“倍四”、“背四”、“倍思”考
發(fā)布時(shí)間：2018-11-13 09:35
【摘要】："倍四"、"背四"和弦管(南音)中的管門(mén)"倍思管",這幾個(gè)術(shù)語(yǔ)讀音相諧,內(nèi)容是否相關(guān)呢?文章聚焦于對(duì)這幾個(gè)術(shù)語(yǔ)內(nèi)涵進(jìn)行辨析,并得出結(jié)論:這幾個(gè)術(shù)語(yǔ)折射出宮調(diào)理論核心思維在發(fā)展變遷中的穩(wěn)定性和自我調(diào)適的路徑。
[Abstract]:"four times", "back four" chord chords (Nanyin) in the "double thinking tube", these terms sound harmony, whether the content is relevant? This paper focuses on the analysis of the connotation of these terms and draws a conclusion that these terms reflect the stability and self-adjustment path of the core thinking of the palace tune theory in the course of development and change.
【作者單位】： 中國(guó)藝術(shù)研究院音樂(lè)研究所;
【分類(lèi)號(hào)】：J609.2
，
本文編號(hào)：2328705
[Abstract]:"four times", "back four" chord chords (Nanyin) in the "double thinking tube", these terms sound harmony, whether the content is relevant? This paper focuses on the analysis of the connotation of these terms and draws a conclusion that these terms reflect the stability and self-adjustment path of the core thinking of the palace tune theory in the course of development and change.
【作者單位】： 中國(guó)藝術(shù)研究院音樂(lè)研究所;
【分類(lèi)號(hào)】：J609.2
，
本文編號(hào)：2328705
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