街舞—大眾文化無聲的言說
發(fā)布時間：2018-09-03 12:44
【摘要】：大眾文化自20世紀后期以來,已經(jīng)在當代發(fā)展成為影響大眾日常生活不可或缺的一種文化現(xiàn)象。而街舞,秉承著大眾文化的韻味,逐漸發(fā)展成為大眾文化全球傳播范式的典范。它的出現(xiàn)絕不是一種偶然,而是在時代的發(fā)展與擴張中,伴隨著青年反抗資本主義體制與表達個性自由的呼喚聲中成長起來的。在大眾傳媒的迅猛發(fā)展推動下,街舞不僅以其富有張力和魅力的藝術呈現(xiàn)方式感染了大眾,而且以其獨特而深刻的內涵成為一種深受大眾喜愛的流行與時尚,在短短的幾十年內就在全球確定了其文化聚合力。街舞文化在中國,以青年大眾群體為載體,經(jīng)歷了由體育運動形式到舞蹈呈現(xiàn)方式的轉變。隨著主流意識形態(tài)態(tài)度的默許和轉變,街舞文化在中國也最終發(fā)展為一種大眾文化的流行與時尚。在街舞文化的辯證歷史演變過程中,不可避免地參與資本的運作,在商業(yè)化和技術的滲透下也顯現(xiàn)出拜物教的特征從而帶來一系列新的異化的可能。作為一種大眾文化,街舞將如何面對紛擾的消費社會而保持自身相對的獨立性成為包括街舞在內眾多大眾文化形式所必須面臨的一個問題。本文旨在通過研究街舞在全球成為一種流行的大眾文化范式的歷史與現(xiàn)狀以及在中國獨特歷史實踐語境下成為一種時尚的過程,來分析街舞文化在當代秉承大眾解放意義的同時所面臨的新異化的可能,以此來探討大眾文化在當代面臨的困境和走向。 導論部分主要是介紹街舞文化作為大眾文化在當代全球傳播范式中的獨特性,目前國內外對涉及街舞與大眾文化研究的概況及本文的敘述框架和研究方法及自我評價。
[Abstract]:Since the late 20th century, popular culture has become an indispensable cultural phenomenon affecting the daily life of the masses. Hip-hop, adhering to the charm of popular culture, gradually developed into a model of global dissemination of mass culture. Its emergence is not an accident, but grew up in the development and expansion of the times, accompanied by the call of youth to resist the capitalist system and express their individual freedom. Driven by the rapid development of mass media, hip hop dance not only infects the public with its artistic presentation style full of tension and charm, but also becomes a popular fashion with its unique and profound connotation. In just a few decades its cultural cohesion has been established globally. Hip-hop dance culture in China, with young people as the carrier, has experienced a change from sports form to dance presentation. With the acquiescence and change of the mainstream ideology, the hip-hop culture has finally developed into a popular culture in China. In the process of dialectical historical evolution of hip-hop culture, it is inevitable to participate in the operation of capital. Under the permeation of commercialization and technology, it also shows the characteristics of fetishism, thus bringing about a series of new possibilities of alienation. As a kind of popular culture, how to face the turbulent consumer society and maintain its relative independence has become a problem that many popular culture forms, including hip-hop dance, must face. The purpose of this paper is to study the history and current situation of hip hop dance (Hip-hop) becoming a popular cultural paradigm in the world and the process of becoming a fashion in the context of China's unique historical practice. This paper analyzes the possibility of the new alienation that the hip-hop dance culture faces while adhering to the significance of mass liberation, so as to explore the plight and trend of the popular culture in the contemporary era. The introduction part mainly introduces the unique characteristics of the street dance culture as the mass culture in the contemporary global communication paradigm. At present, the general situation of the research on the street dance and popular culture at home and abroad, the narrative framework, the research methods and the self-evaluation of this article.
【學位授予單位】：南京大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J722.9
本文編號：2220016
[Abstract]:Since the late 20th century, popular culture has become an indispensable cultural phenomenon affecting the daily life of the masses. Hip-hop, adhering to the charm of popular culture, gradually developed into a model of global dissemination of mass culture. Its emergence is not an accident, but grew up in the development and expansion of the times, accompanied by the call of youth to resist the capitalist system and express their individual freedom. Driven by the rapid development of mass media, hip hop dance not only infects the public with its artistic presentation style full of tension and charm, but also becomes a popular fashion with its unique and profound connotation. In just a few decades its cultural cohesion has been established globally. Hip-hop dance culture in China, with young people as the carrier, has experienced a change from sports form to dance presentation. With the acquiescence and change of the mainstream ideology, the hip-hop culture has finally developed into a popular culture in China. In the process of dialectical historical evolution of hip-hop culture, it is inevitable to participate in the operation of capital. Under the permeation of commercialization and technology, it also shows the characteristics of fetishism, thus bringing about a series of new possibilities of alienation. As a kind of popular culture, how to face the turbulent consumer society and maintain its relative independence has become a problem that many popular culture forms, including hip-hop dance, must face. The purpose of this paper is to study the history and current situation of hip hop dance (Hip-hop) becoming a popular cultural paradigm in the world and the process of becoming a fashion in the context of China's unique historical practice. This paper analyzes the possibility of the new alienation that the hip-hop dance culture faces while adhering to the significance of mass liberation, so as to explore the plight and trend of the popular culture in the contemporary era. The introduction part mainly introduces the unique characteristics of the street dance culture as the mass culture in the contemporary global communication paradigm. At present, the general situation of the research on the street dance and popular culture at home and abroad, the narrative framework, the research methods and the self-evaluation of this article.
【學位授予單位】：南京大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J722.9
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