發(fā)布時間：2018-08-05 13:32

【摘要】：以中國民歌作為鋼琴變奏曲主題的音樂作品，融合了民族音樂元素與西方作曲技法。其中的“民族音樂元素”主要包括中國民歌主題、結(jié)構(gòu)思維、音樂文化及音樂發(fā)展手法等；“西方作曲技法”主要指和聲、曲式、復(fù)調(diào)手法的運用及音樂發(fā)展手法等。此外，它是為西洋樂器——鋼琴而作。從中國傳統(tǒng)的審美角度看，中國民歌主題鋼琴變奏曲具有結(jié)構(gòu)的自然美、曲調(diào)的線性美、技法包容的形式美、融合的情態(tài)美等方面的審美價值。其中的結(jié)構(gòu)思維、曲調(diào)發(fā)展、技法運用、風(fēng)格表現(xiàn)，在不同角度、不同程度地體現(xiàn)了中國傳統(tǒng)音樂文化。作品里的“中西融合”，既是技法的融合、風(fēng)格的融合，更是文化的融合，它給中國千百年流傳的古老音樂予新的詮釋和活力，是中國民族音樂的繼承與發(fā)展。
[Abstract]:With Chinese folk songs as the theme of piano variations, folk music elements and western composition techniques are combined. The "elements of national music" mainly include the theme of Chinese folk songs, structural thinking, music culture and music development techniques, etc. "Western composing techniques" mainly refer to the use of harmony, music, polyphonic techniques and music development techniques. In addition, it is for the Western musical instrument-piano. From the Chinese traditional aesthetic point of view, the Chinese folk song theme piano variation has the aesthetic value of natural beauty of structure, linear beauty of melody, formality beauty of technique tolerance, modality beauty of fusion and so on. The structural thinking, the development of tunes, the application of techniques and the expression of style reflect Chinese traditional music culture in different angles and to different degrees. The combination of Chinese and Western works is not only the fusion of technique, style, and culture, but also the new interpretation and vitality of ancient music that has been circulating for thousands of years in China, and it is the inheritance and development of Chinese national music.
【學(xué)位授予單位】：貴州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J614.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 侯寶才;中國鋼琴變奏曲創(chuàng)作研究[D];河北師范大學(xué);2011年

2 葉欣;中國江蘇七首民歌鋼琴復(fù)調(diào)小曲作品研究[D];哈爾濱師范大學(xué);2012年

，

本文編號：2165948