【摘要】：西方合唱源于古希臘社會(huì)，，并一開始就與宗教有著密切的聯(lián)系。文藝復(fù)興時(shí)期是教會(huì)音樂發(fā)展的高峰期，在這個(gè)光輝燦爛的歲月里，優(yōu)秀的音樂家層出不窮，他們不僅推動(dòng)了整個(gè)教會(huì)音樂的發(fā)展，更是向世人展示了一個(gè)時(shí)代的音樂不斷從成熟走向精致和完美的藝術(shù)過程。其中，若斯坎與帕萊斯特里那是不得不提的兩位優(yōu)秀音樂家，他們的創(chuàng)作構(gòu)建起西方音樂的優(yōu)良傳統(tǒng)，他們的經(jīng)文歌、彌撒曲及尚松成為深受世人鐘愛的藝術(shù)經(jīng)典，他們不僅是文藝復(fù)興音樂的兩座豐碑，他們的創(chuàng)作更是深刻的影響著一輩又一輩的音樂家。 文藝復(fù)興時(shí)期是音樂史上最輝煌的時(shí)期之一。尤其在合唱藝術(shù)方面是個(gè)全新的突破，當(dāng)時(shí)出現(xiàn)了一種在教堂演唱的無器樂伴奏的合唱形式，被稱為“a cappella”,其字面意思是“為教堂”。這種無伴奏合唱代表了16世紀(jì)教堂復(fù)調(diào)音樂的黃金時(shí)代。 若斯坎與帕萊斯特里那是文藝復(fù)興時(shí)期音樂領(lǐng)域里杰出的兩位代表，若斯坎被視為橫跨中古時(shí)代與文藝復(fù)興時(shí)代的最偉大的音樂家。他的宗教音樂多以模仿手法的復(fù)調(diào)風(fēng)格寫成，推動(dòng)了復(fù)調(diào)音樂的發(fā)展；而總是用純凈的和聲效果支持純凈的旋律的帕萊斯特里那，則被世人稱為“教堂音樂的救世主”。 本文以對(duì)比若斯坎與帕萊斯特里那在教會(huì)音樂創(chuàng)作上的異同為目的，希望通過對(duì)于兩位音樂家創(chuàng)作的研究與分析，能夠?qū)τ趪鴥?nèi)合唱藝術(shù)研究的范圍及內(nèi)容起到部分借鑒與參考作用。
[Abstract]:Western chorus originated from ancient Greek society and was closely related to religion from the beginning. The Renaissance period was the peak of the development of church music. In this glorious period, excellent musicians emerged in endlessly. They not only promoted the development of the whole church music, It also shows the music of an era from mature to exquisite and perfect art process. Among them, Joschcan and Palestrina are two outstanding musicians whose works build up the fine tradition of western music. Their scripture songs, Mass and Shang Song become the favorite art classics of the world. They are not only two monuments of Renaissance music, but also have a profound influence on generations of musicians. The Renaissance was one of the most glorious periods in the history of music. In particular, it was a breakthrough in chorus art, when there was a form of non-instrumental accompaniment in church, called "a cappella", which literally meant "church". This ensemble represents the golden age of church polyphony in the 16 th century. Joschcan and Palestrina are two outstanding representatives of Renaissance music, and Joschcan is regarded as the greatest musician across the Middle Ages and Renaissance. His religious music was written in a polyphonic style of imitation, which promoted the development of polyphonic music, while Pallestrian, who always supported pure melodies with pure harmony effects, was called "the savior of church music". The purpose of this paper is to compare the similarities and differences between Roxkane and Palestrina in the creation of church music, and hope to study and analyze the creation of the two musicians. Can play a part of reference and reference to the scope and content of domestic choral art research.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J614

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