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“中庸之道”對(duì)當(dāng)今舞蹈的影響

發(fā)布時(shí)間:2018-04-23 15:47

  本文選題:儒家文化 + 外界事物 ; 參考:《青年記者》2017年08期


【摘要】:正在中國(guó)幾千年的歷史發(fā)展長(zhǎng)河中,儒家文化作為主導(dǎo)思想一直伴隨著我國(guó)的進(jìn)步和發(fā)展,儒家文化已然在潛移默化中融入國(guó)人的思想深處!稑酚洝废蟆分姓f道:"詩(shī),言其志也;歌,詠其聲也;舞,動(dòng)其容也;三者本于心,然后樂器從之。"歌舞一體、樂器從之。舞蹈自人類文明的開始就逐漸孕育,并伴隨社會(huì)不斷發(fā)展,由娛神一步步走向娛人,外界事物刺激人心,心之所感、心之所向并有規(guī)律地表達(dá)出來(lái)就形成
[Abstract]:In the course of thousands of years of historical development in China, the Confucian culture, as the leading ideology, has been accompanied by the progress and development of our country. The Confucian culture has been imperceptibly integrated into the Chinese people's thinking. "Poetry," said Le Ji Yue Xiang. Say its will also, sing its voice, dance, move its appearance, three based on the heart, and then the instrument from it. " Singing and dancing, musical instruments from it. Dance has been conceived gradually since the beginning of human civilization, and accompanied by the continuous development of society, from the entertainment god step by step towards entertainment, outside things stimulate the people, the feelings of the heart, the heart and expressed regularly to form
【作者單位】: 山東師范大學(xué)音樂學(xué)院;
【分類號(hào)】:J70-4

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6 陶秀t,

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