本文關(guān)鍵詞： 上山灣 畫館 范廷佐 陸伯都 教學 教學體系　出處：《湖南師范大學》2013年碩士論文　論文類型：學位論文

【摘要】：上海土山灣畫館,被譽為“中國西洋畫之搖籃”,它在西方藝術(shù)及美術(shù)教育在中國的傳播史上具有重要地位。油畫是西方舶來之藝術(shù),在中國的傳播之路最早可追溯至明萬歷年間的西方傳教士來華帶來的宗教繪畫。到十九世紀中葉土山灣畫館的創(chuàng)立，，油畫在中國已歷近二百年。土山灣畫館在西方藝術(shù)東漸的歷程中之所以具有特殊的地位,與其開展的美術(shù)教育活動有關(guān)。 土山灣畫館是土山灣美術(shù)工場下的一個專責繪畫的機構(gòu),而土山灣美術(shù)工場,產(chǎn)生于鴉片戰(zhàn)爭失敗,上海開放為通商口岸,西方基督教經(jīng)過至康熙而始的禁教后卷土重來的時代背景下。土山灣畫館前身是西班牙傳教士范廷佐為培養(yǎng)生產(chǎn)宗教美術(shù)用品開設(shè)的工藝學校,后在范廷佐與馬義谷學生陸伯都與劉必振繼承下發(fā)展為土山灣畫館。土山灣畫館主要生產(chǎn)油畫、水彩、鉛筆畫、玻璃畫等,同時開設(shè)了從素描到水彩到油畫學習的一整套西方美術(shù)教學體系。土山灣畫館作坊式油畫教學與生產(chǎn)體系,重視實踐和實用技能的培養(yǎng),其教學的內(nèi)容十分豐富,這在中國油畫教育史上據(jù)有開創(chuàng)性意義。本文從土山灣畫館形成及歷史沿革、歐洲美術(shù)教育模式的移植、培養(yǎng)目標、培養(yǎng)模式及教學體系的構(gòu)建等方面入手,全面剖析土山灣畫館的油畫教學體系、地位及意義,還原土山灣畫館油畫教學的整體面貌。
[Abstract]:Shanghai Tushanwan painting Museum, known as "the cradle of Western Chinese painting", plays an important role in the dissemination of western art and art education in China. The way of spreading in China can be traced back to the religious paintings brought by Western missionaries in the Ming Dynasty. In the middle of 19th century, Tushanwan painting Museum was founded. Oil painting has been in China for nearly 200 years. The Tushanwan painting Museum has a special position in the course of the eastward development of western art, which is related to its art education activities. The Tushan Bay painting Museum is a specialized painting organization under the Tushan Bay Art Workshop, which was created by the Opium War and opened as a trading port in Shanghai. Under the background of the revival of Western Christianity after the ban on religion to Kangxi, the Tushanwan painting Museum was formerly a craft school opened by Spanish missionary Van Tingso for the cultivation of religious art supplies. After the development of the Tushan Bay painting Museum under the succession of Fan Ting-zuo and Ma Yigu students Lu Bodu and Liu Bi-chen. The Tushan Bay painting Museum mainly produces oil paintings, watercolors, pencils, glass paintings and so on. At the same time set up a set of Western art teaching system from sketch to watercolor to oil painting learning. Tushanwan painting studio workshop oil painting teaching and production system pay attention to practice and practical skills training. The content of its teaching is very rich, which is of groundbreaking significance in the history of Chinese oil painting education. This article from the formation and historical evolution of Tushanwan painting Museum, the transplantation of European art education model, training goals. This paper analyzes the teaching system, status and significance of oil painting in Tushan Bay painting Museum, and restores the whole appearance of oil painting teaching in Tushanwan painting Museum.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J124;J213-4

【參考文獻】

相關(guān)期刊論文 前8條

1 張弘星;中國最早的西洋美術(shù)搖籃——上海土山灣孤兒工藝院的藝術(shù)事業(yè)[J];東南文化;1991年05期

2 陳繼春;澳門與西畫東漸[J];嶺南文史;1997年01期

3 梁光澤;早期油畫的分期和發(fā)展脈絡(luò)──中國油畫史溯源之二[J];嶺南文史;2000年01期

4 王震;要真正認識周湘[J];美術(shù)觀察;2000年11期

5 李超;土山灣畫館——中國早期油畫研究之一[J];美術(shù)研究;2005年03期

6 楊孝鴻;傳教士與西洋美術(shù)在近代上海的傳播[J];藝術(shù)探索;2005年02期

7 李超;消失的搖籃——土山灣畫館[J];中國天主教;1998年06期

8 孟慶;消逝的土山灣[J];中國宗教;2003年06期

相關(guān)博士學位論文 前1條

1 高蓓;“土山灣孤兒院美術(shù)工場”研究[D];中央美術(shù)學院;2009年

相關(guān)碩士學位論文 前2條

1 崔煒;土山灣美術(shù)教學策略析微[D];上海師范大學;2004年

2 張愛紅;土山灣美術(shù)工藝所的歷史價值探析[D];山東大學;2007年

本文編號：1485501