本文選題：本雅明　切入點(diǎn)：文藝生產(chǎn)　出處：《溫州大學(xué)》2008年碩士論文

【摘要】： 本雅明對文藝的社會內(nèi)容一直有著清醒的認(rèn)識,在馬克思“藝術(shù)作為生產(chǎn)”思想的啟發(fā)下,他創(chuàng)立了一套獨(dú)特的文藝生產(chǎn)理論體系,對現(xiàn)代藝術(shù)從生產(chǎn)、傳播、消費(fèi)各個(gè)環(huán)節(jié)進(jìn)行了整體的考察。本雅明強(qiáng)調(diào)“技術(shù)”在文藝生產(chǎn)過程中的重要意義,主張從“技術(shù)”出發(fā),把文藝從傳統(tǒng)的“禮儀”功能中解放出來,實(shí)現(xiàn)其在現(xiàn)代社會中的“政治”功能,從而使文藝轉(zhuǎn)變?yōu)闊o產(chǎn)階級革命的工具。他的這一理論為人類解決現(xiàn)代社會中產(chǎn)生的一系列緊迫的藝術(shù)問題提供了寶貴的理論資源,為我國社會主義文化建設(shè)提供了良好的啟示。 本文將分三部分對本雅明的文藝生產(chǎn)理論進(jìn)行一個(gè)系統(tǒng)考察。 第一部分:對文藝生產(chǎn)理論的形成做出歷史回顧,強(qiáng)調(diào)馬克思作為文藝生產(chǎn)理論奠基人的重要意義,指出本雅明文藝生產(chǎn)理論的產(chǎn)生所依賴的歷史的和理論的基礎(chǔ)。 第二部分:本文的核心部分,將從文藝生產(chǎn)、傳播、消費(fèi)三個(gè)方面對本雅明的文藝生產(chǎn)理論做出細(xì)致的分析和評論。 第三部分:總結(jié)本雅明文藝生產(chǎn)理論的特點(diǎn)為“對政治功能的強(qiáng)調(diào)”和“對‘技術(shù)'的高度重視”,并對前人的相關(guān)批評意見做出總結(jié)和分析,最后指出本雅明文藝生產(chǎn)理論的真正矛盾在于同時(shí)強(qiáng)調(diào)文藝的“政治性”和“商品性”所必然產(chǎn)生的沖突。
[Abstract]:Benjamin has always had a clear understanding of the social content of literature and art. Inspired by Marx's thought of "art as production", he has created a unique theoretical system of literary and artistic production, which can produce and spread modern art. Benjamin emphasized the importance of "technology" in the process of literary and artistic production and advocated the emancipation of literature and art from the traditional function of "etiquette" starting from "technology". Realizing his function of "politics" in modern society, thus turning literature and art into a tool of proletarian revolution, his theory has provided valuable theoretical resources for mankind to solve a series of pressing artistic problems in modern society. It provides good enlightenment for the construction of socialist culture in our country. This article will divide into three parts to carry on a systematic investigation to Benjamin's literary and artistic production theory. The first part is to make a historical review of the formation of the theory of literary and artistic production, to emphasize the important significance of Marx as the founder of the theory of literary and artistic production, and to point out the historical and theoretical basis on which Benjamin's theory of literary and artistic production depends. The second part: the core part of this paper will make a detailed analysis and comment on Benjamin's theory of literary and artistic production from three aspects: literary production, communication and consumption. The third part: summing up the characteristics of Benjamin's theory of literary and artistic production: "emphasizing the political function" and "attaching great importance to 'technology'", and summarizing and analyzing the related critical opinions of predecessors. Finally, the author points out that the real contradiction of Benjamin's theory of literary and artistic production lies in the inevitable conflict between "political" and "commodity" of literature and art.
【學(xué)位授予單位】：溫州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：I0

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 Ｒ．沃林,李瑞華;藝術(shù)與機(jī)械復(fù)制:阿多爾諾和本雅明的論爭[J];國外社會科學(xué);1998年02期

2 陳定家;對“創(chuàng)造論”的歷史性清算——評馬謝雷的《文學(xué)生產(chǎn)理論》[J];廣西大學(xué)學(xué)報(bào)(哲學(xué)社會科學(xué)版);1999年04期

3 何群;試論藝術(shù)傳播及其方式[J];齊魯藝苑;1997年02期

4 羅如春;;論本雅明的靈韻觀[J];求索;2006年03期

，

本文編號：1673683