發(fā)布時(shí)間：2018-11-15 18:29

【摘要】：《飛花點(diǎn)翠》像是"瀛洲古調(diào)"的一個(gè)縮影,而"瀛州古調(diào)"又是對(duì)崇明派最好的總結(jié)。崇明派的發(fā)展隨著歷史的演變?cè)诒砻婵磥?lái)似乎沒(méi)有了門派之別,琵琶藝術(shù)本身也百花爭(zhēng)鳴取各家之所長(zhǎng)。然而,在《飛花點(diǎn)翠》這個(gè)小縮影中,又能看出始終存在骨子里保持不變的東西。不管是最早的沈肇洲,還是發(fā)展到今天的劉德海,有些是用傳承在保持,有些則是用時(shí)代演變中的中體西用在保持,還有在跟隨時(shí)代步伐堅(jiān)持著崇明派不變的藝術(shù)特質(zhì)。得益于傳統(tǒng)流派的地域性,江南,一個(gè)本身就與輕柔、細(xì)膩、又追求自然質(zhì)樸的清新雅致分不開(kāi)的名稱,樂(lè)曲風(fēng)格自然也就帶著熟悉的江南味道,于是時(shí)代給了"瀛洲古調(diào)"永遠(yuǎn)的烙印,也才使得崇明派與其他幾大琵琶派系有所區(qū)別。
[Abstract]:Flying Flower Point Cui is like a microcosm of Yingzhou Ancient tune, and Ying'zhou Ancient tune is the best summary of Chongming School. With the development of Chongming School, it seems that there is no difference between the schools and the art of pipa itself. However, in the miniature of Flying Flower Cui, you can see that there is always the same thing in the bone. Whether it was Shen Zhaozhou or Liu Dehai who developed to the present day, some of them were kept by inheritance, others by the Chinese style and the west in the evolution of the times, and the artistic characteristics of the Chongming school remained unchanged in keeping with the pace of the times. Thanks to the regional nature of the traditional schools, Jiangnan, a name that itself is gentle and delicate, and pursues the natural simplicity of freshness and elegance, naturally brings the familiar flavor of Jiangnan. Therefore, the times imprinted Yingzhou Ancient tune forever, which made Chongming School different from several other pipa factions.
【作者單位】： 上海音樂(lè)學(xué)院附中;
【分類號(hào)】：J692

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