【摘要】：聲樂套曲《自然界的故事》是莫里斯·拉威爾創(chuàng)作成熟時(shí)期，藝術(shù)歌曲領(lǐng)域的代表作之一。根據(jù)法國(guó)現(xiàn)代小說家，散文家，戲劇作家儒勒·列那爾1896年創(chuàng)作的同名散文詩(shī)所寫，由《孔雀》、《蟋蟀》、《天鵝》、《翠鳥》、《珠雞》五首單曲組成。其在音樂結(jié)構(gòu)上傾向于傳統(tǒng)的古典主義風(fēng)格，而在創(chuàng)作技法上融入了較新穎、有特點(diǎn)的元素，來塑造五種動(dòng)物的主題形象。該論文以彭志敏教授所著《音樂分析基礎(chǔ)教程》為理論指導(dǎo)，，對(duì)其五首作品的曲式、音高、節(jié)奏以及主題形象等進(jìn)行較全面的研究，將理論研究貫通到該套作品的演奏實(shí)踐中。重點(diǎn)對(duì)“主題形象”在該套作品中從樂譜到演出效果的全面闡述。以此對(duì)學(xué)習(xí)和演奏拉威爾的聲樂作品提供一定的參考。
[Abstract]:The vocal music suite "the Story of Nature" is one of the representative works in the field of artistic songs in the mature period of Maurice Ravel's creation. According to French modern novelist, essayist and drama writer Jules Lenar's prose poem of the same name written in 1896, composed of five singles: peacock, cricket, swan, kingfisher and Zhuji. Its musical structure tends to the traditional classical style, and in the creative techniques, it incorporates more novel and characteristic elements to shape the thematic images of five kinds of animals. Based on Professor Peng Zhimin's basic course of Music Analysis, this paper makes a comprehensive study on the musical form, pitch, rhythm and theme image of his five works, and integrates the theoretical research into the performance practice of this set of works. Focus on the theme image in this set of works from music score to performance effect of a comprehensive exposition. So as to study and play Ravel's vocal works to provide a certain reference.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J624.1

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