本文選題：律學(xué) + 律學(xué)測(cè)量　； 參考：《中央音樂(lè)學(xué)院》2013年碩士論文

【摘要】：本文的研究對(duì)象是20世紀(jì)20至70年代錄制的中國(guó)南北方民間戲曲、說(shuō)唱音樂(lè)的音響中聲樂(lè)唱腔部分的律制特點(diǎn)。筆者采用律學(xué)測(cè)量手段對(duì)這些錄音進(jìn)行音高測(cè)音研究,依據(jù)單音測(cè)音、旋律音程測(cè)音方法所得到的雙重測(cè)音數(shù)據(jù)對(duì)比分析,進(jìn)而推斷出中國(guó)南北方民間音樂(lè)的基本律制。 律學(xué)測(cè)量是律學(xué)研究的重要方法,也是本文的主要研究方法。自上個(gè)世紀(jì)70至90年代民間音樂(lè)律制研究者開(kāi)始使用律學(xué)測(cè)音的方法研究中國(guó)民間音樂(lè),他們所使用的測(cè)音方法、測(cè)音設(shè)備各不相同,但很少探討律學(xué)測(cè)音實(shí)際操作中的一些細(xì)節(jié)問(wèn)題,比如律學(xué)測(cè)音如何采樣,律學(xué)測(cè)音中的誤差問(wèn)題等。筆者就這些問(wèn)題,借助21世紀(jì)初新的律學(xué)測(cè)量工具和最新律學(xué)測(cè)量理論研究成果,重新探討律學(xué)測(cè)音中的被測(cè)音律采樣方法及律學(xué)測(cè)量中的誤差問(wèn)題,并將以上研究結(jié)果應(yīng)用在本文的律學(xué)測(cè)音研究當(dāng)中。 筆者具體通過(guò)對(duì)十六段中國(guó)南北方民間音樂(lè)聲樂(lè)唱段的律學(xué)測(cè)音研究,得出以下結(jié)論：北方民間音樂(lè)(以京劇、京韻大鼓為例)多采用以五度相生律為基礎(chǔ)律制,并用純律、平均律和中立音音程；南方民間音樂(lè)(以粵劇、蘇州評(píng)彈為例)多采用十二平均律為基礎(chǔ)律制,并用純律、五度律和中立音音程。究其原因,南方民間音樂(lè)研究樣本的錄制時(shí)間較為靠近現(xiàn)代,難免受到西方音樂(lè)十二平均律音高關(guān)系的影響。 筆者在本文中國(guó)南北方民間音樂(lè)律制對(duì)比研究的結(jié)果上,結(jié)合自20世紀(jì)70年代末至今的中國(guó)民間音樂(lè)律學(xué)測(cè)音研究成果后認(rèn)為：中國(guó)民間音樂(lè)測(cè)音研究具有很強(qiáng)的地域特點(diǎn),中國(guó)民間音樂(lè)律制研究應(yīng)當(dāng)建立以地域特點(diǎn)為分類(lèi)依據(jù)的應(yīng)用律制體系,這是發(fā)展當(dāng)代樂(lè)律學(xué)學(xué)科的一條康莊大道,其意義在于不斷豐富自身學(xué)科體系外,還能加強(qiáng)與其他音樂(lè)學(xué)科之間的聯(lián)系,更是能成為促進(jìn)民族音樂(lè)發(fā)展的強(qiáng)大原動(dòng)力之一。
[Abstract]:The research object of this paper is the folk opera recorded in the 1920s and 1970s in the south and north of China. The author studies the pitch of these recordings by means of law measurement, compares and analyzes the double tone measurement data obtained by the method of single tone measurement and melodic interval measurement, and then deduces the basic law system of folk music in North and South China. The measurement of law is an important method in the study of law, and it is also the main research method in this paper. From the 1970s to the 1990s, folk music law researchers began to study Chinese folk music by using the method of phonetic measurement. The sound measuring methods used by them were different from each other. However, some detailed problems in the practical operation of phonometry are seldom discussed, such as how to sample the sound in the phonetics, the error in the measurement of the sound in the phonetics, and so on. In view of these problems, with the help of the new measuring tools and the latest theoretical research results of the law measurement in the beginning of the 21st century, the author rediscusses the sampling method of the measured sound and the error problem in the measurement of the law of sound. The above results are applied to the study of phonometry in this paper. In this paper, the author makes a detailed research on the phonological measurement of the vocal music in the south and north of China, and draws the following conclusions: the folk music in the north (taking Beijing Opera, Beijing rhyme Drum as an example) is based on the law of five degrees, and the pure law is used. In southern folk music (taking Cantonese opera, Suzhou opera as an example), the twelve-average law is used as the basic law system, and the pure law, the fifth degree law and the neutral tone interval are used. The reason is that the recording time of southern folk music research samples is close to modern time, which is unavoidably influenced by the relationship between the twelve average pitch of western music. Based on the results of the contrastive study of folk music in the south and north of China, the author considers that the study of Chinese folk music has strong regional characteristics after combining the research results of Chinese folk music from the end of 1970s to the present. The study of Chinese folk music law system should establish a system of applied law system based on regional characteristics, which is a fine road to the development of contemporary music law science, and its significance lies in enriching its own discipline system. It can also strengthen the relationship with other music disciplines and become one of the powerful driving forces to promote the development of folk music.
【學(xué)位授予單位】：中央音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J612.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 周菁葆;維吾爾木卡姆律制初探[J];交響.西安音樂(lè)學(xué)院學(xué)報(bào);1987年03期

2 張寅;;律學(xué)測(cè)量理論與方法研究[J];天津音樂(lè)學(xué)院學(xué)報(bào);2010年04期

3 周立;涼山彝族民歌的音律測(cè)定[J];音樂(lè)探索.四川音樂(lè)學(xué)院學(xué)報(bào);1989年01期

4 沈洽,翁志文,朱s鉉，

本文編號(hào)：2073969