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試論二胡演奏中的時間感與空間感

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【摘要】: 任何運動都存在于特定的時間和空間之中,音樂作為樂音的運動形式,也不例外。從技術(shù)性與藝術(shù)性的角度而言,這種時間性和空間性在演奏領(lǐng)域內(nèi)顯得尤為重要。對二胡演奏者而言,其不但要有時間感,也要有空間感,更為重要的是,能夠?qū)⑦@種時、空感覺有機(jī)地融入到演奏技巧中,充分運用和有效發(fā)揮二者在演奏中的各種協(xié)調(diào)、輔助功能,以此來更加完美地演繹和詮釋音樂作品。 全文主要由五部分組成。第一部分“引言”主要涉及論文的實踐意義和理論價值、學(xué)術(shù)界相關(guān)研究成果的評述、運用的分析方法以及論文的創(chuàng)新和不足之處。第二部分以多學(xué)科的綜合視角為基礎(chǔ),側(cè)重從音樂藝術(shù)的角度分別對時間、空間,時間感、空間感的內(nèi)涵、特征和功能進(jìn)行闡述。第三、四部分主要從技術(shù)性與藝術(shù)性兩方面專門就二胡演奏中時間感、空間感的內(nèi)涵、功能及其作用進(jìn)行全面、系統(tǒng)地分析,并就演奏者在日常訓(xùn)練和實際演奏中如何培養(yǎng)和運用時、空思維提出了幾點探索性的建議。第五部分則是本文的結(jié)論,指明時間感和空間感對于提高演奏技巧和演奏效果具有積極的作用和功能,,提出演奏者體驗和把握這兩種感覺所具有的重要意義。
[Abstract]:Any movement exists in the specific time and space, music as the music movement form, is no exception. From the technical and artistic point of view, this time and space is particularly important in the field of performance. For the erhu players, they should not only have a sense of time, but also a sense of space, and more importantly, they should be able to integrate this sense of time and space into their playing skills, making full use of and effectively bringing into full play all kinds of coordination between the two in the performance. Auxiliary function, in order to more perfect interpretation and interpretation of music works. The full text consists of five parts. The first part of "introduction" mainly involves the practical significance and theoretical value of the thesis, the review of relevant research results in academic circles, the analytical methods used, the innovation and deficiency of the paper. The second part is based on the multi-disciplinary comprehensive perspective, focusing on the connotation, characteristics and functions of time, space, sense of time and sense of space from the perspective of music art. The third and fourth parts mainly focus on the comprehensive and systematic analysis of the connotation, function and function of the sense of time and space in the performance of erhu from the technical and artistic aspects. Some tentative suggestions on how to train and use the players in daily training and actual performance are put forward. The fifth part is the conclusion of this paper, pointing out that the sense of time and space has a positive role and function to improve the performance skills and performance effect, and puts forward the important significance of the players' experience and grasp of these two feelings.
【學(xué)位授予單位】:天津音樂學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2006
【分類號】:J632.21

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 郭妍琳;從空間感知理論談中國傳統(tǒng)戲曲舞臺空間[J];南京工業(yè)大學(xué)學(xué)報(社會科學(xué)版);2003年04期

2 趙仲牧;時間觀念的解析及中西方傳統(tǒng)時間觀的比較[J];思想戰(zhàn)線;2002年05期



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