發(fā)布時(shí)間：2018-03-12 21:41

  本文選題：新疆美術(shù)創(chuàng)作　切入點(diǎn)：民族性　出處：《新疆師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：新疆有著豐厚的文化底蘊(yùn)，神奇又獨(dú)特的風(fēng)土人情，鮮明的地域特色，這塊沃土孕育了一代又一代的藝術(shù)家，奠定了新疆美術(shù)創(chuàng)作氣息濃郁、風(fēng)格獨(dú)特、熱情奔放、深沉厚重的藝術(shù)形式和表現(xiàn)手法。從而使新疆的美術(shù)創(chuàng)作獨(dú)樹一幟，既具有地域性，廣泛性，又不缺乏本土的浪漫精神和繪畫形式語言的純粹性。建國以來，經(jīng)過新疆畫家長期的實(shí)踐和探索，許多畫家的作品頻頻在國內(nèi)大展中入選并獲獎(jiǎng)，個(gè)別畫家還在國內(nèi)外的美術(shù)館舉辦個(gè)展，紛紛贏得關(guān)注并獲得好評(píng)，并得到大眾認(rèn)可。我們看到新疆的美術(shù)創(chuàng)作開始走向全國，逐步登上了世界的藝術(shù)舞臺(tái)。為何新疆畫家在不同時(shí)代背景下，在全國美展上屢次獲獎(jiǎng)？其背后的原因值得我們深思。新疆美術(shù)創(chuàng)作必須體現(xiàn)它的民族性才能在中國藝術(shù)中立足，只有具備鮮明的時(shí)代特征才能有更好的發(fā)展。本選題從民族性、時(shí)代性兩個(gè)方面對(duì)新疆美術(shù)創(chuàng)作進(jìn)行研究。 本文第一章緒論部分簡要論述了本選題的背景及研究的目的和意義。第二章主要研究分析建國以來新疆美術(shù)創(chuàng)作的概況，主要以新疆油畫和其他畫種：國畫、水彩畫、版畫、雕塑等藝術(shù)種類的發(fā)展脈絡(luò)進(jìn)行梳理。第三章，針對(duì)新疆美術(shù)創(chuàng)作中的民族性體現(xiàn)，通過作品中體現(xiàn)出的少數(shù)民族風(fēng)情、民族精神氣質(zhì)、民族審美情趣價(jià)值取向和美術(shù)創(chuàng)作形式表現(xiàn)等四個(gè)方面并結(jié)合相應(yīng)的美術(shù)作品，探索新疆美術(shù)創(chuàng)作中的民族性。第四章，主要闡述新疆美術(shù)創(chuàng)作中的時(shí)代性，從創(chuàng)作內(nèi)容和表現(xiàn)形式、審美觀等方面研究分析新疆美術(shù)創(chuàng)作中的時(shí)代性。第五章，闡述對(duì)新疆美術(shù)創(chuàng)作中的民族性與時(shí)代性探索的意義和價(jià)值以及對(duì)當(dāng)下美術(shù)創(chuàng)作者的啟示。新疆美術(shù)創(chuàng)作的發(fā)展與民族性、時(shí)代性密不可分，，美術(shù)創(chuàng)作只有體現(xiàn)它的民族性才能在中國藝術(shù)中立足，只有具備鮮明的時(shí)代性才能有更好的發(fā)展。第六章，本論文最后做出結(jié)論，新疆美術(shù)創(chuàng)作的發(fā)展是一個(gè)傳承創(chuàng)新的過程，依托于民族性與時(shí)代性。在新疆美術(shù)創(chuàng)作中既要體現(xiàn)民族性元素，又要結(jié)合當(dāng)代藝術(shù)創(chuàng)作領(lǐng)域的新觀念，在繼承中努力創(chuàng)新，構(gòu)建符合時(shí)代特色的藝術(shù)創(chuàng)作和審美的價(jià)值標(biāo)準(zhǔn)。
[Abstract]:Xinjiang has rich cultural heritage, magical and unique local customs, distinctive regional characteristics, this fertile soil has given birth to generations of artists, has laid a Xinjiang fine arts rich flavor, unique style, unrestrained passion, The deep and heavy art forms and expressive techniques make Xinjiang's art creation unique, not only regional and extensive, but also not lacking the local romantic spirit and the pure language of painting form. Since the founding of the people's Republic of China, After a long period of practice and exploration by Xinjiang painters, many painters' works have frequently been selected and won prizes in domestic exhibitions, and individual painters have also held solo exhibitions in art galleries at home and abroad, which have won attention and received high praise. We saw that Xinjiang's art creation began to move toward the whole country, and gradually stepped onto the world's art stage. Why did Xinjiang painters win prizes at national art exhibitions in different times? The reasons behind it are worth our thinking. Xinjiang art creation must embody its nationality in order to be established in Chinese art, and only if it has distinctive characteristics of the times can it have a better development. This paper studies the creation of Xinjiang fine arts from the two aspects of epoch. The first chapter introduces the background of this topic and the purpose and significance of the research. The second chapter mainly studies and analyzes the general situation of Xinjiang art creation since the founding of the people's Republic of China, mainly based on Xinjiang oil painting and other kinds of painting: traditional Chinese painting, watercolor painting, printmaking, etc. The development of sculpture and other kinds of art are combed. Chapter three, in view of the national character in Xinjiang art creation, through the ethnic customs and ethos embodied in the works, Four aspects of the value orientation of national aesthetic taste and the expression of art creation form, combined with the corresponding art works, explore the nationality in Xinjiang art creation. Chapter 4th, mainly expounds the epochal nature of Xinjiang art creation. From the aspects of creative contents and forms of expression, aesthetic standards and so on, this paper studies and analyzes the epochal nature of Xinjiang fine arts creation. Chapter 5th, This paper expounds the significance and value of exploring the nationality and the epoch in Xinjiang's fine arts creation and its inspiration to the present art creators. The development of Xinjiang's art creation is closely related to the national character and the epochal character. Only if art creation embodies its national character can it be established in Chinese art, and only if it has a distinct character of the times can it develop better. Chapter 6th, this paper concludes that the development of Xinjiang art creation is a process of inheritance and innovation. Depending on the nationality and the times, we should not only embody the elements of nationality in Xinjiang's art creation, but also combine with the new ideas in the field of contemporary art creation, strive to innovate in succession, and construct the value standard of artistic creation and aesthetic appreciation in accordance with the characteristics of the times.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J120.9

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