兩個《普庵咒》經(jīng)典傳譜演奏比較分析
發(fā)布時間：2018-09-04 10:09
【摘要】：《普庵咒》原是一首佛教咒語,為南宋禪師普庵所作。世人稱之為《釋談?wù)隆�。本文以《華氏譜》與《李氏譜》為據(jù)本，對同名樂曲《普庵咒》進行分析比較。 本文的引言中，，對《華氏譜》與《李氏譜》做了簡要介紹，對樂曲《普庵咒》的歷史淵源、在其他樂器中存在的狀況等進行梳理歸納，以及總結(jié)前人的研究成果。第一章從音樂形態(tài)、音樂內(nèi)容逐段分析樂曲，得出兩首樂曲在曲式結(jié)構(gòu)、調(diào)性、及三個樂段的旋律等方面相同點；在其他樂段中旋律、演奏技法等方面不同點；第二章從演奏的角度，結(jié)合《華氏譜》與《李氏譜》的成譜年代，以及當時的琵琶演奏發(fā)展狀況，分析樂曲在演奏技法上的相同點與不同點。
[Abstract]:Puan mantra was originally a Buddhist mantra written by Zen Master Puan in the Southern Song Dynasty. The world calls it "the interpretation of the chapter". Based on "Fahrenheit" and "Li's Spectrum", this paper analyzes and compares the music of the same name "Puan mantra". In the introduction of this paper, the Fahrenheit spectrum and the Li spectrum are briefly introduced, the historical origin of the music "Puan mantra", the existing situation in other musical instruments are summarized, and the previous research results are summarized. The first chapter analyzes the music from the music form, the music content paragraph by paragraph, obtains the two music in the form structure, the tonality, as well as the three sections melody and so on aspect similarities and so on, in the other music passage melody, the performance technique and so on aspect difference point; The second chapter analyzes the similarities and differences of the performance techniques from the point of view of playing, combining the composing age of Fahrenheit and Li's spectrum, and the development of pipa playing at that time.
【學位授予單位】：南京藝術(shù)學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J632.33
本文編號：2221773
[Abstract]:Puan mantra was originally a Buddhist mantra written by Zen Master Puan in the Southern Song Dynasty. The world calls it "the interpretation of the chapter". Based on "Fahrenheit" and "Li's Spectrum", this paper analyzes and compares the music of the same name "Puan mantra". In the introduction of this paper, the Fahrenheit spectrum and the Li spectrum are briefly introduced, the historical origin of the music "Puan mantra", the existing situation in other musical instruments are summarized, and the previous research results are summarized. The first chapter analyzes the music from the music form, the music content paragraph by paragraph, obtains the two music in the form structure, the tonality, as well as the three sections melody and so on aspect similarities and so on, in the other music passage melody, the performance technique and so on aspect difference point; The second chapter analyzes the similarities and differences of the performance techniques from the point of view of playing, combining the composing age of Fahrenheit and Li's spectrum, and the development of pipa playing at that time.
【學位授予單位】：南京藝術(shù)學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J632.33
【參考文獻】
相關(guān)期刊論文 前1條
1 錢鐵民;李芳園的琵琶藝術(shù)[J];音樂研究;1986年04期
本文編號：2221773
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