本文選題：山東鼓吹樂 + 文獻綜述�。� 參考：《陜西師范大學》2014年碩士論文

【摘要】：山東鼓吹樂風格獨特、內涵豐富、形式多樣,是我國北方代表性的鼓吹樂種之一,長期以來深受研究者關注,相應產生了大量的研究成果。當今,山東鼓吹樂不時做出巧妙調整,以適應復雜、多變的社會文化環(huán)境。本文以六十多年來山東鼓吹樂研究之文獻與當今三大樂班為研究對象,以案頭工作與實地調查為基礎,嘗試進行綜合研究。全文共分為二大部分： 第一部分：山東鼓吹樂文獻研究。筆者首先對1949—2013年出版、發(fā)表的山東鼓吹樂研究成果進行了數字統(tǒng)計,其次對重點文獻進行了綜述,最后分別以研究對象的地理屬性、研究角度、著述類型、研究者來源為分類標準對文獻進行了多角度的梳理和分析,并對研究現(xiàn)狀進行了總結與思考。 第二部分：樂班個案研究。在文獻研究基礎之上,筆者對具有典型意義的三類樂班(分別以魏氏鼓吹樂班、陳集嗩吶藝術團、新興集女子嗩吶隊為代表)的歷史、現(xiàn)況及在當今禮俗(以喪葬禮儀為例)中的應用進行了平行性的描述,并展現(xiàn)了三類樂班面對不同發(fā)展路徑的抉擇。 在經歷了文獻梳理及田野考察、理性認識與感性認識以后,筆者在結語部分對山東鼓吹樂的變遷之路進行了思考,重點對其音樂功能與藝人生存方式的流變進行了解讀。
[Abstract]:Shandong preaching music style is unique, the connotation is rich, the form is diverse, is one of our country north representative advocacy music species, has been paid close attention to by the researcher for a long time, has produced the massive research result accordingly. Nowadays, Shandong trumpeting music makes clever adjustments from time to adapt to the complex and changeable social and cultural environment. In this paper, the author takes the literature and the three music classes in Shandong Province as the object of study, and attempts to conduct a comprehensive study on the basis of desk work and field investigation. The paper is divided into two parts: the first part: Shandong advocacy music literature research. The author first carries on the digital statistics to the Shandong trumpeting music research achievement published from 1949 to 2013, then carries on the summary to the key literature, finally separately takes the research object's geographical attribute, the research angle, the writing type, The source of the research is to sort out and analyze the literature from various angles for the classification standard, and to summarize and think about the present situation of the research. The second part: Leban case study. On the basis of literature research, the author makes a study of the history of the three kinds of music classes with typical significance, which are represented by Wei's advocating Music Class, Chen Ji Suona Art Troupe and Xinxing Women's Suona Troupe, respectively. The present situation and its application in today's rites and customs (taking funeral rites as an example) are described in parallel, and the choices of three kinds of music classes facing different development paths are shown. After literature review and field investigation, rational understanding and perceptual understanding, the author thinks about the changing road of Shandong preaching music in the conclusion part, focusing on the interpretation of its musical function and the evolution of the artist's way of survival.
【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J607

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