發(fā)布時間：2018-04-29 19:09

  本文選題：敦煌舞 + 傳播��； 參考：《西北民族大學(xué)》2017年碩士論文

【摘要】：敦煌這一古絲綢之路上的"咽喉重鎮(zhèn)",今天它再度輝煌,響徹全球。屬于中國古典舞范疇的敦煌舞的起源,是中國舞蹈史學(xué)家們智慧的發(fā)現(xiàn)和建議,促使甘肅省歌舞團首先運用敦煌藝術(shù)創(chuàng)作演出了以絲綢之路為題材的舞劇《絲路花雨》,緊接開創(chuàng)的教學(xué)體系的創(chuàng)建,是由舞蹈教育家高金榮從敦煌莫高窟壁畫中進一步研究、創(chuàng)造產(chǎn)生形成的新舞種,命名"敦煌舞"。當今在"一帶一路"精神照耀和視野下有著非凡意義。它即是繼承和弘揚傳統(tǒng)文化,又是當代的新創(chuàng)造。這個流派從基本動作訓(xùn)練到代表性劇目再到舞劇,已形成一套完整的教學(xué)體系。敦煌文化不僅僅是西北地區(qū)的文化,更是中華民族的文化,世界的文化。因此傳承傳播敦煌舞這門藝術(shù)有重要意義。本論文主要以敦煌舞的傳承、傳播為研究方向,通過專業(yè)舞蹈院校和大眾舞蹈普及兩個方面對敦煌舞的傳播現(xiàn)狀進行分析研究,找出敦煌舞傳播發(fā)展過程中存在的問題,提出一些意見和設(shè)想,如:專業(yè)方面要有學(xué)科建設(shè),加強實踐演出;大眾方面要有適宜普及的教材進入普通學(xué)校和群眾舞蹈中。敦煌舞的傳播探究這一論文題目就是本人攻讀這一學(xué)科的目標與愿望。論文涉及"敦煌舞"和"傳播"兩個概念,但我研究的是敦煌舞的傳播。傳播實際上是自有人類以來就存在的一種行為和社會現(xiàn)象。本人在論文提出了多個領(lǐng)域傳播敦煌舞的方法及設(shè)想,并結(jié)合研究方向用蒙語翻譯了《敦煌舞教程》已出版。目的是希望全社會更廣泛的關(guān)注、了解、認識敦煌舞,使之發(fā)揚光大。通過有計劃、有組織、有力度的傳播方法使敦煌舞鮮明地立足于國家以至世界舞壇之中。
[Abstract]:Dunhuang, the ancient Silk Road on the "throat town", today it resplendent, resounding the world. The origin of Dunhuang dance, which belongs to the category of Chinese classical dance, is a wise discovery and advice of Chinese dance historians. The Gansu Song and Dance Troupe first used Dunhuang art to create and perform the silk road dance play "Silk Road Flower Rain". The creation of the teaching system created immediately was further studied by dance educator Gao Jinrong from the Dunhuang Mogao Grottoes murals. Create a new dance species, named Dunhuang Dance. Nowadays, under the spirit of Belt and Road, it is of great significance. It is not only to inherit and carry forward the traditional culture, but also a new contemporary creation. This school has formed a complete teaching system from basic action training to representative repertoire to dance drama. Dunhuang culture is not only the culture of Northwest China, but also the culture of the Chinese nation and the world. Therefore, the transmission of Dunhuang dance this art has an important significance. This paper mainly takes the inheritance and communication of Dunhuang dance as the research direction, analyzes the present situation of Dunhuang dance dissemination through professional dance schools and popular dance popularization, and finds out the existing problems in the process of Dunhuang dance communication and development. Some suggestions and ideas are put forward, such as the discipline construction in the professional field and the practical performance, and the suitable teaching materials for the masses to enter into the ordinary schools and the mass dance. The topic of this thesis is my goal and wish to study this subject. The thesis involves the concepts of Dunhuang Dance and Communication, but I study the dissemination of Dunhuang Dance. Communication is actually a kind of behavior and social phenomenon existing since the existence of human beings. In this paper, I put forward the methods and ideas of spreading Dunhuang Dance in many fields, and translated the course of Dunhuang Dance into Mongolian. The purpose is to make the whole society pay more attention, understand and understand Dunhuang dance. By means of planned, organized and dynamic communication, Dunhuang dance is firmly established in the world as well as in the country.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J722.4

【相似文獻】

相關(guān)期刊論文 前10條

1 朱玉紅;;談中國古典舞的身韻[J];藝術(shù)廣角;2000年03期

2 唐滿城;對中國古典舞在新世紀發(fā)展的期望[J];北京舞蹈學(xué)院學(xué)報;2002年01期

3 韓瑾;論中國古典舞“結(jié)合課”緣由、結(jié)構(gòu)與功能[J];北京舞蹈學(xué)院學(xué)報;2002年02期

4 翁世暉;中國古典舞動態(tài)語言的“中性化”取向及其意義[J];福建藝術(shù);2002年05期

5 王偉;對中國古典舞學(xué)科發(fā)展的再認識[J];舞蹈;2002年03期

6 韓瑾;“結(jié)合課”——創(chuàng)建中國古典舞的最佳選擇[J];舞蹈;2002年10期

7 楊U，

本文編號：1821196