東北地區(qū)達(dá)斡爾族傳統(tǒng)民歌特征與保護(hù)研究
[Abstract]:The Daur nationality lived in Heilongjiang basin for a long time. In the long history, they developed the frontier of the motherland with their hard-working hands and created splendid national culture at the same time. After the founding of the people's Republic of China, the northeast of the region established the Inner Mongolia northeast Moridawa Autonomous Banner, the north of Heilongjiang Qiqihar as the center of the two gathering areas. There are a large number of folk songs that represent the national spirit and culture in these two great gathering areas of the Da nationality compatriots. These traditional folk songs have various genres, covering various aspects of production and life in different historical periods. This provides a wealth of information for understanding and understanding the Daur nationality, a people who have no language and no words. From the perspective of the social background and the characteristics of production and life of the traditional folk songs, this paper analyzes the characteristics of the development of the traditional folk songs in different historical periods, and studies the internal motive force of the existence and development of the folk songs, based on the clue of the development course of the Da nationality folk songs. Find out the effective way to inherit and re-develop the outstanding national culture, and finally make contribution to the construction of socialist spiritual civilization in the new period. The first part of the paper introduces the general situation of the development of Daur and its traditional folk songs, studies the emergence and development of the Daur folk songs from the angle of historical development and historical change, the second part introduces the genre and style characteristics of the traditional folk songs from the angle of musical form. The third part introduces the progress of inheritance and protection since the founding of the people's Republic of China, and finally puts forward some suggestions on the current serious inheritance problems.
【學(xué)位授予單位】:東北師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J607
【相似文獻(xiàn)】
相關(guān)期刊論文 前10條
1 劉蘭青;;淺談中國(guó)傳統(tǒng)民歌[J];鞍山師范學(xué)院學(xué)報(bào);2008年02期
2 孫擁軍;;“大躍進(jìn)”年代的民歌與傳統(tǒng)民歌的比較[J];社會(huì)科學(xué)家;2009年11期
3 王晶晶;;傳統(tǒng)民歌的發(fā)展需要多媒體技術(shù)服務(wù)[J];大舞臺(tái);2010年07期
4 樊鳳愛(ài);;分析傳統(tǒng)民歌的情感特點(diǎn)[J];文學(xué)界(理論版);2011年01期
5 鄢麗娟;;當(dāng)代民歌創(chuàng)作與傳統(tǒng)民歌保護(hù)——從長(zhǎng)辮子組合和《數(shù)蛤蟆》談起[J];音樂(lè)創(chuàng)作;2011年01期
6 李珊;;談中國(guó)傳統(tǒng)民歌中的含蓄美[J];歌海;2012年02期
7 伊春;;傳統(tǒng)民歌中的女性形象探析[J];作家;2011年10期
8 莊廷春;;論新民歌的創(chuàng)作與傳統(tǒng)民歌的延續(xù)[J];音樂(lè)大觀;2012年04期
9 沈彤;;中國(guó)傳統(tǒng)民歌文化傳承措施初探[J];通俗歌曲;2012年10期
10 付翠屏;滿—通古斯語(yǔ)族諸民族傳統(tǒng)民歌的形態(tài)特征[J];中國(guó)音樂(lè);2004年02期
相關(guān)碩士學(xué)位論文 前6條
1 徐樂(lè)娜;論傳統(tǒng)民歌在文化旅游中的轉(zhuǎn)型[D];上海音樂(lè)學(xué)院;2007年
2 張明志;裕固族傳統(tǒng)民歌與新民歌比較研究[D];西北師范大學(xué);2010年
3 白潔;人口較少民族民歌傳承的民族志研究[D];蘭州大學(xué);2008年
4 王宜敏;東北地區(qū)達(dá)斡爾族傳統(tǒng)民歌特征與保護(hù)研究[D];東北師范大學(xué);2014年
5 鄭玉林;隴東民歌的特征分析[D];西北師范大學(xué);2010年
6 訥榛;達(dá)斡爾族傳統(tǒng)民歌中的調(diào)式交替研究[D];內(nèi)蒙古師范大學(xué);2011年
本文編號(hào):2455394
本文鏈接:http://sikaile.net/wenyilunwen/qiyueyz/2455394.html