清代北京藏傳佛教的道歌演唱與藝僧制度——兼論三世章嘉活佛對傳承傳播蒙藏佛教樂舞的貢獻(xiàn)
發(fā)布時間：2018-09-09 19:01
【摘要】：一般認(rèn)為,佛教大約于13世紀(jì)前后傳入蒙古地區(qū),但一直到16世紀(jì)中葉以后,蒙古地區(qū)依附于中原的清宮滿族朝廷,藏傳佛教音樂始真正在蒙古地區(qū)得到傳播,并逐漸站穩(wěn)腳跟。在此過程中,歷代章嘉國師及章嘉活佛系統(tǒng)憑借其在北方藏傳佛教界的統(tǒng)領(lǐng)地位、大量的佛教儀式樂舞表演和建立樂僧培養(yǎng)機制等相關(guān)實踐活動,對于藏傳佛教樂舞在北京及蒙古地區(qū)的傳承傳播起到了至關(guān)重要的作用。本文通過對史籍中有關(guān)三世章嘉活佛的道歌演唱、培養(yǎng)藝僧和組織、統(tǒng)管節(jié)慶儀式樂舞表演等事跡的相關(guān)記載進(jìn)行梳理,以圖對上述佛教音樂文化領(lǐng)域的研究提供一個鮮活的個案實例。
[Abstract]:It is generally believed that Buddhism was introduced into Mongolia around the 13th century, but it was not until the middle of the 16th century that Mongolia was attached to the Manchu court of the Central Plains, and Tibetan Buddhist music was really spread in Mongolia. And gradually stand firm. In the course of this process, Zhang Jia Guoshi and Zhang Jia living Buddha system in the past dynasties, with their leading position in the Tibetan Buddhism circles in the north, a large number of Buddhist ritual music and dance performances and the establishment of music and monk cultivation mechanism and other related practical activities. Tibetan Buddhist music and dance in Beijing and Mongolia play a vital role in the transmission of heritage. This paper combs the relevant records of the historical books about the Taoist songs of the three living Buddhas, the cultivation of artistic monks and organizations, and the control of the performances of festivals, rituals, dances, etc. In order to provide a fresh case study of the above research in the field of Buddhist music and culture.
【作者單位】： 中央音樂學(xué)院;教育部人文社科重點研究基地中央音樂學(xué)院音樂研究所;
【基金】：教育部人文社會科學(xué)重點研究基地2003年度重大課題項目(批準(zhǔn)號:03JAZJD760005)
【分類號】：J608;B949
[Abstract]:It is generally believed that Buddhism was introduced into Mongolia around the 13th century, but it was not until the middle of the 16th century that Mongolia was attached to the Manchu court of the Central Plains, and Tibetan Buddhist music was really spread in Mongolia. And gradually stand firm. In the course of this process, Zhang Jia Guoshi and Zhang Jia living Buddha system in the past dynasties, with their leading position in the Tibetan Buddhism circles in the north, a large number of Buddhist ritual music and dance performances and the establishment of music and monk cultivation mechanism and other related practical activities. Tibetan Buddhist music and dance in Beijing and Mongolia play a vital role in the transmission of heritage. This paper combs the relevant records of the historical books about the Taoist songs of the three living Buddhas, the cultivation of artistic monks and organizations, and the control of the performances of festivals, rituals, dances, etc. In order to provide a fresh case study of the above research in the field of Buddhist music and culture.
【作者單位】： 中央音樂學(xué)院;教育部人文社科重點研究基地中央音樂學(xué)院音樂研究所;
【基金】：教育部人文社會科學(xué)重點研究基地2003年度重大課題項目(批準(zhǔn)號:03JAZJD760005)
【分類號】：J608;B949
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 阿旺·貢噶索南扎巴堅贊;趙康;;五明處之一——工巧明之分支《樂論》注疏·文殊上師喜悅之雅音 明慧意樂功業(yè)遍布 連載一[J];西藏藝術(shù)研究;1993年01期
2 云丹次仁;;《米拉日巴道歌》初探[J];西藏研究;1984年04期
【共引文獻(xiàn)】
相關(guān)期刊論文 前10條
1 段繼業(yè);;磚茶文化論(續(xù))[J];中國茶葉;2008年10期
2 周煒;藏傳佛教化身理論與格薩爾的本生[J];中國藏學(xué);1994年02期
3 才讓;藏傳佛教中的關(guān)公信仰[J];中國藏學(xué);1996年01期
4 臧惟華;垂范后世 昭彰未來——紀(jì)念十一世班禪尋訪認(rèn)定七周年[J];中國藏學(xué);2003年01期
5 蘇發(fā)祥;;允禮與藏傳佛教[J];中國藏學(xué);2009年01期
6 鄧建新;;三世章嘉入藏主持認(rèn)定七世達(dá)賴?yán)镛D(zhuǎn)世靈童的真相[J];中國藏學(xué);2010年01期
7 謝繼勝;賈維維;;元明清北京藏傳佛教藝術(shù)的形成與發(fā)展[J];中國藏學(xué);2011年01期
8 羅p，
本文編號：2233286
本文鏈接：http://sikaile.net/wenyilunwen/qiyueyz/2233286.html
最近更新
教材專著
