本文選題：魏晉士人　切入點：狂狷　出處：《山東師范大學》2006年碩士論文　論文類型：學位論文

【摘要】：狂狷美是魏晉時期形成的獨特的美學形態(tài)。它的形成不是一個簡單的過程,而是由多重因素綜合而成。按照傳統(tǒng)的審美眼光審視魏晉士人的狂狷之美,可能很難看出其中所蘊含的美學內(nèi)涵,但是當我們結(jié)合魏晉的時代背景和“狂狷”概念的歷史流變來具體分析,我們就不難看出,在魏晉那個特殊的時期,“狂狷”能夠成為狂狷美,是有著特定的人文社會環(huán)境和歷史淵源的,是多重因素交織起來的一個由量變到質(zhì)變的過程。本文將目光重點鎖定在魏晉這段特殊的時期,將這一時期的士人作為一個特定的研究對象,利用這種比較特別的美學現(xiàn)象,我們可以從一個獨特的視角入手,梳理概括出魏晉士人在那個紛亂而又富有激情的年代所呈現(xiàn)給我們的獨有的美學特征和深刻的文化心理內(nèi)涵。 本論文共分為三大部分: 第一部分:關(guān)于狂狷的考辨。從哲學角度去分析狂狷這個詞的涵義,重點是辨析狂狷這個詞在春秋戰(zhàn)國時期的內(nèi)涵。由狂者和狷者在這一時期的一些表現(xiàn),我們可以看出狂狷這個詞所蘊含的人格美。 第二部分:狂狷之美的流變、成因和形態(tài)。由狂狷演變?yōu)榭襻?“狂狷”經(jīng)歷了一個從哲學范疇到美學范疇的轉(zhuǎn)變過程。首先需要指出的是,狂狷和狂狷之美是兩個既相互聯(lián)系又有著很大區(qū)別的詞語�？襻朗强襻@種現(xiàn)象逐漸成為一種被大眾普遍認可的現(xiàn)象后,才產(chǎn)生的一種美學現(xiàn)象,是狂狷這種言行發(fā)展到一定階段的產(chǎn)物。因此狂狷是先于狂狷之美產(chǎn)生的;狂狷之美作為一種美的具體形態(tài),它的產(chǎn)生是經(jīng)過多重因素綜合而成的。其中我們將之歸結(jié)為社會環(huán)境和人文因素兩個大的方面,而人文因素中又包括狂狷美產(chǎn)生的主體和受眾。因為,單單有行“狂狷”的人還是遠遠不夠的,還要有產(chǎn)生這種美的社會環(huán)境和這種美所需要的受眾。到了魏晉時期這些因素基本上都已經(jīng)具備,狂狷之美正式形成。在魏晉時期,魏晉士人在前人的基礎(chǔ)上,將狂者和狷者進行了有機地結(jié)合,從而使得這一時期的許多士人都表現(xiàn)出“狂中有狷,狷中孕狂”的特點。魏晉士人常常表現(xiàn)出既行狂者之事,又修狷者之身,通過他們的言行共同造就了狂狷之美�？襻赖谋憩F(xiàn)形態(tài)主要是分為兩個大方面,一是體現(xiàn)在魏晉士人的言行上,二是狂狷美學思想在文學藝術(shù)方面的表現(xiàn),即各種志怪神異小說的大量出現(xiàn)。其中,在言行方面的表現(xiàn)主要有三方面:進取之狂與無為之狷、偏執(zhí)之狂與徘徊之狷、超脫之狂與獨慎之狷; 第三部分:魏晉士人狂狷之美的思想文化根源�？襻赖男纬�,是儒釋道玄等多種思想交匯碰撞的產(chǎn)物,其中主要的是儒學與老莊、玄學共同作用的
[Abstract]:Manic beauty is a unique aesthetic form formed in the Wei and Jin dynasties. Its formation is not a simple process, but a combination of many factors. According to the traditional aesthetic perspective, it examines the metaphysical beauty of the scholars in the Wei and Jin dynasties. It may be difficult to see the aesthetic connotations contained therein, but when we analyze the background of the Wei and Jin dynasties and the historical evolution of the concept of "fanaticism", it is not difficult to see that, In the special period of the Wei and Jin dynasties, "ecstasy" was able to become a manic beauty, with a specific humanistic social environment and historical origin. It is a process from quantitative change to qualitative change which is intertwined with many factors. This paper focuses on the special period of Wei and Jin dynasties, and takes the scholars in this period as a special research object to make use of this relatively special aesthetic phenomenon. We can start from a unique angle of view and summarize the unique aesthetic characteristics and profound cultural psychological connotations presented to us by the scholars in the Wei and Jin dynasties in that turbulent and passionate era. This thesis is divided into three parts:. The first part: the textual research on mania. From a philosophical point of view, it analyzes the meaning of the word "maniac", with the emphasis on the meaning of the word "maniac" in the Spring and Autumn period and the warring States period. We can see the beauty of personality contained in the word maniac. The second part: the evolution, cause and form of the beauty of mania, which has gone through a process from philosophical category to aesthetic category. First of all, it needs to be pointed out. The beauty of maniacal and maniac is two words which are not only related to each other but also very different from each other. The phenomenon of maniacal is an aesthetic phenomenon which has gradually become a phenomenon that is generally accepted by the public. It is the product of a certain stage in the development of such words and deeds. Therefore, maniacal beauty is produced prior to the beauty of maniac, which, as a specific form of beauty, It is produced through the synthesis of many factors. We attribute it to two major aspects: social environment and humanistic factors, and the humanistic factors include the subject and the audience produced by eccentricity and beauty. Because, It is far from enough to have people who are "maniacal", but also to have the social environment to produce this kind of beauty and the audience that this beauty needs. By the Wei and Jin dynasties, these factors were basically already in place, and the wild and ardent beauty was formally formed. In the Wei and Jin dynasties, On the basis of their predecessors, the scholars of the Wei and Jin dynasties combined the mad with the outfits organically, thus making many scholars in this period show the characteristics of "being eccentric in the middle of the madness and being eccentric in the pregnancy". The scholars in the Wei and Jin dynasties often showed that they were both mad and mad. Through their words and deeds, they bring up the beauty of maniacal. The form of expression is mainly divided into two major aspects, one is reflected in the words and deeds of the scholars in the Wei and Jin dynasties, the other is the expression of the crazy aesthetic thought in literature and art. Among them, there are three aspects in the expression of words and deeds: enterprising madness and inactivity, paranoid fanaticism and hesitation, transcendence and independence; The third part: the ideological and cultural root of the supercilious beauty of the scholars in the Wei and Jin dynasties. The formation of the manic beauty is the product of the collision of Confucianism, Buddhism, Taoism and so on, among which the main one is the joint action of Confucianism, Laozhuang and metaphysics.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：I01

【引證文獻】

相關(guān)博士學位論文 前1條

1 于永森;論豪放[D];山東師范大學;2010年

相關(guān)碩士學位論文 前2條

1 姚晨娟;魏晉“任誕”思想研究[D];河北師范大學;2011年

2 牛勝江;狷草研究[D];山西師范大學;2010年

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本文編號：1617541