本文關(guān)鍵詞： “80后” “80后”中國舞者 創(chuàng)作價值觀 藝術(shù)品格 第十屆全國舞蹈比賽　出處：《山東藝術(shù)學(xué)院》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：2003年到2004年之間，“80后”一詞突然涌現(xiàn)在我們眼前，直到今天“80年代”、“80后”已漸漸成為一種文化現(xiàn)象，出生在上世紀(jì)80年代的這樣一個群體果真有著特殊的故事。他們是“蜜罐”里成長的一代，也是生活壓力最大的一代；他們有不一樣的快樂童年，現(xiàn)在卻也面臨著最嚴(yán)峻的考驗；他們是追求個性的叛逆青年，也是用心實現(xiàn)夢想的奮斗青年。 社會背景、政治語境對藝術(shù)形態(tài)的影響是必然的。藝術(shù)形態(tài)呈現(xiàn)的不僅是藝術(shù)家個人的生命體驗，更是社會文化狀況的真實寫照。中國的“80后”一代，在其成長的過程中，經(jīng)歷了相比其他年代的人更為深刻的思想意識變革。特定的時代背景、成長經(jīng)歷，造就了“80后”獨特的氣質(zhì)，這些內(nèi)在氣質(zhì)通過他們的作品展現(xiàn)出來，他們的作品也因此產(chǎn)生了一些特殊的標(biāo)記，這也可以稱作是他們獨特的藝術(shù)品格。在中國舞蹈發(fā)展史中，80年代也是一個分水嶺，，是代表著中國舞蹈開始復(fù)蘇繁榮的一個重要階段。在中國舞蹈的重要過渡期成長起來的新一代“80后”舞者，現(xiàn)在正是活躍在舞臺上最優(yōu)秀、最具有獨特藝術(shù)風(fēng)格和藝術(shù)追求的新生力量，他們有著自己獨特的創(chuàng)作思維和表達(dá)方式。時代賦予了“80后”中國舞者自我并集體；依賴且獨立；先鋒亦懷舊的藝術(shù)特質(zhì)。他們對舞蹈的熱愛和理解已與老一輩有所不同，不再是上世紀(jì)五六十年代的“英雄兒女”，為新中國而舞；也不再是上世紀(jì)七八十年代的“百花爭艷”，為大眾而舞；他們只為表達(dá)自己而舞，為真實、為夢想而舞。 在“80后”一代人開始嶄露頭角，漸漸步入主流的今天，舞臺上最活躍的“80后”中國舞者雖尚處在成長階段，但他們的出現(xiàn)對中國舞蹈事業(yè)的發(fā)展有著超乎尋常的影響。本文以“80后”中國舞者為研究對象，目的在于分析和總結(jié)這一代舞者的發(fā)展現(xiàn)狀及作品特點，來研究其獨特的藝術(shù)創(chuàng)作風(fēng)格、舞蹈思想和舞蹈觀，在他們的共性中尋找相對于“50后”、“60后”而言的獨特個性，即時代賦予“80后”中國舞者的專屬印記，以求對中國舞蹈未來發(fā)展趨勢的研究形成一定的啟示作用。
[Abstract]:Between 2003 and 2004, the word "post-80s" suddenly popped up in front of us. Until today "80s", "post-80s" has gradually become a cultural phenomenon. Such a group, born in -20s, has a special story. They are the generation growing up in the Honeypot and the most stressed generation; they have a different happy childhood. Now they are also facing the most severe test; they are the rebellious youth who pursue their individuality, and the struggling youth who strive to realize their dreams. The influence of social background and political context on art form is inevitable. Art form presents not only the individual life experience of the artist, but also the true portrayal of the social and cultural situation. People who have experienced more profound ideological changes than those of other ages. The specific background of the times, the growth experience, has created the unique temperament of the "post-80s", which is manifested through their works. As a result of this, their works have produced some special marks, which can be called their unique artwork. In the history of Chinese dance development, the 1980s were also a watershed. It represents an important stage in the revival and prosperity of Chinese dance. The new generation of "post-80s" dancers, who grew up during the important transitional period of Chinese dance, are now the best dancers active on the stage. The most unique artistic style and artistic pursuit of the new forces, they have their own unique creative thinking and expression. Vanguard also nostalgic artistic characteristics. Their love and understanding of dance has been different from the older generation, is no longer 0th century "hero children", dance for the new China; Nor is it the 1970s and 1980s of 0th century, when they dance for the masses; they dance only to express themselves, to be true and to dream. Today, when the "post-80s" generation is beginning to emerge and gradually enters the mainstream, the most active "post-80s" Chinese dancers on the stage are still in their growing stages. However, their appearance has a remarkable influence on the development of Chinese dance career. This paper takes the "post-80s" Chinese dancers as the research object, in order to analyze and summarize the present situation and characteristics of this generation of dancers. To study its unique artistic creation style, dance thought and dance view, and to find the unique personality relative to "after 50" and "post-60" in their commonness, that is, the unique imprint of the era that endows the "post-80s" Chinese dancers. In order to the future development trend of Chinese dance to form a certain enlightenment.
【學(xué)位授予單位】：山東藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J709.2

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