【摘要】：儺的最初功能是驅(qū)鬼逐疫。隨著時代的發(fā)展,今天的儺活動除了繼續(xù)保留這樣的主要功能之外,還常常成為舞臺或廣場上展演的作品。因此,曾經(jīng)主要用于祭神、娛神的儺舞漸漸趨向于娛人的功效,而儺舞中的面具也在發(fā)生著一些悄然變化�；谶@樣的現(xiàn)象,本文以湛江儺面具在當代不同時期的更新發(fā)生的變化而做個案分析,思考這種變化背后所承載的文化、審美等方面的深層原因,以期與同行共同探索。
[Abstract]:The initial function of Nuo is to exorcise ghosts and banish diseases. With the development of the times, today's Nuo activities not only retain such main functions, but also often become the works of stage or square. Therefore, once mainly used to worship the gods, the Nuo dance of the gods gradually tended to entertain the efficacy of people, and the masks in the Nuo dance were quietly changing. Based on this phenomenon, this paper makes a case study on the changes of Zhanjiang Nuo mask in different contemporary periods, thinking about the deep reasons of culture and aesthetics behind this change, in order to explore with colleagues.
【作者單位】： 廣東舞蹈戲劇職業(yè)學院;
【分類號】：J722.29
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本文編號：2121379