本文選題：“象舞”　切入點：武王　出處：《管子學刊》2010年04期 　論文類型：期刊論文

【摘要】：本文對周初之"象舞"的產(chǎn)生及其影響進行了初步的分析與梳理。作者從對"象"的文字訓詁入手,分析了在中華民族文明發(fā)展的濫觴期,漢字、《易》和原始舞蹈的創(chuàng)生過程中,"象"作為早期先民的一種模仿、象形的交流、互動的信息傳遞手段,發(fā)揮著不可或缺的溝通載體作用。對"象舞"在華夏舞蹈史發(fā)展過程中的承先啟后的歷史地位,本文也進行了梳理,肯定了其審美主體意識的自覺與回歸、啟動了舞蹈世俗化、人性化、規(guī)范化、社會化的藝術(shù)進程的重要作用。
[Abstract]:This article has carried on the preliminary analysis and the combing to the appearance and the influence of "Xiang Dance" in the early Zhou Dynasty. The author begins with the textual exegesis of "Xiang", and analyzes the origin of the development of the Chinese nation's civilization. In the creation of Chinese characters, Yi Yi, and primitive dance, "Xiang" was used as a means of imitating, pictographic communication and interactive information transmission of the early ancestors. This paper also combs the historical position of "Xiang Dance" in the course of the development of Chinese dance history, affirms the consciousness and return of its aesthetic subject consciousness, and starts the secularization of dance. Humanization, standardization, socialization of the art process of the important role.
【作者單位】： 閩江學院蔡繼琨音樂學院;
【分類號】：J709.2

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本文編號：1607358