【摘要】：筆者在香港都市民俗音樂(lè)文化的多次觀察基礎(chǔ)上,對(duì)傳統(tǒng)實(shí)地考察方法進(jìn)行了深度的理論反思及探索,提出了與強(qiáng)調(diào)自然空間距離的"近距觀察"傳統(tǒng)方法不同的文化心理距離之"遠(yuǎn)距觀察"法。這種方法,對(duì)文化局外人的"角色處境"——有關(guān)傳統(tǒng)的、地域的、語(yǔ)言的、音樂(lè)心理的及社會(huì)特性等多重局外性在實(shí)地考察中的"角色定位"、"角色體驗(yàn)"等等,給出了實(shí)踐探索的新途徑并指出:以如是不同視角去進(jìn)行局外人對(duì)民俗音樂(lè)的考察,同樣可以獲得對(duì)他者音樂(lè)文化從表層表演形式到深層人文結(jié)構(gòu)的諸種文化信息。文章不僅是對(duì)實(shí)地考察中"觀察視角"的方法探索,也是由此去把握如何進(jìn)入他者民俗文化考察現(xiàn)場(chǎng)而作出的實(shí)證性經(jīng)驗(yàn)闡釋。
[Abstract]:On the basis of many observations of the folk music culture in the city of Hong Kong, the author makes a deep theoretical reflection and exploration on the traditional method of field inspection. This paper puts forward a method of "long-distance observation", which is different from the traditional method of "close observation", which emphasizes the distance between natural space and "close observation". This approach, to the "role situation" of cultural outsiders-about the traditional, regional, linguistic, musical psychological and social characteristics of multiple outsiders, such as "role orientation", "role experience", and so on, This paper presents a new approach to practice exploration and points out that if outsiders examine folk music from different perspectives, they can also obtain various cultural information about other music culture from surface performing form to deep humanistic structure. This article is not only to explore the method of "observation perspective" in the field investigation, but also to grasp how to enter the scene of other folk culture inspection and to make a positive explanation of experience.
【作者單位】： 星海音樂(lè)學(xué)院;
【分類(lèi)號(hào)】：J607
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本文編號(hào)：2446799