本文關(guān)鍵詞：文化安全視域下陜北民間藝術(shù)的傳承發(fā)展研究　出處：《西安工業(yè)大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

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【摘要】：每一個(gè)時(shí)代都有自己時(shí)代的現(xiàn)實(shí)問(wèn)題,人們對(duì)現(xiàn)實(shí)問(wèn)題的思考和求解都有一定的時(shí)代背景,都與人類的發(fā)展和文化的進(jìn)步息息相關(guān)。馬克思曾指出：“問(wèn)題就是時(shí)代的口號(hào),是它表現(xiàn)自己精神狀態(tài)的最實(shí)際的呼聲�！蔽幕踩褪钱�(dāng)今時(shí)代關(guān)乎國(guó)家、民族和人類生死存亡的一個(gè)重大的具有全球性的現(xiàn)實(shí)問(wèn)題,是一種需要我們認(rèn)真傾聽和思考的時(shí)代聲音。而陜北民間藝術(shù)文化作為中國(guó)傳統(tǒng)文化的重要組成部分,是文化的民間性表達(dá),它的現(xiàn)狀及傳承發(fā)展前景,關(guān)乎國(guó)家文化安全,是國(guó)家文化安全的重要組成部分。然而,在全球化進(jìn)程日益深化的大背景下,現(xiàn)代性危機(jī)不斷呈現(xiàn),傳統(tǒng)與現(xiàn)代的文化沖突日趨激烈,加之處于國(guó)內(nèi)社會(huì)轉(zhuǎn)型的特殊時(shí)期,陜北民間藝術(shù)文化的生存與發(fā)展面臨嚴(yán)峻的考驗(yàn)。 本課題以文化安全理論作為切入點(diǎn),對(duì)陜北民間藝術(shù)的文化安全現(xiàn)狀及其傳承發(fā)展進(jìn)行了一定的研究和探索,論文主要包括四部分內(nèi)容：第一部分對(duì)陜北民間藝術(shù)文化安全現(xiàn)狀進(jìn)行探究和闡釋；第二部分對(duì)影響陜北民間藝術(shù)文化安全的主要因素進(jìn)行了分析；第三部分對(duì)陜北民間藝術(shù)文化危機(jī)進(jìn)行了理性審視；第四部分思考和挖掘陜北民間藝術(shù)在當(dāng)代及未來(lái)傳承發(fā)展的路徑,從而為整個(gè)民間藝術(shù)文化的發(fā)展提供一定借鑒,為國(guó)家文化安全的實(shí)現(xiàn)提供參考。 本課題是在文化安全視域下,對(duì)陜北民間藝術(shù)這一個(gè)案進(jìn)行分析研究的,關(guān)注陜北民間藝術(shù)文化與國(guó)家文化安全的關(guān)系,并將之提升到關(guān)乎國(guó)家文化安全戰(zhàn)略的高度,提高研究者對(duì)陜北民間藝術(shù)文化的關(guān)注度和重視程度,促進(jìn)傳統(tǒng)文化的進(jìn)一步傳承和發(fā)展。使人們更好的理解文化與人之間密切的關(guān)系、文化與國(guó)家一民族之間的關(guān)系,更清楚的認(rèn)識(shí)文化特別是傳統(tǒng)文化在當(dāng)今時(shí)代發(fā)展中所面臨的威脅與挑戰(zhàn),意識(shí)到文化主體應(yīng)承擔(dān)的時(shí)代任務(wù)及歷史責(zé)任,從而更好的規(guī)約文化主體的行為,更深刻的理解文化與人本身,推動(dòng)文化與人類自身的和諧發(fā)展。
[Abstract]:Each era has its own era of realistic problems, people think and solve realistic problems have a certain background of the times. Marx once pointed out: "the problem is the slogan of the times, is the most practical voice of its own spiritual state." Cultural security is the current era related to the state of the country. A major global reality of the survival of nations and of mankind. As an important part of Chinese traditional culture, folk art culture of Northern Shaanxi is the folk expression of culture, its present situation and development prospect. National cultural security is an important part of national cultural security. However, under the background of the deepening of globalization, the crisis of modernity is emerging constantly, and the cultural conflict between tradition and modern is becoming more and more intense. In addition, in the special period of social transformation, the survival and development of folk art and culture in Northern Shaanxi face a severe test. This topic takes the cultural security theory as the breakthrough point, has carried on the certain research and the exploration to the northern Shaanxi folk art cultural security present situation and its inheritance and development. The thesis mainly includes four parts: the first part explores and explains the present situation of folk art and culture security in Northern Shaanxi; The second part analyzes the main factors that affect the security of folk art and culture in Northern Shaanxi. The third part has carried on the rational examination to the Northern Shaanxi folk art culture crisis; The 4th part ponders and excavates the path of the development of folk art in the contemporary and future of Northern Shaanxi, thus providing some reference for the development of the whole folk art culture and the realization of the national cultural security. This subject is in the cultural security field of view, the case of folk art in northern Shaanxi analysis and research, pay attention to the relationship between the culture of folk art and national cultural security in Northern Shaanxi. And raise it to the height of the national cultural security strategy, improve the attention and attention of the researchers to the folk arts and culture in Northern Shaanxi. To promote the further inheritance and development of traditional culture, so that people can better understand the close relationship between culture and people, and the relationship between culture and nation. A clearer understanding of culture, especially traditional culture in the development of the current era of threats and challenges, aware of the cultural subject should bear the task of the times and historical responsibility, so as to better regulate the behavior of cultural subjects. A deeper understanding of culture and human itself, promote the harmonious development of culture and human itself.
【學(xué)位授予單位】：西安工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J0

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