發(fā)布時(shí)間：2019-06-05 18:10

【摘要】：“青樓”是中國歷史的特殊文化現(xiàn)象。青樓文化在滋生骯臟與罪惡的同時(shí)，為這一特殊的文化土壤培養(yǎng)了大量技藝超群的名妓，她們作為有別于宮廷、職業(yè)樂班中的音樂表演者，成為傳播音樂文化的中堅(jiān)力量。明代是城市俗樂的繁盛時(shí)期，昆曲、時(shí)調(diào)小曲、傳奇劇等多種音樂體裁都是以青樓藝人為引領(lǐng)，步入巔峰狀態(tài)的。 本文選取明代南京青樓音樂文化作為研究對(duì)象，從歷史學(xué)、音樂學(xué)、社會(huì)學(xué)和傳播學(xué)的視角對(duì)這一歷史現(xiàn)象進(jìn)行描述和研究，，旨在通過研讀明代文史資料、地方志、戲曲資料等的基礎(chǔ)上，全方位展現(xiàn)明代南京青樓音樂文化的面貌，闡明青樓女藝人在明代音樂歷史的重要作用。明代青樓女藝人作為一個(gè)演繹音樂的重要群體，她們具有音樂受益者與傳播者的雙重身份，對(duì)明代音樂發(fā)展作出了巨大貢獻(xiàn)。本文從人文關(guān)懷的角度出發(fā)，以明代青樓女子對(duì)中國音樂文化的貢獻(xiàn)說明學(xué)界應(yīng)該所重視青樓音樂文化的研究。
[Abstract]:Qinglou is a special cultural phenomenon in Chinese history. Qinglou culture not only breeds filth and sin, but also trains a large number of skilled and famous prostitutes for this special cultural soil. As music performers who are different from the court and professional music class, they have become the backbone of the dissemination of music culture. Ming Dynasty is the prosperous period of urban folk music, Kunqu Opera, tune Xiaoqu, legendary drama and other music genres are led by Qinglou artists and entered the peak state. This paper selects the music culture of Nanjing Qinglou in Ming Dynasty as the research object, describes and studies this historical phenomenon from the perspective of history, musicology, sociology and communication, in order to study the literary and historical materials and local chronicles of Ming Dynasty. On the basis of opera materials, this paper shows the appearance of Nanjing Qinglou music culture in Ming Dynasty in an all-round way, and expounds the important role of Qinglou female artists in the music history of Ming Dynasty. As an important group of performing music, female artists in Qinglou in Ming Dynasty have the dual status of music beneficiaries and communicators, and have made great contributions to the development of music in Ming Dynasty. From the point of view of humanistic care, this paper explains that scholars should attach importance to the study of Qinglou music culture with the contribution of Qinglou women to Chinese music culture in Ming Dynasty.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J609.2

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前2條

1 張英;明代南京劇壇研究[D];南京師范大學(xué);2008年

2 板俊榮;民族音樂學(xué)多位網(wǎng)視野下的海州五大宮調(diào)[D];南京藝術(shù)學(xué)院;2012年

相關(guān)碩士學(xué)位論文 前2條

1 陳仕國;元代青樓戲劇研究[D];福建師范大學(xué);2012年

2 陳曉雪;論明代歌妓與民歌傳承的關(guān)系[D];華中師范大學(xué);2013年

本文編號(hào)：2493728