【摘要】：奧地利作曲家阿爾班·貝爾格最后一部完整作品《小提琴協(xié)奏曲》,是20世紀(jì)最杰出的作品之一。本論文立足于多重視角對(duì)該作品進(jìn)行綜合性的分析和探究。全文共分為五個(gè)章節(jié)。第一章關(guān)注的是貝爾格進(jìn)行創(chuàng)作時(shí)所面臨的社會(huì)-歷史環(huán)境、作曲家在十二音技術(shù)方面的準(zhǔn)備情況,以及該協(xié)奏曲的創(chuàng)作背景和過程;第二章論述作品中折射出的浪漫主義余輝和風(fēng)格混成的音樂風(fēng)格元素,以及協(xié)奏曲的體裁形式規(guī)定在20世紀(jì)語境中的情況;第三章是對(duì)該作品獨(dú)特的序列及其自由十二音語言的分析和歸納;第四章是在作品的整體構(gòu)架中對(duì)各主題材料和音樂進(jìn)程予以綜合性的梳理;第五章在之前的基礎(chǔ)上,進(jìn)一步探討和詮釋作品的標(biāo)題性、人文寓意和審美內(nèi)涵,揭示出貝爾格運(yùn)用高度嚴(yán)謹(jǐn)?shù)男问浇Y(jié)構(gòu)、數(shù)字象征、“主導(dǎo)節(jié)奏”等寫作技術(shù)的內(nèi)容意涵和作曲家所持有的虔誠(chéng)的宗教情懷。由此得出結(jié)論,《小提琴協(xié)奏曲》在運(yùn)用十二音音樂語言的基礎(chǔ)上,融合了傳統(tǒng)的調(diào)性因素,甚至直接引錄巴赫的眾贊歌和奧地利卡林西亞民歌作為素材,同時(shí)攜帶當(dāng)時(shí)的多種音樂風(fēng)格元素,并以高度的獨(dú)創(chuàng)性予以綜合,從而充分地體現(xiàn)了貝爾格成熟時(shí)期創(chuàng)作中兼收并蓄的典型特征。
[Abstract]:Albin Berg, the last complete work of the Austrian composer, Violin Concerto, is one of the most outstanding works of the 20th century. This thesis is based on the comprehensive analysis and exploration of this work from multiple perspectives. The full text is divided into five chapters. The first chapter focuses on the social-historical environment that Berg faced when he created, the preparation of the composer in the technical aspect of twelve notes, and the background and process of the concerto's creation. The second chapter discusses the Romantic afterglow reflected in the works and the music style elements mixed with style, as well as the style of Concerto in the context of the 20th century. The third chapter is the analysis and induction of the unique sequence of the work and its free 12-tone language, the fourth chapter is a comprehensive combing of the theme materials and the music process in the overall framework of the work. On the basis of the previous chapter, the fifth chapter further discusses and interprets the title, humanistic implication and aesthetic connotation of the works, and reveals Berg's highly rigorous formal structure and digital symbol. The content of writing techniques such as dominant Rhythm and the religious feelings held by composers. It is concluded that the Violin Concerto, based on the use of the twelve tone musical language, combines the traditional tonality factors, and even draws directly from Bach's hymn and the Austrian Karinthian folk song as the material. At the same time, it carries various musical style elements at that time, and synthesizes them with high originality, which fully reflects the typical characteristics of Berg's creation in his mature period.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：J614.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 趙潔;高度的邏輯控制與強(qiáng)烈的戲劇情感表現(xiàn)[D];天津音樂學(xué)院;2007年

2 宋方方;女性主義視角下的露露音樂形象分析[D];福建師范大學(xué);2008年

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本文編號(hào)：2346044