發(fā)布時間：2019-03-22 14:24

【摘要】：海頓是西方音樂史上最重要的音樂家之一，他專注于清唱劇這種體裁是在他卓越生涯的晚期，而《創(chuàng)世記》是他最輝煌和最有成就的一個作品。在他1791年和1794年的兩次倫敦之行中多次聽到了亨德爾的清唱劇，海頓立即深受鼓舞，之后才開始創(chuàng)作《創(chuàng)世記》。作為一名聲樂演唱者，對于清唱劇我有一種情不自禁的喜愛，《創(chuàng)世記》作為海頓的代表作品，以及整個古典主義時期最具經(jīng)典意義的德語清唱劇之一，無論從何角度，本人都覺得研究和演唱該作品有著重大的意義。 本論文的標題是“對海頓的清唱劇《創(chuàng)世記》的理解和對天使加百列的演繹”，寫作目的旨在學習如何去領(lǐng)會海頓的聲樂藝術(shù)，本著這個目的在論文中我著手對該作品的創(chuàng)作背景、腳本、音樂風格、劇中主要人物進行了研究分析，，并重點闡釋了我對加百列這一角色的理解和演繹。此外，本論文研究對象是對《創(chuàng)世記》的整體分析，從而去發(fā)現(xiàn)這部清唱劇的價值，以及我試圖通過研究怎樣適當?shù)匮堇[這個特殊的天使——加百列，去了解音樂背后——海頓所真正希望傳達給聽眾的東西。 全文由一個前言、五個主要章節(jié)和一個結(jié)論構(gòu)成，文末為參考文獻和一個致謝。前言中主要對本課題選題的緣由和研究的目的意義進行陳述。論文的主體部分采用層層深入的方式來陳述對《創(chuàng)世記》的整體理解和對其中一個角色——天使加百列的演唱和解釋。第一章從介紹《創(chuàng)世記》的創(chuàng)作背景，包括海頓的晚年、《創(chuàng)世記》的誕生(動因與創(chuàng)作過程)入手闡述。第二章針對《創(chuàng)世記》的腳本，分別從腳本的由來和腳本的結(jié)構(gòu)兩個方面進行分析。第三章是對《創(chuàng)世記》的音樂風格入手，從作品中對巴洛克、古典主義以及浪漫主義音樂風格的綜合進行多個角度比較分析。第四章則從作品中的主要人物的分析切入，從而論述加百列是一位在圣經(jīng)和該劇中都很特殊的天使，用以說明角色在該劇中的重要地位。第五章從加百列的宣敘調(diào)、加百列的詠嘆調(diào)和對現(xiàn)有音像資料中加百列演唱之比較三個層面來闡釋加百列這一角色。 通過分析和研究該作品，我希望從文字、譜面和音像資料的研究上挖掘作品背后的含義，從而去捕捉和表達海頓音樂的精髓：他的熱情、智慧、樸實的幽默、樂觀主義精神和深刻的精神境界。最后，本人希望得到各位老師、同學、所有古
[Abstract]:Haydn is one of the most important musicians in the history of western music. His focus on the oratorio is at the end of his outstanding career, and Genesis is one of his most brilliant and accomplished works. Haydn was immediately encouraged to hear Hendell's recital many times during his two London trips in 1791 and 1794, before he began to write Genesis. As a vocal singer, I could not help but love the oratorio, Genesis as a masterpiece of Haydn, and one of the most classic German-language recital plays of the entire period of classicism, from whatever point of view, I think it is of great significance to study and sing the work. The title of this thesis is "understanding of Haydn's Chronicle of Genesis and interpretation of Angel Gabriel". The purpose of this thesis is to learn how to understand Haydn's vocal art. For this purpose, I set out to study and analyze the background, script, musical style and main characters of this work, and explained my understanding and interpretation of Gabriel. In addition, the object of this thesis is a holistic analysis of Genesis to discover the value of this oratorio, and I am trying to figure out how to properly interpret this particular angel-Gabriel, To understand what Haydn really wants to convey to the audience behind music. The full text consists of a preface, five main chapters and a conclusion, and the end of the paper is a reference and a thank-you. In the preface, the reason of the topic selection and the purpose and significance of the research are stated. In the main part of the thesis, the whole understanding of Genesis and the singing and explanation of one of the characters, Angel Gabriel, are presented in a deep way. The first chapter introduces the creation background of Genesis, including Haydn's later years and the birth (motivation and process) of Genesis. The second chapter analyzes the script of Genesis from two aspects: the origin of script and the structure of script. The third chapter begins with the music style of Genesis, and makes a comparative analysis of Baroque, classicism and Romanticism in the works. The fourth chapter is from the analysis of the main characters in the work, thus discussing Gabriel is a very special angel in the Bible and the play, in order to explain the important position of the character in the play. The fifth chapter explains Gabriel's role from three aspects: Gabriel's narrative, Gabriel's aria and the comparison of Gabriel's singing in the current audio-visual materials. Through the analysis and study of this work, I hope to explore the meaning of the work from the text, spectrum and audio-visual data, in order to capture and express the essence of Haydn's music: his enthusiasm, wisdom, simple humor, The spirit of optimism and a profound spiritual realm. Finally, I hope to have all the teachers, classmates, all the ancient
【學位授予單位】：上海音樂學院
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J616

【引證文獻】

相關(guān)碩士學位論文 前1條

1 袁暉;清唱劇《圣保羅》的宗教內(nèi)涵研究[D];南京藝術(shù)學院;2011年

本文編號：2445667