本文關(guān)鍵詞： 抗戰(zhàn)時(shí)期 美術(shù)創(chuàng)作 精神意義　出處：《浙江師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：在二十世紀(jì)中國美術(shù)發(fā)展的巨變中,尤為值得關(guān)注的現(xiàn)象莫過于抗戰(zhàn)時(shí)期的美術(shù)。正如黃可先生所指出：“在整個(gè)新民主主義革命歷史進(jìn)程中,為革命斗爭服務(wù)的美術(shù)活動(dòng)如火如荼地開展著,使美術(shù)作品在整個(gè)革命事業(yè)中發(fā)揮了‘團(tuán)結(jié)人民、教育人民、打擊敵人、消滅敵人’的有力作用。” 自1931年“九一八”事變開始,到1937年“七七事變”,再到1945年9月日本投降,艱苦的抗日戰(zhàn)爭進(jìn)行了14年。當(dāng)戰(zhàn)火彌漫了中華大地,美術(shù)工作者在抗日情緒的帶動(dòng)下,他們以藝術(shù)為武器,用版畫、漫畫、宣傳畫等各種形式進(jìn)行抗日宣傳和斗爭,表現(xiàn)出了高漲的民族精神。 在這場(chǎng)關(guān)系到民族生死存亡的大搏斗中,中國美術(shù)家經(jīng)歷了一場(chǎng)心靈的震蕩、情感的沖突和觀念的嬗變,他們?cè)谌窨箲?zhàn)、挽救中華危亡的歷史關(guān)頭,表現(xiàn)出了積極高漲的愛國主義精神和大無畏的戰(zhàn)斗品格。正是這種可貴的精神,使戰(zhàn)爭克服了重重困難,走向最終的勝利。然而許多的文獻(xiàn)只是美術(shù)發(fā)展的基本狀況梳理,較少涉及精神意義的思考。 本文通過對(duì)抗戰(zhàn)時(shí)期的美術(shù)作品進(jìn)行詳細(xì)的梳理,分析其創(chuàng)作的精神意義,進(jìn)而讓我們?cè)谧髌分懈玫刈x懂這一段歷史。在《論抗戰(zhàn)時(shí)期美術(shù)創(chuàng)作的精神意義》這個(gè)論文的選題中,著重對(duì)四種精神進(jìn)行論述,即民族精神、戰(zhàn)斗精神、團(tuán)結(jié)精神、藝術(shù)精神。 抗戰(zhàn)爆發(fā),我們的民族與國家生存危機(jī),喚醒民眾參加抗戰(zhàn)成為迫在眉睫的政治任務(wù)。由于絕大多數(shù)的百姓不識(shí)字,以大眾化的美術(shù)形式和深蘊(yùn)其中的精神意義,發(fā)動(dòng)群眾、宣傳群眾,進(jìn)行廣泛的民族解放戰(zhàn)爭,得到了社會(huì)各階層的普遍認(rèn)同。具有特殊的精神意義的抗戰(zhàn)美術(shù)有力地鼓舞了人民,凝聚了強(qiáng)大的戰(zhàn)斗力,在抗戰(zhàn)中起到了重要的作用。 今天我們?cè)谧x圖讀史中,如果我們把握住抗戰(zhàn)時(shí)期美術(shù)創(chuàng)作的精神,那么將有助于我們更有條理,更為深入的認(rèn)識(shí)與理解這一歷史階段美術(shù)發(fā)展的意義,從而更為理性的審視這一段美術(shù)歷史的發(fā)展特點(diǎn)及精神內(nèi)涵。 抗戰(zhàn)時(shí)期的美術(shù)創(chuàng)作,是中國美術(shù)史上一段不可磨滅的記憶,是中國人民抗日戰(zhàn)爭宏偉史詩中的一段可歌可泣的歷史華章�？傊�,本論文選題希望能夠深入到這既已遠(yuǎn)去,又時(shí)時(shí)激勵(lì)后世獨(dú)特的美術(shù)現(xiàn)象,對(duì)其豐富性、復(fù)雜性有一份獨(dú)到的認(rèn)識(shí)與把握。戰(zhàn)火已遠(yuǎn)去,讓人們?cè)诳箲?zhàn)時(shí)期的美術(shù)作品中,認(rèn)識(shí)其神圣而獨(dú)特的精神意義,并使之弘揚(yáng)光大,尤其在當(dāng)代對(duì)于強(qiáng)化崇高的民族意識(shí)與國家地位具有重要意義。
[Abstract]:In 20th century, in the great changes of the development of Chinese fine arts, it is worth paying more attention to than the fine arts during the Anti-Japanese War. Just as Mr. Huang Ke pointed out: "in the whole history of the new democratic revolution." The fine arts activities, which serve the revolutionary struggle, are being carried out in full swing, making art works play a powerful role in the whole revolutionary cause of 'unite the people, educate the people, strike at the enemy, destroy the enemy'. " Since the "918" incident on 1931, the "July 7th incident" on 1937 and the surrender of Japan on September 1945, the bitter War of Resistance against Japan has been going on for 14 years. When the war spread over the land of China. Under the impetus of anti-Japanese sentiment, art workers took art as a weapon and carried out anti-Japanese propaganda and struggle in various forms, such as prints, comics, posters and so on, showing a high national spirit. In this great struggle of the survival and death of the nation, Chinese artists experienced a shock of mind, emotional conflicts and changes of ideas. They were at the historical juncture of the national war of resistance against Japan and the rescue of China from peril. It is this precious spirit that makes the war overcome many difficulties. However, many documents are just the carding of the basic condition of art development, and less involve the thinking of spiritual meaning. This paper analyzes the spiritual significance of the creation of fine arts works during the War of Resistance against Japan by combing them in detail. Then let us better understand this section of history in the work. In the theme of "on the spiritual significance of Art creation during the War of Resistance against Japan", we focus on four kinds of spirits, namely, national spirit, fighting spirit. The spirit of unity, the spirit of art. The outbreak of the War of Resistance, our nation and national survival crisis, wake up the people to participate in the War of Resistance has become an urgent political task, because the vast majority of the people can not read. In order to popularize the art form and the spiritual significance of the mass, mobilize the masses, propagandize the masses, carry out extensive national liberation war. The art of the War of Resistance, which has special spiritual significance, has inspired the people powerfully, condensed its powerful combat effectiveness and played an important role in the War of Resistance. Today, if we grasp the spirit of art creation during the War of Resistance against Japan, it will help us to understand and understand the significance of art development in this historical stage. Thus a more rational examination of the art history of the development of characteristics and spiritual connotations. The art creation during the War of Resistance against Japan is an indelible memory in the history of Chinese fine arts, and it is also a historical chapter in the grand epic of the Chinese people's War of Resistance against Japan. This paper hopes to be able to go deep into this has gone, but also always inspired the future unique art phenomenon, to its richness, complexity has a unique understanding and grasp. The war has gone. In the art works during the Anti-Japanese War, we should recognize its sacred and unique spiritual significance, and make it carry forward the great significance, especially for strengthening the lofty national consciousness and the status of the nation in the contemporary era.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J120.9

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