巴赫《二部創(chuàng)意曲》教學(xué)與演奏研究
發(fā)布時間:2019-05-08 11:49
【摘要】:巴洛克時代偉大的音樂家——巴赫被譽為“復(fù)調(diào)詩人”、“現(xiàn)代音樂之父”,其復(fù)調(diào)作品在鋼琴藝術(shù)史上具有非常重要的地位。其中《二部創(chuàng)意曲》作為鋼琴學(xué)習(xí)者進入復(fù)調(diào)作品練習(xí)的基礎(chǔ)教程,一直以來都是鋼琴教學(xué)中主要的內(nèi)容。本文主要針對《二部創(chuàng)意曲》的體裁、教學(xué)與演奏等方面進行探討和研究。全文分為五個章節(jié):第一章,,分析巴赫《二部創(chuàng)意曲》創(chuàng)作的歷史背景,進而指出晚期巴洛克時代的音樂特征和《二部創(chuàng)意曲》在鋼琴藝術(shù)史中的重要作用;第二章,探討《二部創(chuàng)意曲》的構(gòu)成要素與類型分類;第三章,對《二部創(chuàng)意曲》的構(gòu)成要素、調(diào)式調(diào)性、曲式結(jié)構(gòu)進行分曲研究,從理論上對《二部創(chuàng)意曲》的體裁特點進行分析,為接下來的教學(xué)和演奏打好理論基礎(chǔ);第四章,是本文的核心,對《二部創(chuàng)意曲》基本演奏原則和方法進行分曲研究,并對教學(xué)方面存在的問題提出探討性意見;第五章為結(jié)論,綜合前四章的內(nèi)容,指出了在演奏和教學(xué)中,學(xué)生與教師要做好充分的課前準(zhǔn)備、重視練習(xí)過程、及時鞏固和復(fù)習(xí)。
[Abstract]:Bach, a great musician of the Baroque era, is known as the "polyphonic poet" and "the father of modern music". His polyphonic works play a very important role in the history of piano art. As a basic course for piano learners to practice polyphonic works, "two Creative songs" has always been the main content of piano teaching. This paper mainly discusses and studies the genre, teaching and playing of the two-part Creative Song. The full text is divided into five chapters: chapter one analyzes the historical background of Bach's creation of "two Creative songs", and then points out the musical characteristics of the late Baroque era and the important role of "two Creative songs" in the history of piano art; In the second chapter, the author discusses the constituent elements and classification of "two-part Creative Song"; In the third chapter, the author studies the composition, tone and structure of "two-part Creative Song", analyzes the genre characteristics of "two-part Creative Song" in theory, and lays a good theoretical foundation for the following teaching and playing. The fourth chapter is the core of this paper, the basic performance principles and methods of "two original songs" are studied separately, and the problems existing in teaching are discussed. The fifth chapter is the conclusion, combining the contents of the first four chapters, points out that in the performance and teaching, students and teachers should make full preparation before class, pay attention to the practice process, consolidate and review in time.
【學(xué)位授予單位】:云南師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J624.1-4
本文編號:2471886
[Abstract]:Bach, a great musician of the Baroque era, is known as the "polyphonic poet" and "the father of modern music". His polyphonic works play a very important role in the history of piano art. As a basic course for piano learners to practice polyphonic works, "two Creative songs" has always been the main content of piano teaching. This paper mainly discusses and studies the genre, teaching and playing of the two-part Creative Song. The full text is divided into five chapters: chapter one analyzes the historical background of Bach's creation of "two Creative songs", and then points out the musical characteristics of the late Baroque era and the important role of "two Creative songs" in the history of piano art; In the second chapter, the author discusses the constituent elements and classification of "two-part Creative Song"; In the third chapter, the author studies the composition, tone and structure of "two-part Creative Song", analyzes the genre characteristics of "two-part Creative Song" in theory, and lays a good theoretical foundation for the following teaching and playing. The fourth chapter is the core of this paper, the basic performance principles and methods of "two original songs" are studied separately, and the problems existing in teaching are discussed. The fifth chapter is the conclusion, combining the contents of the first four chapters, points out that in the performance and teaching, students and teachers should make full preparation before class, pay attention to the practice process, consolidate and review in time.
【學(xué)位授予單位】:云南師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J624.1-4
【參考文獻】
中國期刊全文數(shù)據(jù)庫 前4條
1 朱雅芬;;巴赫鍵盤作品的演奏風(fēng)格(一)[J];鋼琴藝術(shù);1996年04期
2 熊入靜;巴赫《創(chuàng)意曲集》鋼琴教學(xué)研究[J];鋼琴藝術(shù);2000年05期
3 朱雅芬;巴赫鍵盤作品的演奏風(fēng)格(二)[J];鋼琴藝術(shù);1996年05期
4 諸井三郎 ,陳銘志;巴赫的二聲部創(chuàng)意曲[J];音樂藝術(shù);1982年03期
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