【摘要】：國內(nèi)外對(duì)于合唱音樂作品的創(chuàng)作態(tài)度一直都是充滿著熱情。尤其是對(duì)于國外曲作家而言無伴奏合唱音樂的創(chuàng)作似乎更受他們的青睞。然而我國由于歷史、音樂文化傳承等眾多原因,導(dǎo)致我國音樂在多聲部音樂創(chuàng)作方面顯得較為薄弱,尤其是合唱方面。目前我國的合唱主要是以帶伴奏的合唱為主,群眾歌詠相對(duì)普遍。無伴奏合唱?jiǎng)?chuàng)作領(lǐng)域極度貧瘠,經(jīng)典音樂作品更是鳳毛麟角。目前,我國無伴奏合唱藝術(shù)正在一條極度狹窄的道路上茫然的、艱難的發(fā)展。 本文通過對(duì)方兵目前創(chuàng)作出來的三十首無伴奏合唱作品進(jìn)行了系統(tǒng)的分析,將對(duì)這些采用中西方作曲技術(shù)和理念進(jìn)行創(chuàng)作的民族風(fēng)格的無伴奏合唱作品進(jìn)行歸納總結(jié),挖掘作曲家創(chuàng)作中的獨(dú)具匠心、與眾不同之處。通過我的研究來發(fā)現(xiàn)并顯露出作曲家內(nèi)心為探索出一條適合中國人自己的表述方式、適合本民族演唱的無伴奏合唱作品而努力的深刻意義。 本文分為六個(gè)章節(jié),將從三個(gè)方面進(jìn)行闡述。第一方面是對(duì)方兵無伴奏合唱?jiǎng)?chuàng)作特征的分析；第二個(gè)方面是對(duì)于指揮工作者而言對(duì)其音樂作品進(jìn)行的恰當(dāng)藝術(shù)處理。第三個(gè)方面是對(duì)方兵音樂創(chuàng)作產(chǎn)生的影響與意義進(jìn)行思考。其六個(gè)章節(jié)布局如下：第一章是方兵無伴奏合唱?jiǎng)?chuàng)作概況。第二章是其創(chuàng)作類型的分類。第三章是和聲、曲式等多個(gè)層面的創(chuàng)作特征分析。第四章是其音樂作品包含的藝術(shù)特征。第一至第四章是從第一個(gè)方面對(duì)方兵作品進(jìn)行技術(shù)分析。第五章是從第二個(gè)方面對(duì)方兵作品的二度詮釋。第六章是方兵無伴奏合唱對(duì)當(dāng)代中國無伴奏合唱?jiǎng)?chuàng)作的影響。 筆者認(rèn)為,對(duì)于方兵無伴奏合唱作品的研究具有重要意義。方兵是目前國內(nèi)第一個(gè)創(chuàng)作無伴奏合唱作品如此之多的作曲家,并且其作品仍在創(chuàng)作增產(chǎn)中。對(duì)于無伴奏合唱?jiǎng)?chuàng)作這個(gè)貧瘠領(lǐng)域的探索是當(dāng)代作曲家為我國合唱事業(yè)需要貢獻(xiàn)的一份力量。要想讓中國的合唱國際化,首先得從作曲家開始探索。必須為我國人民提供大量的無伴奏合唱作品,再通過指揮家和合唱民眾等眾多追求合唱藝術(shù)的工作者們一起努力摸索,才能真正發(fā)展我國的合唱藝術(shù),趕上國際潮流并真正具備他們所能達(dá)到的藝術(shù)水平。
[Abstract]:At home and abroad for choral music creation attitude has been full of enthusiasm. Especially for foreign songwriters, the creation of accompaniment choral music seems to be more favored by them. However, due to many reasons, such as history, music and cultural heritage, Chinese music in multi-voice music creation is relatively weak, especially in chorus. At present, the chorus in China is mainly accompanied by the chorus, popular singing is relatively common. The field of accompaniment choir creation is extremely barren, classical music works are even rarer. At present, Chinese accompaniment chorus art is developing blankly and painstakingly along an extremely narrow road. Through the systematic analysis of thirty accompaniment choral works by the opposing soldiers at present, this paper sums up and sums up these non-accompaniment choral works with Chinese and Western composing techniques and ideas. Excavate the originality in composer's creation, different place. Through my research, I find and reveal the profound significance of the composer's inner efforts to find out an expression suitable for the Chinese themselves, suitable for their own singing works without accompaniment. This article is divided into six chapters, will be elaborated from three aspects. The first is the analysis of the characteristics of the non-accompaniment choral creation of the other soldiers; the second is the proper artistic treatment of his musical works for the conductor. The third aspect is the influence and significance of the creation of the other soldier's music. The six chapters are arranged as follows: the first chapter is the general situation of Fang Bing's ensemble creation without accompaniment. The second chapter is the classification of its creation type. The third chapter is harmony, music and other aspects of the creative characteristics of analysis. The fourth chapter is the artistic features of his musical works. The first to the fourth chapter is the technical analysis from the first aspect of the work of the other soldiers. The fifth chapter is from the second aspect of the other side of the second interpretation of the work of soldiers. The sixth chapter is the influence of Fang Bing's accompaniment chorus on contemporary Chinese ensemble creation. The author believes that the study of Fang Bing's accompaniment chorus works is of great significance. Fang Bing is the first composer to create such a large number of accompaniment choral works in China, and his works are still in the process of increasing production. The exploration of the barren field of ensemble choral creation is a contribution of contemporary composers to the choral cause of our country. In order to internationalize Chinese chorus, we must begin with the composer. We must provide our people with a large number of ensemble choral works, and through the efforts of the conductor and the chorus public and many other workers who pursue the chorus art, we can really develop the chorus art in our country. Keep up with the international trend and really have the art level they can achieve.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J616.2

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本文編號(hào)：2387340