【摘要】：奧托里諾·雷斯庇基(Ottorino Respighi,1879-1936)是20世紀(jì)上半葉意大利最為重要的作曲家之一。他的音樂創(chuàng)作既有浪漫主義的細(xì)膩情感,又有印象主義的色彩描繪,樂隊(duì)音響?yīng)殬湟粠�。同時(shí),雷斯庇基也改編過大量的他人作品,他的創(chuàng)作經(jīng)歷可以充分的表明,雷斯庇基不僅是一位杰出的作曲家,同時(shí)也一位頗有建樹的配器專家。無論是他的管弦樂作品,還是他的改編作品都是配器研究極好的典型范例。 本文以雷斯庇基改編五首拉赫瑪諾夫的《音畫練習(xí)曲》為研究對(duì)象,通過雷斯庇基由鋼琴作品到樂隊(duì)作品的改編技術(shù)和管弦樂隊(duì)配器技術(shù)為研究?jī)?nèi)容,從音樂題材、曲式結(jié)構(gòu)、樂隊(duì)織體因素與形態(tài)、樂器分配等方面入手,研究雷斯庇基精湛的配器技術(shù)和樂隊(duì)寫作思維。 本文的結(jié)構(gòu)分為三部分。第一部分簡(jiǎn)要的介紹拉赫瑪尼諾夫和雷斯庇基的生平與創(chuàng)作,以及他們與《音畫練習(xí)曲》之間的聯(lián)系。第二部分對(duì)五首管弦樂版《音畫練習(xí)曲》的改編技術(shù)和配器技術(shù)分別進(jìn)行分析。第三部分是在織體改寫與配器技術(shù)進(jìn)行具體分析的基礎(chǔ)上對(duì)雷斯庇基這五首配器作品的音型改寫技術(shù)、混合音色特點(diǎn)以及用管弦樂隊(duì)營(yíng)造音樂氣氛、刻畫音樂形象等幾方面進(jìn)行歸納和總結(jié)。這些也正是雷斯庇基手法之鮮明,音響之豐富,配器之成功的關(guān)鍵所在。
[Abstract]:Ottorino Respighi (1879-1936) was one of the most important composers in Italy in the first half of the 20th century. His music creation has the romantic delicate emotion, also has the impressionism color description, the band acoustics is unique. At the same time, Respiki also adapted a large number of other works, his creative experience can fully show that Lespiki is not only an outstanding composer, but also a successful orchestration expert. Both his orchestral works and his adaptations are excellent examples of orchestration research. This paper takes the adaptation of five Rachmanov Etudes by Rispiki as the research object, through the adaptation techniques from piano works to band works and orchestral orchestration techniques, from music theme to musical structure. This paper studies Lespiki's exquisite orchestration technique and band writing thinking. The structure of this paper is divided into three parts. The first part briefly introduces the life and creation of Rachmaninov and Rispiki, as well as their relationship with Etudes. In the second part, the adaptation technology and orchestration technology of five orchestral Etudes are analyzed. The third part is based on the specific analysis of texture rewriting and orchestration technology, on the basis of the sound rewriting technology of the five orchestration works of Respiki, the mixing of timbre characteristics and the creation of musical atmosphere by orchestra. Portray the image of music and other aspects of induction and summary. These are the keys to the success of Lespique's technique, the richness of sound and the success of the orchestration.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J614.4

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本文編號(hào)：2175840