【摘要】：近代社會,隨著現代民族國家的建立,國家權力的不斷下沉,使原本在民間社會中自娛自樂、表達自我信仰的舞蹈形式也沾染上了濃厚的"權力技術"色彩。本文以湘西花垣縣董馬庫村的接龍舞為研究個案,實證國家如何"在場"于民間舞蹈之中。研究結果表明,民間舞蹈中國家與民間的關系并非國家單向的作用力,而是呈現出一種雙向的互動,國家征用與塑形民間舞蹈的同時,民間社會也巧妙地利用國家符號復興自己的舞蹈文化,表達自身的訴求。
[Abstract]:In modern society, with the establishment of modern nation-state and the constant sinking of state power, the dance form of expressing self-belief has been stained with strong "power technology" color. This paper takes Dong Maku village of Xiangxi Huayuan County as a case study to demonstrate how the country is "present" in folk dance. The results show that the relationship between the state and the folk in folk dance is not a unidirectional force of the state, but a two-way interaction between the state requisition and the shaping of the folk dance. Civil society also skillfully uses national symbols to revive its dance culture and express its demands.
【作者單位】： 中山大學中國非物質文化遺產中心;
【基金】：2014年教育部人文社科重點基地重大課題《“非遺”保護與文化生態(tài)保護區(qū)建設研究》(項目編號:14JJD850002) 2014年國家社科基金課題《中華民族傳統體育項目志(1990至今)》(項目編號:14BTY085)
【分類號】：J722.214
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本文編號：2121465