本文選題：中國(guó)當(dāng)代藝術(shù)　切入點(diǎn)：批評(píng)　出處：《南京藝術(shù)學(xué)院》2014年碩士論文

【摘要】：本文著重考察中國(guó)當(dāng)代藝術(shù)批評(píng)中的“私語(yǔ)批評(píng)”現(xiàn)象，這一提法是針對(duì)公共領(lǐng)域的藝術(shù)批評(píng)，即傳統(tǒng)藝術(shù)批評(píng)的有效性缺失而做出的。故此，文章對(duì)中國(guó)當(dāng)代藝術(shù)批評(píng)的歷史進(jìn)行了簡(jiǎn)單的回顧并試圖指出其存在的主要問(wèn)題，并對(duì)中國(guó)當(dāng)代藝術(shù)及其批評(píng)的現(xiàn)狀進(jìn)行了簡(jiǎn)要梳理，在此基礎(chǔ)上對(duì)“私語(yǔ)批評(píng)”現(xiàn)象的時(shí)代背景和成因進(jìn)行描述。在筆者的論述中，私語(yǔ)批評(píng)作為一種“泛”藝術(shù)批評(píng)的形式，實(shí)際上是一種半私密、半公開的言說(shuō)方式，其對(duì)于中國(guó)當(dāng)代藝術(shù)的有效性體現(xiàn)在其規(guī)避公共領(lǐng)域批評(píng)現(xiàn)狀的限制，，進(jìn)而在某種程度上為客觀描述提供了可能。本文著重探討了這一“批評(píng)”方式的內(nèi)涵、發(fā)生模式及其效果，強(qiáng)調(diào)其對(duì)于傳統(tǒng)意義上當(dāng)代藝術(shù)批評(píng)的補(bǔ)充作用。
[Abstract]:This paper focuses on the phenomenon of "whispering criticism" in contemporary Chinese art criticism, which is based on the lack of effectiveness of traditional art criticism in the public domain. This paper briefly reviews the history of Chinese contemporary art criticism and tries to point out its main problems, and briefly combs the present situation of Chinese contemporary art and its criticism. On this basis, the background and causes of the phenomenon of "whispering criticism" are described. In the author's exposition, as a form of "universal" art criticism, it is in fact a semi-private and semi-public way of speaking. Its effectiveness for Chinese contemporary art is reflected in its circumventing the limitations of the current situation of criticism in the public domain, and thus provides the possibility for objective description to some extent. This paper focuses on the connotation of this "critical" approach. The mode of occurrence and its effect emphasize its complementary role to the traditional contemporary art criticism.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J120.9

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