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歌唱情感的培養(yǎng)、激發(fā)與表達(dá)

發(fā)布時(shí)間:2018-07-21 08:51
【摘要】:歌唱藝術(shù),說(shuō)到底是一種情感表達(dá)的藝術(shù)。它的成功主要在于歌唱者通過(guò)對(duì)作品內(nèi)容的理解與情感體驗(yàn),運(yùn)用動(dòng)聽(tīng)的聲音和清晰的語(yǔ)言恰如其分地把歌曲所要表達(dá)的思想感情傳達(dá)給觀眾,使觀眾也體會(huì)到這種情感,從而產(chǎn)生心理上的共鳴。筆者在序言中點(diǎn)明了寫(xiě)這篇文章的原因,即歌唱情感的概念和其對(duì)于歌唱的重要性,同時(shí)闡述了歌唱情感培養(yǎng),激發(fā)與表達(dá)的關(guān)系。而正文,本人結(jié)合自己多年學(xué)習(xí)聲樂(lè)與教學(xué)實(shí)踐的體會(huì),主要從三方面闡述歌唱情感的培養(yǎng)和表達(dá)方法:首先探討了在培養(yǎng)情感的過(guò)程中如何提高音樂(lè)修養(yǎng)與審美能力,筆者主要從學(xué)習(xí)聲樂(lè)藝術(shù)知識(shí)和視聽(tīng)音樂(lè)作品等幾個(gè)方面來(lái)論述;其次,在情感激發(fā)的問(wèn)題上,本人通過(guò)理論結(jié)合實(shí)例闡述了在充分做好案頭準(zhǔn)備工作的前提下,如何充分發(fā)揮想象力,激發(fā)歌唱表現(xiàn)欲,從而使歌唱旋律線(xiàn)與歌詞統(tǒng)一,伴奏與歌聲在情感上良性互動(dòng)。最后,在對(duì)于情感表達(dá)的論述中,從忠于藝術(shù)、發(fā)聲吐字技巧、對(duì)比手法的運(yùn)用以及歌唱時(shí)形體語(yǔ)言和面部表情、藝術(shù)實(shí)踐等多個(gè)方面較詳盡的論述了歌唱者在表達(dá)作品的過(guò)程中應(yīng)注意的問(wèn)題和表達(dá)的途徑等等。在論述藝術(shù)實(shí)踐對(duì)于歌唱情感培養(yǎng)、激發(fā)與表達(dá)的作用時(shí),筆者還結(jié)合自己演出實(shí)踐的心得體會(huì)進(jìn)行了論述。作為一名聲樂(lè)工作者,在平常的聲樂(lè)教學(xué)和實(shí)踐中,除了對(duì)學(xué)生進(jìn)行發(fā)聲吐字,共鳴等單純歌唱技巧的訓(xùn)練之外,,還應(yīng)重視對(duì)作品中蘊(yùn)含的思想感情的表達(dá),并運(yùn)用形象的描述,生動(dòng)的講解,從作品歷史背景,作者創(chuàng)作意圖,具體思想內(nèi)容出發(fā),培養(yǎng)和激發(fā)學(xué)生的表現(xiàn)欲,讓他們展開(kāi)心靈的翅膀,感受藝術(shù),挖掘藝術(shù),表現(xiàn)藝術(shù)。
[Abstract]:Singing, in the end, is a kind of emotion expression art. Its success mainly lies in the singer's understanding and emotional experience of the content of the work, using a sound sound and a clear language to convey the thoughts and feelings that the song will express to the audience. In the preface, the author points out the reasons for writing this article, that is, the concept of singing emotion and its importance to singing. At the same time, the author expounds the relationship between the cultivation of singing emotion and the relationship between arousing and expressing. And the main body, combining with my experience of learning vocal music and teaching practice for many years, is to elaborate the cultivation and expression of the emotion of singing from three aspects. Method: first, it discusses how to improve the musical accomplishment and aesthetic ability in the process of cultivating emotion. The author mainly discusses the knowledge of vocal music and audio-visual music. Secondly, on the issue of emotional arousal, I elaborate on the premise that the preparation of the desk is fully done by combining the theory with an example. In the discourse of emotion expression, in the discourse of emotion expression, there are many aspects, such as the loyalty to art, the technique of phonation, the use of contrast techniques, the form language and facial expression, and the art practice in singing. The author expounds in detail the problems and ways of expression that the singer should pay attention to in the process of expressing his works. In the discussion of the effect of artistic practice on the cultivation of the emotion of singing and the function of arousing and expressing, the author also discusses the experience of the performance of his own performance. As a reputation worker, the author is in the ordinary vocal music teaching and practice. In addition to the training of students' vocal emulation, resonance and other simple singing skills, we should pay more attention to the expression of the thoughts and feelings contained in the works, and use the description of the image and vivid explanation, from the historical background of the works, the author's creative intention and the concrete content of the thought, to cultivate and stimulate the students' expressive desire and let them unfold the mind. The wings, the art of feeling, the art of digging, the art of expression.
【學(xué)位授予單位】:首都師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2006
【分類(lèi)號(hào)】:J616

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