發(fā)布時(shí)間：2018-06-16 19:07

  本文選題：甲骨卜辭 + 甲骨文合集��； 參考：《舞蹈》2017年08期

【摘要】：正目前我國(guó)對(duì)殷商舞蹈的研究,因受到實(shí)物、文獻(xiàn)等各方面條件的限制,結(jié)論觀點(diǎn)出現(xiàn)不少分歧,有的甚至大相徑庭。雖然大部分能自圓其說(shuō),但大都是在文獻(xiàn)互文、考古互證上進(jìn)行的定性分析。筆者力圖深入挖掘甲骨卜辭的"直接史料",針對(duì)卜辭中"舞"字和"舞"字詞組的定量分析方法進(jìn)行探討,特別是在舞蹈相關(guān)因素與定量分析變量的對(duì)應(yīng)設(shè)定上進(jìn)行了討論。希望通過(guò)數(shù)據(jù)上的呈現(xiàn),相對(duì)、準(zhǔn)確地把握殷商舞蹈的整體風(fēng)貌。
[Abstract]:At present, the research of Yin Shang dance in our country is limited by material objects, literature and other conditions, and some of them have different opinions. Although most of them can explain themselves, most of them are qualitative analysis in the literature intertextuality and archaeological evidence. The author tries hard to dig into the "direct historical data" of oracle bone inscriptions, and probes into the quantitative analysis methods of the words "dance" and "dance", especially on the corresponding setting of dance relative factors and quantitative analysis variables. Hope that through the presentation of the data, relatively, accurately grasp the overall style of Yin Shang dance.
【分類號(hào)】：J722.4

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1 唐健垣 ,項(xiàng)陽(yáng),蔡良玉;商代的弦樂(lè)器及木制樂(lè)器[J];中國(guó)音樂(lè)學(xué);1993年04期

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本文編號(hào)：2027792