【摘要】：在戲曲音樂研究中,董維松先生很注重音樂形態(tài)的分析,并總結(jié)出"程式分析法"和"非程式分析法"兩種相輔相成的分析方法。董先生也對戲曲音樂有一系列宏觀思考,并在研究中做到了"大處著眼"與"小處著手"的統(tǒng)一。董先生對戲曲音樂作品的"個(gè)體解剖"十分深入,既體現(xiàn)了實(shí)事求是的優(yōu)良學(xué)風(fēng),也在對戲曲音樂的認(rèn)識(shí)上有重要的開拓。
[Abstract]:In the study of traditional Chinese opera music, Dong Weisong paid much attention to the analysis of music form, and summed up the two complementary analysis methods of "program analysis" and "non-program analysis". Dong also has a series of macro thoughts on opera music, and in his research, he has achieved the unity of "focusing on big things" and "doing little things". Dong's "individual dissection" of opera music works is very deep, which not only embodies the fine style of study seeking truth from facts, but also has an important pioneering point in the understanding of traditional Chinese opera music.
【作者單位】： 中國傳媒大學(xué)藝術(shù)研究院;
【分類號(hào)】：J607

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