本文選題：老舍 + 翻譯��； 參考：《廈門大學(xué)》2014年碩士論文

【摘要】：老舍是中國現(xiàn)代文學(xué)史上著名的作家,但他的翻譯實(shí)踐卻長期不為人所知。事實(shí)上,從目前的研究成果上看,老舍共著有16部譯文,其規(guī)模為25萬字左右。因此,為全面、深入、徹底地了解老舍起見,其翻譯實(shí)踐很值得我們進(jìn)行深入研究。 鑒于老舍的16部譯文中有14部作于20世紀(jì)30年代,并且這一時期也是老舍創(chuàng)作活動的鼎盛時期(《駱駝祥子》、《離婚》、《月牙兒》等均作于此時),本文決定以老舍于20世紀(jì)30年代的“英譯漢”翻譯實(shí)踐為研究對象,對老舍于這一時期的翻譯實(shí)踐策略,翻譯對其同期創(chuàng)作產(chǎn)生的影響以及其翻譯實(shí)踐中止的原因進(jìn)行研究,從翻譯學(xué)、比較文學(xué)與文學(xué)史的角度理清老舍翻譯實(shí)踐的總體風(fēng)貌。 全文共分四個部分： 第一章：理清老舍翻譯實(shí)踐的概況,分析老舍30年代翻譯實(shí)踐的特殊性,并指明老舍30年代編輯工作對于其翻譯實(shí)踐的影響。 第二章：從翻譯學(xué)的角度出發(fā),從詞匯、語句、篇章三個層面上分析老舍翻譯實(shí)踐的“歸化”與“異化”特征,并以文化學(xué)派的相關(guān)理論初步總結(jié)老舍翻譯策略的主要成因,以及老舍翻譯理論在50年代的進(jìn)一步發(fā)展。 第三章：從比較文學(xué)的角度出發(fā),從直接化用式的參照、創(chuàng)作中的愛情塑造、向戰(zhàn)爭文學(xué)的轉(zhuǎn)變、老舍的“但丁情節(jié)”以及其創(chuàng)作中的“歐化句式”五個方面上具體分析老舍翻譯實(shí)踐對其創(chuàng)作的影響。 第四章：從文學(xué)史與翻譯史的角度分析老舍的翻譯于抗戰(zhàn)爆發(fā)后中止的原因,并探尋老舍翻譯實(shí)踐的意義所在。
[Abstract]:Lao She is a famous writer in the history of modern Chinese literature, but his translation practice has been unknown for a long time. In fact, from the current research results, Lao She has a total of 16 translations, its size is about 250000 words. Therefore, in order to understand Lao She comprehensively, deeply and thoroughly, his translation practice is worthy of further study. Since 14 of Lao She's 16 translations were written in the 1930s, This period is also the heyday of Lao She's creative activities (such as camel Luo, divorce and crescent moon). This paper decides to take the translation practice of Lao She into English in the 1930s as the research object. This paper studies the translation practice strategy of Lao She in this period, the influence of translation on his contemporaneous creation and the reasons why his translation practice is suspended, and clarifies the overall style and features of Lao She translation practice from the perspectives of translation studies, comparative literature and literary history. The full text is divided into four parts: The first chapter is to clarify the general situation of Lao She's translation practice, to analyze the particularity of Lao She's translation practice in the 1930s, and to point out the influence of the editorial work on his translation practice in the 1930s. Chapter two: from the perspective of translatology, this paper analyzes the characteristics of "domestication" and "alienation" in Lao She translation practice from the perspectives of vocabulary, sentence and text, and summarizes the main causes of Lao She's translation strategies based on the relevant theories of cultural school. And the further development of Lao She's translation theory in the 1950s. Chapter III: from the perspective of comparative literature, from the direct use of reference, the creation of love shaping, to the transformation of war literature, Lao She's "Dante plot" and "Europeanized sentence pattern" in his creation are analyzed concretely in five aspects: the influence of Lao She's translation practice on his creation. Chapter four analyzes the reasons why Lao She's translation ceased after the outbreak of the War of Resistance against Japan from the perspective of literary history and translation history, and explores the significance of the practice of Lao She's translation.
【學(xué)位授予單位】：廈門大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：H315.9;I046

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