【摘要】：群體性是歌詞的特征屬性之一，研究這一屬性為提升對(duì)歌詞的認(rèn)知程度及其定位準(zhǔn)確性有很大幫助，也能夠?yàn)楦柙~作品的鑒賞與創(chuàng)作提供了參考的依據(jù)和更科學(xué)的方式方法。 本文第一章首先從音樂文學(xué)的概論入手，為音樂文學(xué)這門學(xué)科描繪出一個(gè)大體的概念輪廓，闡述了音樂文學(xué)的含義與性質(zhì)、學(xué)科的范疇等，奠定了研究歌詞的學(xué)科基礎(chǔ)和理論背景。第二章對(duì)歌詞的性質(zhì)特征做了詳細(xì)說明，以歌詞的最初產(chǎn)生、發(fā)展演變和最終成熟為線索，為歌詞畫出一道詳細(xì)的縱向坐標(biāo)。論述了群體性與群體意識(shí)的概念，并揭示其與歌詞的內(nèi)在聯(lián)系。然后對(duì)現(xiàn)代歌詞的產(chǎn)生和發(fā)展做了詳細(xì)的歷史性的論述，論證了現(xiàn)代歌詞的發(fā)展帶有揭示群體意識(shí)的原動(dòng)力，其中著重介紹了作為現(xiàn)代歌詞產(chǎn)生標(biāo)志的學(xué)堂樂歌及其意義。本文在第三章以現(xiàn)代歌詞與新詩這兩者的產(chǎn)生、發(fā)展、分離為脈絡(luò)，分析歌詞的本體特征，并從創(chuàng)作動(dòng)機(jī)、藝術(shù)定位、價(jià)值取向、創(chuàng)作手法及音韻美五個(gè)方面論述了現(xiàn)代歌詞與新詩的區(qū)別，從中探究歌詞的群體性特征。在第四章中，本文主要以傳播渠道和群體性質(zhì)作為依據(jù)對(duì)歌詞進(jìn)行分類，論證了群體性特征在不同類別歌詞作品中的體現(xiàn)。第五章主要論述歌詞群體性特征在當(dāng)代社會(huì)的進(jìn)一步發(fā)展，以及這一特征給歌詞創(chuàng)作者帶來的啟示，總結(jié)了群體性與個(gè)性的辯證統(tǒng)一規(guī)律，，提出了要把握共性與個(gè)性兩者平衡的創(chuàng)作原則。
[Abstract]:Group is one of the characteristic attributes of lyrics. The study of this attribute is of great help to improve the cognitive degree and positioning accuracy of lyrics, and can also provide a reference basis and more scientific ways and means for the appreciation and creation of lyrics. The first chapter of this paper starts with the introduction of music literature, describes a general concept outline for the subject of music literature, and expounds the meaning and nature of music literature, the scope of the subject and so on. It lays the subject foundation and theoretical background for the study of lyrics. In the second chapter, the nature and characteristics of the lyrics are explained in detail, and a detailed longitudinal coordinate is drawn for the lyrics, taking the initial emergence, development and final maturity of the lyrics as clues. This paper discusses the concepts of group and group consciousness, and reveals the internal relationship between group and lyrics. Then it makes a detailed historical discussion on the emergence and development of modern lyrics, and demonstrates that the development of modern lyrics has the motive force to reveal the consciousness of groups, with emphasis on the introduction of school music songs as a symbol of modern lyrics and their significance. In the third chapter, based on the emergence, development and separation of modern lyrics and new poetry, this paper analyzes the Noumenon characteristics of lyrics, and from the creative motivation, artistic positioning, value orientation, This paper discusses the differences between modern lyrics and new poems from five aspects of creative techniques and phonological beauty, and probes into the group characteristics of lyrics. In the fourth chapter, this paper mainly classifies the lyrics on the basis of communication channels and group nature, and demonstrates the embodiment of group characteristics in different categories of lyrics. The fifth chapter mainly discusses the further development of the group characteristics of lyrics in contemporary society, as well as the enlightenment brought by this feature to lyric creators, and summarizes the dialectical unity law of group and personality. This paper puts forward the creative principle of grasping the balance between commonness and individuality.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J614.9

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