本文選題：薩特 + 藝術�。� 參考：《蘇州大學》2006年碩士論文

【摘要】： 作為存在主義美學的代表人物,薩特繼承了笛卡爾的我思傳統和胡塞爾的現象學方法,把自己的理論建立在非反思意識的基礎上。他致力于把現象學和存在論結合起來,研究作為存在主體的人的意識,為人的自由提供了本體論的證明。 薩特認為藝術不是對現實的單純模仿,反對通過虛飾來體現某種意義。他反對把藝術歸結為現實、意義、物等,藝術體現的是更為深刻的存在。藝術具有當代性,體現了人的自由。薩特的美學體系建立在意象論的基礎之上。他以純意識中現存的意象為出發(fā)點,運用意向性理論來分析意象,認為意象是一種非現實,是對現實的否定,具有創(chuàng)造性和超越性。藝術的豐富內蘊就包含在意象之中。通過構筑理想的意象世界,人們可以把握虛無,超越現實。 藝術品是藝術家對欣賞者自由的呼喚,閱讀是引導下的創(chuàng)作。作家和讀者在閱讀中締結了豪情的契約,共同著創(chuàng)造意象的世界。在審美過程中,人們超越了彼此的對立沖突,達到了主體間的共在。薩特把詞語看成是作家介入生活的工具,但拒絕把藝術品還原為某種觀念。審美價值的實現建立在審美喜悅的基礎上,來源于人類共同的自由。人們通過審美來超越現實,走向終極自由。 薩特肯定了人的主體性,他那種改變世界的激情感染了幾代人。他的美學是充滿了主觀性和批判現實性的行動美學,對現實社會和其后的美學理論都產生了巨大的影響。
[Abstract]:As the representative of Existentialist Aesthetics, Sutter inherits Descartes's thinking tradition and Husserl's phenomenological method, and builds his theory on the basis of non reflective consciousness. He is committed to combining phenomenology with existentialism, studying the consciousness of the human being as the subject of existence, and providing the proof of ontology for the freedom of human beings.
Sutter thinks that art is not a mere imitation of reality, and it is opposed to embodying a certain meaning through false ornamentation. He is opposed to the fact that art is attributed to reality, meaning, things and so on. Art embodies a more profound existence. Art is contemporary and embodies human freedom. Sutter's aesthetic system is built on the basis of the theory of Imagism. In his YISHION consciousness The image is the starting point, using the intentionality theory to analyze the image, and think that the image is a kind of non reality, the negation of the reality, the creativity and the transcendence. The rich connotation of the art is contained in the image. By constructing the ideal image world, people can grasp the deficiency and surpass the reality.
Art is the artist's call to the freedom of the appreciator. Reading is the creation under the guidance of the writer. The writer and the reader have concluded a covenant of emotion in the reading, together to create the world of images. In the aesthetic process, people surpassed the conflict of opposites and reached the common intersubjectivity. Sutter regarded words as a tool for writers to intervene in life. The realization of aesthetic value is based on the aesthetic joy, based on the common freedom of human beings. People transcend the reality through the aesthetic and go to the ultimate freedom.
Sutter affirmed the subjectivity of human beings. His passion for changing the world was infected for several generations. His aesthetics was an action aesthetics full of subjectivity and critical realism, which had a great influence on the real society and the subsequent aesthetic theory.

【學位授予單位】：蘇州大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J01

【引證文獻】

相關碩士學位論文 前1條

1 陳瑩;論薩特的存在主義想象論[D];湖南師范大學;2011年

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本文編號：1861195