本文選題：銅梁　切入點(diǎn)：舞龍運(yùn)動　出處：《西南大學(xué)》2014年碩士論文

【摘要】：中華民族自古以來以龍的傳人自稱,崇拜龍的圖騰,以龍為尊。極具龍文化內(nèi)涵的舞龍運(yùn)動遍布大江南北,舞龍活動,并非由個人所創(chuàng)作,也不是在一段時間或一個時代里所能完成的,而是經(jīng)過一個地區(qū)的人們不斷豐富、逐步完善的,是集眾人智慧而一體的產(chǎn)物,是一種偏于感性的、集群的民間藝術(shù)。而在全國各地異彩紛呈的舞龍運(yùn)動中,重慶銅梁龍更是享有“中華第一龍”的美譽(yù)�！般~梁龍燈”——巴渝十大民間藝術(shù)之首,自1996年起,借由銅梁縣被國家文化部命名為“中國龍燈之鄉(xiāng)”這一契機(jī),銅梁龍燈得到迅速發(fā)展,并成為最具中國龍文化藝術(shù)形象的杰出代表。改革開放以來,西方現(xiàn)代競技體育強(qiáng)勢進(jìn)入中國,對中華民族傳統(tǒng)體育文化形成強(qiáng)烈沖擊,使銅梁舞龍這項民族傳統(tǒng)體育運(yùn)動為尋找自身出路,進(jìn)行了由封閉到開放、由傳統(tǒng)到現(xiàn)代、由單一到多元的整體轉(zhuǎn)型。本研究以銅梁舞龍運(yùn)動為研究對象,對其起源、傳承及影響其發(fā)展的因素進(jìn)行分析,希望能夠為銅梁舞龍運(yùn)動在西方現(xiàn)代競技體育和市場經(jīng)濟(jì)體制沖擊下的繼續(xù)生存和可持續(xù)發(fā)展提供可參考建議。 本文主要采用文獻(xiàn)資料法、田野調(diào)查法、訪談法,深入現(xiàn)場對銅梁舞龍運(yùn)動的傳承與現(xiàn)實生存狀況進(jìn)行全面考察,使用直接觀察、拍照等方法進(jìn)行記錄；走訪銅梁舞龍運(yùn)動的參與人員和相關(guān)負(fù)責(zé)人；查閱了大量的相關(guān)文獻(xiàn)資料。得出以下結(jié)論：第一、銅梁舞龍運(yùn)動最晚起源于唐宋時期,在明代已有文字記載,于清代已經(jīng)發(fā)展到了一個相當(dāng)繁榮的程度。到了當(dāng)代,舞龍運(yùn)動早已成為一種具有競技性的傳統(tǒng)體育項目和大眾性的文化娛樂活動,充分體現(xiàn)了新時代的多姿多彩。第二、銅梁舞龍運(yùn)動作為一項民族傳統(tǒng)體育項目,從其產(chǎn)生之時便在中國這片廣袤的土地深深扎根,它在悠久的歷史長河中,始終不變的體現(xiàn)著中華民族傳統(tǒng)精神文化。銅梁龍燈在漫長歲月中經(jīng)歷了“草龍一火龍一正龍一肉龍”這樣一個演變過程。最開始是使用于祭神、娛神,隨著人們認(rèn)識自然、改造自然能力的不斷提高,逐漸開拓出了其集健身、娛樂、教育于一身的新功能。第三、政府的重視程度和扶持力度、經(jīng)濟(jì)水平的發(fā)展、文化的繼承和發(fā)揚(yáng)、媒體的宣傳推廣、理論研究的深度和科學(xué)性等都是能夠影響銅梁舞龍運(yùn)動發(fā)展的重要因素。為將“銅梁龍”打造成銅梁縣的“城市名片”,提出了以下建議：第一、銅梁舞龍運(yùn)動要進(jìn)行“現(xiàn)代化”的改革創(chuàng)新；第二、將銅梁舞龍運(yùn)動引進(jìn)學(xué)校的實踐教學(xué),加強(qiáng)后備人才的培養(yǎng)；第三、在群眾中大力推廣銅梁舞龍運(yùn)動,提高群眾參與率；第四、完善“銅梁龍”的產(chǎn)業(yè)結(jié)構(gòu)、提高相關(guān)產(chǎn)品市場占有率；第五、規(guī)范銅梁舞龍市場,建立、健全相關(guān)規(guī)章制度；第六、將銅梁舞龍運(yùn)動與旅游業(yè)相結(jié)合,提高其整體吸引力。
[Abstract]:Since ancient times, the Chinese nation has claimed to worship the totem of the dragon and to respect the dragon. The dragon dance movement, which has the connotation of dragon culture, has spread all over the river and north and south. Dragon dance activities are not created by individuals. It is not something that can be accomplished in a certain period of time or in an era, but it is a product of the wisdom and integration of the people who have been enriched and perfected step by step through a region, and it is a kind of sensual one. In the colorful dragon dance movement all over the country, Chongqing Tongliang Dragon enjoys the reputation of "the first Dragon of China". "Tongliang Dragon Lantern"-the top of the ten folk arts in Bayu, has been around since 1996. Taking the opportunity that Tongliang County was named "the hometown of Chinese Dragon Lantern" by the Ministry of Culture, Tongliang Longlantern developed rapidly and became the most outstanding representative of Chinese Dragon Culture and Art Image. Since the reform and opening up, The strong entry of western modern competitive sports into China has made a strong impact on the traditional sports culture of the Chinese nation. In order to find its own way out, the traditional national sports of the Bronze Liang Dragon Dance has gone from closed to open, from tradition to modern. This research takes the movement of dragon dance of bronze beam as the research object, analyzes its origin, inheritance and the factors that influence its development. It is hoped that it can provide some suggestions for the survival and sustainable development of the Dragon Dance in the West under the impact of modern competitive sports and market economy system. This article mainly uses the literature method, the field investigation method, the interview method, the thorough spot carries on the comprehensive inspection to the bronze beam dragon dance movement inheritance and the reality survival condition, uses the direct observation, the photograph and so on method carries on the record; Visit the participants and relevant officials of the Tongliang Dragon Dance Movement, consult a large number of relevant documents and materials. Draw the following conclusions: first, the Tongliang Dragon Dance Movement originated in the Tang and Song dynasties at the latest, and has been documented in the Ming Dynasty. In the Qing Dynasty, it has developed to a rather prosperous degree. By the present age, dragon dance has already become a kind of competitive traditional sports and popular cultural and entertainment activities, which fully reflects the variety of the new era. Second, As a traditional national sport, Tongliang Dragon Dance has been deeply rooted in the vast land of China since its birth. It has been in the long history of China. The Tongliang Dragon Lantern has experienced the evolution process of "grass dragon, fire dragon, upright dragon and flesh dragon" in the long years. At the beginning, it was used to sacrifice gods and entertain gods, as people understood nature. The continuous improvement of natural ability has gradually opened up its new functions of fitness, entertainment, and education. Third, the government attaches importance to and supports the development of economic level, the inheritance and development of culture, and the propaganda and promotion of the media. The depth and scientific nature of the theoretical research are important factors that can influence the development of the dragon dance movement in Tongliang County. In order to make "Tongliang Dragon" into a "city card" of Tongliang County, the following suggestions are put forward: first, It is necessary to reform and innovate the "modernization" of the Dragon Dance Movement of the Tongliang, second, to introduce the Dragon Dance Movement into the practical teaching of schools and to strengthen the training of reserve talents; third, to promote the Dragon Dance Movement among the masses in order to increase the participation rate of the masses; Fourth, to improve the industrial structure of the "Tongliang Dragon" and increase the market share of related products; fifthly, to standardize the Tongliang Dragon Dance Market, to establish and improve the relevant rules and regulations; and sixth, to combine the Tongliang Dragon Dance campaign with the tourism industry. Improve its overall attractiveness.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J722.214

