本文關(guān)鍵詞： 中國芭蕾舞劇 發(fā)展歷史 民族化 時代性 中國學(xué)派　出處：《河北大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：芭蕾來自法語“Ballet”，通常又將其稱為是“足尖上的舞蹈”，，文藝界認(rèn)為芭蕾舞體現(xiàn)著西方的藝術(shù)文明。經(jīng)過在法國、意大利、美國、俄國等國幾百年的傳承和發(fā)揚，芭蕾舞藝術(shù)經(jīng)歷了很多的時期和階段，自“早期芭蕾”、“古典芭蕾”、“浪漫芭蕾”逐漸發(fā)展到當(dāng)今的“當(dāng)代芭蕾”和“現(xiàn)代芭蕾”，演變成不同藝術(shù)風(fēng)格的多個流派，在不同國家、地區(qū)以及不同的時代，形成了不同背景風(fēng)格的芭蕾作品。暢想芭蕾時代著名作品的特點，如：少女輕盈、足尖鞋和柔美的舞姿，全世界的觀眾對其淋漓盡致的表演和較強(qiáng)的藝術(shù)形式有著癡迷的熱愛。通過欣賞西方的著名芭蕾舞劇可以對芭蕾舞的藝術(shù)精華有著深刻的體會，如《吉賽爾》、《天鵝湖》、《茶花女》、《堂·吉訶德》、《舞姬》等著名的經(jīng)典作品在國際上有著廣泛的知名度。當(dāng)前，對于不同國家和地區(qū)的藝術(shù)家而言，這種具有國際性質(zhì)的藝術(shù)模式已經(jīng)成為其進(jìn)行交流的一種溝通方式，并得到了豐富和發(fā)展。 對西方國家的芭蕾藝術(shù)的形成、發(fā)展以及創(chuàng)新進(jìn)行探索，發(fā)現(xiàn)其具體風(fēng)格和其特有的民族文化是相關(guān)的，在西方的芭蕾舞傳入我國后，與我國的東方文化產(chǎn)生了一系列的碰撞，基于這種不同文化藝術(shù)的沖擊所形成的效果不僅形式豐富而且內(nèi)容多彩繽紛。通過一系列的思維構(gòu)想，將東方文化和傳統(tǒng)的西方芭蕾舞藝術(shù)融合在一起后，在動作韻律和古典風(fēng)格以及民族特點方面，都是對藝術(shù)的極大提升和創(chuàng)新，是對藝術(shù)的經(jīng)典超越，通過芭蕾舞在中國的發(fā)展以及所獲得的大量的藝術(shù)作品便可看出這些創(chuàng)新和構(gòu)想，給人們帶來了極大的視覺盛宴。
[Abstract]:Ballet comes from French "Ballet" and is often referred to as "dance on the tip of the foot." the literary and art circles believe that ballet embodies the art civilization of the West. It has been inherited and promoted over the centuries in France, Italy, the United States, Russia, and other countries, such as France, Italy, the United States, Russia, and so on. Ballet art has gone through many periods and stages, from "early ballet", "classical ballet", "romantic ballet" to modern "contemporary ballet" and "modern ballet". Different regions and different times have formed ballet works with different backgrounds and styles. Imagine the characteristics of famous works of the ballet era, such as young girls' lightness, toes and soft dancing, Audiences around the world have an obsession with its incisive performances and strong artistic forms. By appreciating famous western ballet, you can have a deep understanding of the artistic essence of ballet. For example, Giselle, Swan Lake, Camellia, Don Quixote, Dancing, and other famous classics are widely known in the world. At present, for artists from different countries and regions, This international artistic model has become a communication mode of communication, and has been enriched and developed. This paper explores the formation, development and innovation of ballet art in western countries, and finds that its specific style is related to its unique national culture. There has been a series of collisions with the oriental culture of our country. Based on the impact of this kind of different culture and art, the effect is not only rich in form but also colorful in content. After the integration of oriental culture and traditional western ballet art, the rhythm of movement and classical style as well as the characteristics of the nation are greatly promoted and innovated to the art, which is the classical transcendence of the art. Through the development of ballet in China and a large number of works of art, we can see that these innovations and ideas have brought people a great feast of vision.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J723.4

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