黑格爾藝術(shù)理論的當(dāng)代價(jià)值
發(fā)布時(shí)間:2018-03-27 13:04
本文選題:黑格爾 切入點(diǎn):絕對(duì)理念 出處:《河北大學(xué)》2007年碩士論文
【摘要】: 著名的客觀唯心主義哲學(xué)家、美學(xué)家、辯證法者,喬治·威廉·弗里德里!ず诟駹,出生于德國(guó)斯圖加特市。黑格爾大學(xué)畢業(yè)后在瑞士和法蘭克福擔(dān)任多年家庭教師,1801年任耶拿大學(xué)講師,此期間曾與別人合辦過《哲學(xué)評(píng)論》雜志。曾任報(bào)館編輯、紐倫堡中學(xué)校長(zhǎng)、海德堡大學(xué)教授,1818年被聘請(qǐng)到柏林大學(xué)任哲學(xué)教授和校長(zhǎng)。黑格爾的著作很多,主要有《精神現(xiàn)象學(xué)》、《邏輯學(xué)》、《哲學(xué)全書》、《法哲學(xué)原理》。死后出版的有《歷史哲學(xué)》、《哲學(xué)史講演錄》、《宗教哲學(xué)》、《美學(xué)》。他的美學(xué)理論主要見于《美學(xué)》,這是他在海德堡大學(xué)和伯林大學(xué)期間所作的“美學(xué)講演錄”,是由他的學(xué)生整理出版的。 黑格爾的藝術(shù)理論源自他的美學(xué)著作。黑格爾的美學(xué)是以藝術(shù)為研究對(duì)象的,美學(xué)是對(duì)藝術(shù)的理性的研究,所以我們?cè)谘芯亢诟駹柮缹W(xué)的過程中不斷領(lǐng)略到其藝術(shù)理論的博大精神。在黑格爾的理論中,他將美學(xué)劃為哲學(xué)體系的有機(jī)組成部分,但又具有相對(duì)獨(dú)立性,是屬于廣義范圍的一門藝術(shù)科學(xué)。缺少了美學(xué),黑格爾整個(gè)哲學(xué)體系就崩塌了一角,就缺乏了體系的完整性和嚴(yán)密性了;同時(shí),它又不同于形形色色的藝術(shù)理論,而是站在哲學(xué)高度對(duì)藝術(shù)理論概括,所以黑格爾美學(xué)又稱為藝術(shù)哲學(xué)。 黑格爾的藝術(shù)理論是一個(gè)龐大的體系。它不僅涉及到黑格爾對(duì)藝術(shù)本質(zhì)、藝術(shù)目的的探討,還有對(duì)藝術(shù)家的探討,以及他的藝術(shù)史觀等。而且,黑格爾還采用辯證的觀點(diǎn)和歷史的邏輯的觀點(diǎn)對(duì)藝術(shù)的類型和門類作了詳細(xì)的劃分和深入地研究。當(dāng)然,對(duì)黑格爾理論的研究已經(jīng)汗牛充棟。本文拈出幾個(gè)有當(dāng)代價(jià)值的問題來(lái)寫。 第一,藝術(shù)終結(jié)問題,藝術(shù)轉(zhuǎn)化為哲學(xué)、藝術(shù)評(píng)論。和丹托藝術(shù)終結(jié)的觀點(diǎn)結(jié)合起來(lái)進(jìn)行論述,參考藝術(shù)現(xiàn)實(shí)、大眾審美文化的現(xiàn)實(shí)來(lái)寫。 第二,藝術(shù)的目的,游戲說、更高的目的說等的評(píng)論,把它和當(dāng)代藝術(shù)理論結(jié)合起來(lái),和《藝術(shù)學(xué)》的理論結(jié)合起來(lái),和當(dāng)代形形色色的藝術(shù)理論結(jié)合起來(lái)。 第三,黑格爾對(duì)摹仿說的批判。摹仿說在歷史上是怎么回事,黑格爾為什么批判摹仿說,他是怎么批判的,黑格爾的批判有何得失。
[Abstract]:The famous objective idealist philosopher, aesthetician, dialectics, George William Friedrich Hegel, Born in Stuttgart, Germany. After graduating from the University of Hegel, he served as a tutor in Switzerland and Frankfurt for many years, and was a lecturer at the University of Jena in 1801, where he co-organized philosophy Review magazine and was a newspaper editor. President of Nuremberg High School, Professor of Heidelberg University, was hired as Professor of philosophy and Rector of Berlin University in 1818. Hegel wrote a lot of books. There are mainly "spiritual phenomenology", "logic", "philosophy of philosophy", "principles of philosophy of law". Published after death are "philosophy of history", "lecture on the history of philosophy", "religious philosophy", "aesthetics". His aesthetic theory is mainly found in "aesthetics" The lectures on Aesthetics made by Heidelberg and Berlin were compiled and published by his students. Hegel's theory of art originates from his aesthetic works. Hegel's aesthetics focuses on art and aesthetics is the rational study of art. Therefore, in the course of studying Hegel's aesthetics, we constantly understand the broad spirit of Hegel's artistic theory. In Hegel's theory, he classifies aesthetics as an organic part of the philosophical system, but it is relatively independent. It is an art science in a broad sense. Without aesthetics, the whole philosophical system of Hegel collapses into a corner and lacks the integrity and rigour of the system. At the same time, it is different from various artistic theories. Hegel's aesthetics is also called art philosophy. Hegel's theory of art is a huge system. It not only involves Hegel's discussion of the nature of art, the purpose of art, but also the exploration of artists and his view of art history, etc. Hegel also uses dialectical and historical logic to divide and study in detail the types and categories of art. The study of Hegel's theory has been full of money. This paper comes up with several questions of contemporary value. First, the question of the end of art, art transformed into philosophy, art review, and Danto's point of view of the end of art combined to discuss, referring to the reality of art, the reality of popular aesthetic culture to write. Second, the purpose of art, game theory, higher purpose theory and so on, combine it with the theory of contemporary art, with the theory of art, with contemporary art theory of all kinds. Third, Hegel's criticism of imitation theory, what is the history of imitation theory, why Hegel criticizes imitation theory, how he criticizes it, and what is the gain and loss of Hegel's criticism.
【學(xué)位授予單位】:河北大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2007
【分類號(hào)】:J01
【參考文獻(xiàn)】
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