問(wèn)題》中姜敬愛(ài)用怨沼來(lái)象征無(wú)產(chǎn)階級(jí)的力量等等,都體現(xiàn)了兩人共同的審美追求。 第三,描寫的對(duì)比性。兩篇作品中作者都通過(guò)對(duì)比來(lái)彰顯人物的性格以及人物性格的發(fā)展變化。不僅有人物與人物之間的對(duì)比,也有人物自身的對(duì)比,更有通過(guò)調(diào)動(dòng)作品中人物做的對(duì)比。 兩位作家塑造的人物有相同也有不同,塑造人物的方法也是多種多樣,但是作家對(duì)大時(shí)代的理解和長(zhǎng)期積累起來(lái)的文學(xué)修養(yǎng)再加上作家個(gè)人的感情體驗(yàn),使得她們的人物真實(shí)可見(jiàn)的同時(shí)又具有藝術(shù)魅力。
[Abstract]:China and South Korea have frequent exchanges in the field of classical literature. Comparative studies have a long history, fruitful results and active research activities. In contrast, the comparative study of modern literature between China and South Korea is not so satisfactory. Since the end of the nineteenth Century, the relationship between China and South Korea began to alienate and lead to exchanges in all aspects. The comparative study of modern literature of the two countries has also begun to arouse the interest and activity of the academic circles in recent years and began to occupy a place in the field of comparative literature. In the comparative study of modern literature between China and South Korea, there are some difficulties in the study and comparative literature at present. The research direction is more inclined to parallel comparison research. Compared with the influence of fact basis, the parallel study of writers, works, and clarifies the commonness and personality of the literature of various countries is more consistent with the trend of comparative literature research. Based on this, the manuscript selected the 1930s Chinese and Korean famous female writer Xiao Hong and Jiang love The representative work of "life and death" and "the human problem" were studied.
There are several reasons for the selection of these two women writers: first, Xiao Hong and Jiang Jing love are the most successful representative women writers of China and South Korea in 1930s. Xiao Hong boarded the literary world in 1933 with the name of "silent Yin", published a short story "the death of Wang AAO", and she left the world for about 10 years by 1942. There are three novels, short stories, poems, and scripts in a hundred pieces of work. Jiang loves to publish a short story in the Korean daily in 1931. She left the literary world. In 1944 she left the world. During this period, she created two novels, 23 short stories, 27 essays and comments, 10 poems, two, two writers. It has a similar life history and life experience, which has a great influence on the literary creation of the two of them, so that the two people show a lot of similarities in literary creation. Three, the works of the two writers have similar themes. In this special period in 1930s, they put their creative eyes on the same place. Through their works, we can see the tragic life of the masses and their gradual growth, awakening, and resistance to the real life through their works.
The reasons for choosing these two works are as follows: first, "life and death field >" and "the human question" are not only the outstanding representative works of the two people of Xiao Hong and Jiang Jing. In the creative career of the two writers, the two works also have great significance. After the publication of "life and death", Lu Xun's wife, Xu Guang, said, "no doubt," There is a lot of novelty and shock in the literary world of Shanghai. Two, the two works, in the context of the two countries in 1930s, reflect the tragic life and their awakening of the lowest social and working class of the society during the social period.
According to the author's existing information, there are only four articles on the comparative study of Xiao Hong and Jiang's love. In 1998, He Zhenhua published a thesis on the comparison of novels by Xiao Hong and Jiang's love in the collection of Korean studies, and made a comparison of the two writers from the two major aspects of the life and work of the two writers. In his master's thesis, Zhang Meihong from the school of normal school explored the tragic consciousness of Xiao Hong and Jiang Jing love from three aspects of "home complex", "female perspective" and "historical and cultural background", and Sun Heyun of University of International Business and Economics in his master's degree theory from life and creation course, theme, language. A comparative study of the novels of the two writers was carried out in terms of style and style. The graduate of Seoul University in Korea compared the novels of the two writers with the female characters as the center in his dissertation. The manuscript will be particularly accepted by Xiao Hong and Jiang in his critical acceptance of the previous study. The character image and the artistic expression of the characters are analyzed and compared, and then the creation of the two writers is understood. I hope this paper is a useful supplement to the comparative study of Xiao Hong and Jiang's love, and provides a new perspective for the comparative study of Chinese and Korean modern literature.
The analysis of the types of the characters in the two works will be carried out in two parts of the positive character theory and the middle character theory. The reason for this classification is to make a clear understanding of the characters at a glance and understand the problem of the two writers' grasp of the characters, and to provide a new angle to the comparative study of the two writers. There is no direct description of negative characters in the life and death field. Therefore, the comparison of characters is divided into two aspects: positive character theory and middle person theory.
"The field of life and death" of Zhao San and the "human question" is a type of positive character, the spirit of resistance to the reality of that particular era, which is the mainstream of the time; the queen of life and death, the good concubines and the interland in the world are the other types of positive characters. For women, they show the brave and strong will of struggle, which are not inferior to men. In the age of patriarchy, they are a kind of female representatives who surpass themselves and overcome themselves.
The two and a half years of life and death and Shen Zhe of the human question are one of the types of middle characters. Although the two characters are completely different on the surface, they are in essence the representative of the selfishness, they have the unavoidable limitations of the peasantry and the intellectuals, and the golden branches and the people of the life and death field. The jade occupied by the "jade" is another type of figure: through the description of the Golden branch, Xiao Hong expressed his concern about the fate of the women in the society at that time. Through the molding of the jade occupied by Jiang, he criticized the existence of some female intellectuals in the society at that time. The creation of the two characters by the two writers reflected their observation of the society. Actually, to grasp the attitude of society is also a reflection of their mission to reflect reality and criticize reality through literary works.
The analysis of the artistic expression of characters is based on three aspects.
First, the authenticity of the description. As a realistic writer, Xiao Hong and Jiang love his characters to reflect the social reality while observing and understanding the times and the society. The two writers use scene description, detail description, psychological description and so on to make the character real plump.
Second, the symbolism of description. The symbolic art implies abstract things with specific things, abstract imagination, and also an effective aesthetic way that novelists find in the exploration of society and life. Class strength and so on, all reflect the common aesthetic pursuit of the two people.
Third, the contrastive description. In the two works, the author shows the character and the development and change of the character by contrast. Not only the contrast between the characters and the characters, but also the comparison between the characters, and the comparison of the characters in the works.
The characters created by the two writers are the same and different, and the way to shape the characters is also varied. However, the writer's understanding of the great times and the long accumulated literary accomplishment add to the personal experience of the writers, making their characters visible and artistic.

【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：I106.4;I0-03

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 羅明姬;蕭紅與姜敬愛(ài)的小說(shuō)比較研究[D];黑龍江大學(xué);2011年

2 杜彥松;姜敬愛(ài)與蕭紅的悲劇意識(shí)比較[D];吉林財(cái)經(jīng)大學(xué);2012年

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本文編號(hào)：1862125