本文選題：哈恰圖良 + 《托卡塔》��； 參考：《新疆師范大學》2014年碩士論文

【摘要】：哈恰圖良是前蘇聯(lián)著名的作曲家和指揮家。他的創(chuàng)作具有獨特的旋律音調(diào)、強烈的和聲語言、復雜的節(jié)奏形態(tài)，這是亞美尼亞民族音樂的典型特點。另外，因受法國印象主義的影響，他的作品還以熱情、樂觀、富于色彩、旋律豐富和高度的技巧性見長。他的這首鋼琴作品《托卡塔》就體現(xiàn)出了這些特色，既有托卡塔典型的快速、緊湊的特點，同時還散發(fā)出濃郁的民族特色。本文以哈恰圖良《托卡塔》作為研究對象，注重理論與實踐相結(jié)合，，同時，筆者也將借助于文獻考證、對比研究、邏輯分析、歷史描述等研究方法來進行研究。 此外，通過文獻資料以及本人研究，對哈恰圖良其人其事以及背景進行闡述，進一步明確他的創(chuàng)作分期與藝術(shù)成就，為接下來論述《托卡塔》的創(chuàng)作特色做鋪墊；并對“托卡塔”這一體裁的具體概念與歷史發(fā)展做梳理研究，進一步說明哈恰圖良的《托卡塔》與前人所作“托卡塔”之間的關(guān)系；再有，從三方面來論述哈恰圖良《托卡塔》的創(chuàng)作特色，說明三方面特色形成的原因與影響以及在《托卡塔》當中的具體體現(xiàn)；最后在前文研究的基礎(chǔ)上，對鋼琴作品《托卡塔》的四部分分別進行演奏分析，結(jié)合導師的演奏指導與本人的演奏體會，對《托卡塔》進行演奏分析，指出演奏這首作品時需要特別注意的方面，為后人的演奏與學習提供借鑒性的參考。
[Abstract]:Hachaturian was a famous composer and conductor of the former Soviet Union. His works are characterized by unique melodic tones, strong harmony language and complex rhythmic forms. This is a typical feature of Armenian folk music. In addition, because of the influence of French impressionism, his works are enthusiastic, optimistic, colorful, melodic and highly skilled. His piano work "Tokata" embodies these characteristics, not only the typical fast and compact characteristics of Tokata, but also the strong national characteristics. This paper takes Hachaturian "Tokata" as the object of study, pays attention to the combination of theory and practice. At the same time, the author will also study by means of textual research, comparative study, logic analysis, historical description and so on. In addition, through the literature and my own research, the author expounds his personal affairs and background, further clarifies his creative stages and artistic achievements, and paves the way for the following discussion on the creative characteristics of Tokata; Furthermore, the paper makes a research on the specific concept and historical development of the genre of "Tokata", and further explains the relationship between the "Tokata" of Hachaturian and the "Tokata" written by his predecessors. In this paper, the author discusses the creative characteristics of Haqaturian's Tokata from three aspects, explains the reasons and influences of the formation of the three characteristics, and the concrete embodiment in Tokata. Finally, on the basis of the previous study, By analyzing the four parts of the piano work "Tokata", combining with the guidance of the instructor and his own experience, the author analyzes the performance of "Tokata", and points out the aspects that should be paid special attention to when playing this piece. For future generations to play and learn to provide reference.
【學位授予單位】：新疆師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J624.1

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