本文關鍵詞： 晉南 金代 磚雕 舞蹈　出處：《東北師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：晉南是山西南部的總稱，即今天山西運城、臨汾地區(qū)。二十世紀八十年代以來隨著晉南地區(qū)金代墓葬的發(fā)掘，出土了大量的樂舞磚雕，其生動的形象，優(yōu)美的舞姿，鮮明的服飾特點無不在書寫著晉南地區(qū)金代樂舞的發(fā)展歷史。通過這些樂舞磚雕既可以觀其表象，，還能究其本末。 本文以晉南金墓樂舞磚雕為研究對象，共分為四部分。第一部分是晉南金墓樂舞磚雕的歷史環(huán)境。在本部分分析了金代樂舞依存的歷史環(huán)境，包括晉南地區(qū)的歷史文化、農業(yè)生產、風俗習慣。第二部分是探析了晉南金墓樂舞磚雕的形態(tài)特征。首先是晉南金墓樂舞磚雕的分布，比較詳細的梳理了晉南地區(qū)金墓樂舞磚雕的分布地區(qū)具體到了村落。其次是晉南金墓樂舞磚雕的類別，分析了樂舞磚雕的種類及淵源。第三是晉南金墓樂舞磚雕的形象特征，主要從服飾、樂器、動作特點進行了論述。第三部分是從晉南金墓樂舞磚雕看金代舞蹈的發(fā)展。主要從金代舞蹈對于唐宋舞蹈的繼承和演變、金代與諸國的樂舞文化交流、金代舞蹈突出本民族特點、三方面進行了闡述，通過晉南金墓樂舞磚雕探索金代舞蹈發(fā)展的歷史狀況。第四部分是從晉南金墓樂舞磚雕看金代舞蹈對山西舞蹈影響。金代樂舞不僅推動了晉南地區(qū)戲曲舞蹈的成熟，也對今天的山西民間舞蹈有著重要影響。 文章旨在通過晉南金墓樂舞磚雕的分布地區(qū)、形態(tài)特征，研究金代晉南地區(qū)樂舞發(fā)展的歷史狀況，分析金代晉南地區(qū)樂舞發(fā)展的成因，及其對晉南戲曲舞蹈與山西民間舞蹈的影響。
[Abstract]:Southern Shanxi is the general name of southern Shanxi, that is, today's Yuncheng, Linfen area. Since 1980s, along with the excavation of Jin Dynasty tombs in southern Shanxi, a large number of music and dance brick sculptures have been unearthed, and their vivid images have been unearthed. The graceful dance style and distinctive dress characteristic are all writing the development history of Jin Dynasty music and dance in the south of Shanxi. Through these music and dance brick sculptures we can not only observe its appearance but also study its origin. This article takes the Jin Dynasty tomb music and dance brick sculpture as the research object, altogether divides into four parts. The first part is the historical environment of Jin Dynasty tomb music and dance brick sculpture. In this part, it analyzes the historical environment of Jin Dynasty music and dance dependence. Including the history and culture, agricultural production, customs and habits in the south of Shanxi. The second part is to explore the Jin Dynasty tomb music and dance brick sculpture form characteristics. First, the distribution of Jin Dynasty tomb music and dance brick sculpture. More detailed combing the distribution of Jin tomb music and dance brick sculpture in the south of Shanxi Province to the specific villages. Next is the Jin Dynasty tomb music and dance brick sculpture types. The third is the image characteristics of the music and dance brick sculpture in Jinnan Golden Tomb, mainly from the clothing, musical instruments. The third part is to see the development of Jin Dynasty dance from the Jin Dynasty tomb music and dance brick sculpture. Mainly from the Jin Dynasty dance to the Tang and Song dynasties dance inheritance and evolution, Jin Dynasty and the various countries of music and dance cultural exchanges. Jin Dynasty dance highlighted the characteristics of the nation, three aspects of the elaboration. This paper explores the historical development of Jin Dynasty dance through the brick sculpture of Jin Dynasty tomb music and dance. 4th part is to see the influence of Jin Dynasty dance on Shanxi dance from Jin Nan Jin tomb music and dance brick sculpture. Jin Dynasty music and dance not only promoted the formation of the opera and dance in the southern part of Shanxi Province, but also promoted the development of Jin Dynasty dance. Well done. Also has the important influence to the Shanxi folk dance today. This article aims to study the historical situation of the music and dance development in the Jin Dynasty and analyze the causes of the music and dance development in the south of Jin Dynasty through the distribution and morphological characteristics of the brick sculptures in Jin Dynasty. And its influence on Shanxi folk dance and southern Shanxi opera dance.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：K879.3;J722

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