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 張繼生,雷軍蓉;舞龍運(yùn)動發(fā)展與前瞻[J];北京體育大學(xué)學(xué)報;2003年05期

2 雷軍蓉;中國舞龍運(yùn)動的社會特性和價值功能[J];北京體育大學(xué)學(xué)報;2004年10期

3 段全偉,王輝;現(xiàn)代中國舞龍運(yùn)動的社會文化學(xué)研究[J];北京體育大學(xué)學(xué)報;2005年04期

4 曾世華;民族傳統(tǒng)體育舞龍運(yùn)動的文化淵源、現(xiàn)狀和發(fā)展趨勢[J];北京體育大學(xué)學(xué)報;2005年10期

5 張華;;銅梁龍舞的文化傳承研究[J];當(dāng)代體育科技;2012年10期

6 李春木;中國龍獅運(yùn)動的市場化探討——以第八屆中國國際龍獅邀請賽為例[J];福建體育科技;2005年04期

7 韋曉康,殷俊,張延慶,李俊怡;論壯族舞龍運(yùn)動的起因[J];黑龍江民族叢刊;2004年03期

8 李湘遠(yuǎn),段麗梅;西南地區(qū)舞龍文化特征及其發(fā)展對策[J];湖北體育科技;2004年02期

9 楊愛華,李英;中國舞龍運(yùn)動審美藝術(shù)特征的研究[J];解放軍體育學(xué)院學(xué)報;2003年02期

10 李英,楊愛華;舞龍運(yùn)動的歷史回顧與展望[J];解放軍體育學(xué)院學(xué)報;2004年02期

，

本文編號：1684384