湘桂走廊喪葬儀式音樂(lè)的基本構(gòu)成原理之一——“Re-Do-La三聲腔”
發(fā)布時(shí)間：2018-08-06 21:32
【摘要】：Re-Do-La三聲腔由re、do、la三個(gè)音構(gòu)成。其腔核具有re、la開(kāi)合,Re-Do-La復(fù)沓,交錯(cuò)和終止的功能,由此構(gòu)成樂(lè)段和各種次級(jí)結(jié)構(gòu)單位。Re-Do-La三聲腔的擴(kuò)展能形成四聲、五聲、六聲和七聲音階。此結(jié)構(gòu)原理是湘桂走廊喪葬儀式音樂(lè)的基本構(gòu)成原理之一,與楚音樂(lè)文化可能有淵源關(guān)系。
[Abstract]:The Re-Do-La trisound is composed of three tones of Redodola. The nucleus of the cavities has the functions of redox, interleaving and terminating. Thus, the expansion of the music segment and various sub-structural units. Re-Do-La trisonic cavity can form four, five, six and seven sound orders. This structure principle is one of the basic composing principles of funeral ceremony music in Xiang-Gui Corridor, which may have a relationship with Chu music culture.
【作者單位】： 桂林旅游高等�？茖W(xué)校藝術(shù)表演系;
【分類號(hào)】：J607
，
本文編號(hào)：2169050
[Abstract]:The Re-Do-La trisound is composed of three tones of Redodola. The nucleus of the cavities has the functions of redox, interleaving and terminating. Thus, the expansion of the music segment and various sub-structural units. Re-Do-La trisonic cavity can form four, five, six and seven sound orders. This structure principle is one of the basic composing principles of funeral ceremony music in Xiang-Gui Corridor, which may have a relationship with Chu music culture.
【作者單位】： 桂林旅游高等�？茖W(xué)校藝術(shù)表演系;
【分類號(hào)】：J607
，
本文編號(hào)：2169050
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