【摘要】：聲樂套曲《自然界的故事》是莫里斯·拉威爾創(chuàng)作成熟時期，藝術歌曲領域的代表作之一。根據(jù)法國現(xiàn)代小說家，散文家，戲劇作家儒勒·列那爾1896年創(chuàng)作的同名散文詩所寫，由《孔雀》、《蟋蟀》、《天鵝》、《翠鳥》、《珠雞》五首單曲組成。其在音樂結構上傾向于傳統(tǒng)的古典主義風格，而在創(chuàng)作技法上融入了較新穎、有特點的元素，來塑造五種動物的主題形象。該論文以彭志敏教授所著《音樂分析基礎教程》為理論指導，，對其五首作品的曲式、音高、節(jié)奏以及主題形象等進行較全面的研究，將理論研究貫通到該套作品的演奏實踐中。重點對“主題形象”在該套作品中從樂譜到演出效果的全面闡述。以此對學習和演奏拉威爾的聲樂作品提供一定的參考。
[Abstract]:The vocal music suite "the Story of Nature" is one of the representative works in the field of artistic songs in the mature period of Maurice Ravel's creation. According to French modern novelist, essayist and drama writer Jules Lenar's prose poem of the same name written in 1896, composed of five singles: peacock, cricket, swan, kingfisher and Zhuji. Its musical structure tends to the traditional classical style, and in the creative techniques, it incorporates more novel and characteristic elements to shape the thematic images of five kinds of animals. Based on Professor Peng Zhimin's basic course of Music Analysis, this paper makes a comprehensive study on the musical form, pitch, rhythm and theme image of his five works, and integrates the theoretical research into the performance practice of this set of works. Focus on the theme image in this set of works from music score to performance effect of a comprehensive exposition. So as to study and play Ravel's vocal works to provide a certain reference.
【學位授予單位】：武漢音樂學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J624.1

【參考文獻】

相關期刊論文 前1條

1 郭新;;模糊的調式與清晰的調性——拉威爾鋼琴三重奏第一樂章旋律與和聲的相互作用[J];樂府新聲(沈陽音樂學院學報);2007年02期

本文編號：2457276